Showing posts with label BBC. Show all posts
Showing posts with label BBC. Show all posts

Thursday, March 08, 2018

Chatting with a Chat Bot. BBC Labs Experiments

An interesting article from Nieman Labs which takes a look at how the BBC are experimenting with Chatbots.  Not just how they an enage but also how to integrate the tool into the journalists workflow:
The BBC News Labs and the BBC Visual Journalism team are trying to solve both issues with a single solution: a custom bot-builder application designed to make it as easy as possible for reporters to build chatbots and insert them into their stories. In a few minutes, a BBC reporter can input the text of an article, define the questions users can click, and publish the bot, which can then be reused and added to any other relevant article. BBC reporters can even repurpose existing Q&A explainers into bot-based conversations.
So, on this story about a typo on State of the “Uniom” tickets, a “Catch me up” module says: “Donald Trump came into office promising to change the face of American politics and transfer power ‘back to the people.’ This BBC chatbot lets you ask: what has President Trump achieved in his first year?” Three potential questions are offered. (How are the President’s approval ratings? How is the economy faring under President Trump? And has the President changed immigration numbers?) Pick one and a chat interface expands with answers. (“He’s one of the most unpopular presidents in the modern era.”) With each answer, one or more new questions pop up as options; the Trump chatbot contains more than a dozen in all.)

Sunday, August 05, 2012

MediaWeek (Vol 5, No 32): Team GB, Big Data on Campus, Libraries and eBooks, Amazon Daily Delivery + More

First the important stuff:  TEAM GB!
From Andy Murray's gold to the men's lightweight four landing a dramatic silver, here are Britain's medal winners of the Games.
And this: Britain's medal winners are a portrait of the United Kingdom as a whole rather than of London and the south-east

Big data on Campus (NYTimes):
This is college life, quantified.
Data mining hinges on one reality about life on the Web: what you do there leaves behind a trail of digital breadcrumbs. Companies scoop those up to tailor services, like the matchmaking of eHarmony or the book recommendations of Amazon. Now colleges, eager to get students out the door more efficiently, are awakening to the opportunities of so-called Big Data.
The new breed of software can predict how well students will do before they even set foot in the classroom. It recommends courses, Netflix-style, based on students’ academic records.
Data diggers hope to improve an education system in which professors often fly blind. That’s a particular problem in introductory-level courses, says Carol A. Twigg, president of the National Center for Academic Transformation. “The typical class, the professor rattles on in front of the class,” she says. “They give a midterm exam. Half the kids fail. Half the kids drop out. And they have no idea what’s going on with their students.”
As more of this technology comes online, it raises new tensions. What role does a professor play when an algorithm recommends the next lesson? If colleges can predict failure, should they steer students away from challenges? When paths are so tailored, do campuses cease to be places of exploration?
An interesting discussion about the choices libraries must make when building an eBook collection from Andromeda Yelton writing in Library Journal:
The one thing I know for certain about the future of ebooks in libraries is that it’s about tradeoffs among deeply held values. Right now, we have lots of options which protect ebook access via established distribution chains and publisher agreements — but they also limit it through DRM, restricted format support, and outright refusal by some publishers to sell ebooks to libraries. Negotiating preservation can be complicated or impossible; privacy questions lurk; and checkout limits put sharing at risk.
The eleven emerging models profiled in the In the Library with the Lead Pipe article, referenced above, provide different tradeoffs.  (Disclosure: one is my employer, Unglue.it.)  They vary in who hosts the files, whether libraries are free to make copies, whether DRM is applied, and what legal terms govern the use of the ebooks. This gives each of them a unique set of values tradeoffs. In general, they offer libraries more options in terms  of sharing, preservation, and privacy.  However, right now, all emerging models are limited in terms of access.  Some are theoretical or in a prototype stage, so they don’t offer any content yet. Others require libraries to negotiate themselves for content access, rather than outsourcing this to a distributor. While this puts libraries in a better position to advocate for their values, it also means more work.
I believe it’s important for libraries to do this kind of work. We need to have passionate, engaged conversations, with our eyes open, about which values we most want to defend in the ebook fray — and which we’re willing to compromise on. We need to consider which of many imperfect models offer the best tradeoffs for enacting library values. And we need to do this, not just in service to the patrons of 2012, but to the patrons of 2020 as well. How do the choices we make today affect their options for private, shared, lasting, accessible ebooks?
Getting that bucket, fan, shaving cream or book today with little or no effort is about to get a whole lot easire as Amazon shoots for same day delivery (Slate):
Can Amazon pull it off? It’s sure spending a lot of money to try, and it has already come up with a few creative ways to speed up deliveries. In each of the deals it has signed with states, the company has promised to build at least one—and sometimes many—new local warehouses. Some of these facilities are very close to huge swaths of the population. Amazon is investing $130 million in new facilities in New Jersey that will bring it into the backyard of New York City; another $135 million to build two centers in Virginia that will allow it to service much of the mid-Atlantic; $200 million in Texas; and more than $150 million in Tennessee and $150 million in Indiana to serve the middle of the country. Its plans for California are the grandest of all. This year, Amazon will open two huge distribution centers near Los Angeles and the San Francisco Bay Area, and over the next three years it might open as many as 10 more in the state. In total, Amazon will spend $500 million and hire 10,000 people at its new California warehouses.

But Amazon isn’t simply opening up a lot of new shipping centers. It’s also investing in making those centers much more efficient. Earlier this year, it purchased Kiva Systems, a company that makes cute, amazingly productive “picking robots” that improve shipping times while reducing errors. Another effort will allow the company to get stuff to you even faster. In Seattle, New York, and the United Kingdom, the firm has set up automated “lockers” in drug stores and convenience stores. If you order something from Amazon and you work near one of these lockers, the company will offer to drop off your item there. On your way home from work, you can just stop by Rite Aid, punch in a security code, and get your stuff.
Will the flipped classroom lead to lower costs - A Provosts perspective. (Inside Higher Ed)
But the cost savings may be more imaginary than real depending on what you are looking for the education to accomplish.  The more you expect education to accomplish and the more personal the educational experience, the lower the actual savings (if any) will be. For example, if the faculty member involved in preparing the class material and the faculty member meeting with the class for questions, projects, analysis and discussion is one and the same and if the class size remains unchanged, there will be no savings in moving from in-person to blended. There are still variables that can result in savings: an adjunct faculty member in place of a full-time faculty member, or a larger class in place of a smaller class.  At the other cost extreme, you can have students take the free online courses now offered by a number of Ivy League schools  and couple that experience which would count as the lesson with a classroom experience that covers questions, analysis, greater depth, etc., taught by graduate students or adjuncts at a significantly reduced cost.  Smaller class size and greater use of full-time faculty will increase the cost of this experience.
Establishing standards in community college education - Not as easy as hitting a baseball (Inside Higher Ed):
Why baseball batting? Williams includes a chart showing that a baseball can pass through the strike zone in 77 different places. I have no trouble seeing a Ted Williams chart worth of pitches headed at me when I step up before these students each day.
I am not going to trivialize students by naming them  “Curve,” “Slider,” “Changeup,” “Forkball,” or “Sinker.”  Consider the variety of pitches?  Some students are high school graduates and some have GEDs.  A Somalian explained at the start of one semester that the challenges impairing her high school experience included dodging snipers on the way to school and frequent raids on the school, machine guns firing, by rebels kidnapping future child soldiers.
The first languages that any class might pitch to me include Arabic (Moroccan, Egyptian, Syrian, Lebanese dialects), Armenian, Russian, Portuguese – via Brazil and Angola -- Spanish from every South and Central American country.  Somali.  French.  Creole.  Swahili.
Hunger is a more frequent pitch.  These students may not have eaten that day.  Last spring, two students had bosses who thought nothing of scheduling 8 a.m.- 4 p.m., 4 p.m.- midnight, and midnight to 8 a.m. shifts all during one week.  One semester, I had a veteran who vanished (later found) after two more buddies from his unit committed suicide.  Once, a student was shot and murdered.  Last spring was the first semester in a while where no one in the class reported anyone shot in their family.
Shakespeare at the British Museum - The Economist:
Out of this miscellany emerges a larger story about the evolution of a British national identity, independent of the papacy, with its own history and imperial ambitions. It was a process in which history, geography, religion and myth were promiscuously pressed into service. Ancient Rome was as likely to turn up in a painting of Queen Elizabeth as an American Indian cherub (with ostrich) in an engraving of London. During Shakespeare’s life, it became possible for the first time to visualise Britain and its place in the world through maps. “He does smile his face into more lines than is in the new map with the augmentation of the Indies,” says Maria of Malvolio in “Twelfth Night”. Behind her words lies a world of travel and history—from the medal commemorating Sir Francis Drake’s circumnavigation of the globe to little playing cards printed with the counties of England.

From Twitter this week:

New Video in BBC #Archives Series Looks at “New Kinds of Metadata”

Germans blow off steam with swearing hotline Reminded me of classic Python:

Our dad, Joe Strummer, remembered

Monday, June 25, 2012

MediaWeek (Vol 5, No 26): AAUP Meeting, Summer Reading Lists, Magazines, The Guardian's Future +More

Last week the Association of American University Presses held their annual conference in Chicago, (where I attended and made two presentations but more on that later) and there were several write-ups.  First, the organizers added a session on the last afternoon about the Georgia eReserves case and here is a blow-by-blow of the session (Inside Higher Ed):
University presses are still unhappy with the outcome of the landmark copyright case, which centered on Georgia State University's practice of duplicating book material and making it available to certain students free through the universities' electronic reserve database. That much was clear at Wednesday’s session, during which Steinman repeatedly slammed Judge Orinda Evans’s legal reasoning in the decision to a chorus of exasperated groans from a packed room of university press workers and executives.
“This is a terrible decision, it’s poorly reasoned, the result is a poor one, it’s a terrible precedent to have on the books,” said Steinman, doubling down on the AAUP’s much milder statement last month, which merely asserted that Evans’s 347-page ruling “appears to make a number of assertions of fact that are not supported by the trial record.”
But collective disdain for the judge’s reasoning in her decision eventually gave way to a general agreement among the attendees that, in order to make the outcome workable, university presses need to mend fences with another key player on their campuses -- librarians.
And from Jennifer Howard at The Chronicle an overview of the entire meeting:
Be part of the conversation, mind your metadata, and use technology as a bridge to the world: That advice animated sessions at the annual meeting of the Association of American University Presses, held here this week.
This year marks the group's 75th anniversary, and attendance hit a record high, with 787 people registered. The numbers created some logistical hassles but gave the meeting energy, too, tempering nervousness about how to feed the growing e-book market and how to convince budget-obsessed administrators that presses are assets, not liabilities.
People talked somberly about the news that the University of Missouri plans to shut down its press. But so far Missouri has been the exception, not the rule. Most presses have survived the recession and budget cuts. Some, like Princeton University Press, had excellent years, according to Peter Dougherty, the Princeton press's director and the new president of the association.
What should the kids read over summer (NYTimes)
Reading literature should be intentional. The problem with much summer reading is that the intention is unclear. Increasingly, students are asked to choose their own summer reading from Web sites like ReadKiddoRead, where the same advanced Real World Fiction category includes “The Catcher in the Rye” and “Flipped,” by Wendelin Van Draanen, which centers on divorce and kissing. Both books can be enjoyed by middle schoolers, but how will the seventh grader determine which one to pick?
The issue is further compounded when summer assignments require students to write about what they read. The problem is that the tasks assigned are at once too open and too circumscribed to be of use. What summer reading needs to be is purposeful. But how do we ensure purposeful independent reading given the low accountability of summer assignments?
Some students will happily read off a recommended-reading list (which should include a companion list of resources to support understanding). They will head to the park with Dickens or Austen under their arms, so long as they can leave the Post-it notes at home. They should be permitted this luxury, to have their teachers treat them as independent learners capable of a first dip into a classic, with no destined-to-be-unread written responses required. Doing this allows the student who chooses tougher books to say, “I didn’t understand half of it.” What better time to allow students to struggle than summer, when no one is calling on them to interpret or explain?
How's the magazine business doing you ask? (Economist)
But among magazines there is a new sense of optimism. In North America, where the recession bit deepest (see chart), more new magazines were launched than closed in 2011 for the second year in a row. The Association of Magazine Media (MPA) reports that magazine audiences are growing faster than those for TV or newspapers, especially among the young.
Unlike newspapers, most magazines didn’t have large classified-ad sections to lose to the internet, and their material has a longer shelf-life. Above all, says David Carey, the boss of Hearst Magazines, a big American publisher, they represent aspirations: “they do a very good job of inspiring your dreams.” People identify closely with the magazines they read, and advertisers therefore love them: magazines, says Paul-Bernhard Kallen, the chairman of Hubert Burda Media, a large German publisher, remain essential for brand-building.
Also from More Intelligent Life (Economist Family) a look at The Guardian newspaper and how it might survive (I thought it was).
In terms of reach and impact, the Guardian is doing better than ever before. But its success may contain the seeds of its demise. Its print circulation is tumbling. In October 2005, boosted by a change to the medium-sized Berliner format, the average daily circulation was 403,297. By March 2012 it was down to 217,190. Those figures are not quite like-for-like, as the Guardian has sworn off the Viagra of giveaway copies and overseas sales (which tend to be counted less rigorously); but they are still bleak. Saturday sales remain sturdy, at 377,000, but, on a typical weekday, only 178,000 people buy the Guardian, while millions graze on it for nothing on their screens. In the financial year 2009-10, the national newspapers division of Guardian Media Group—which also includes the Observer, Britain’s oldest Sunday paper—lost £37m. The following year, it managed to cut costs by £26m, and still ended up losing £38m. In May, Rusbridger told me he was expecting a similar loss for 2011-12. So, for three years running, the Guardian has been losing £100,000 a day. This is not boom or bust, but both at once: the best of times, and the worst of times. 
At the Open Weekend, one event looked at whether journalism was a second-rate form of writing. In the audience of 50 or so was the white-haired figure of Nick Davies, taking a breather from his investigative duties. When the conversation turned to long-form journalism, he spoke up, sounding exasperated. “In 20 years’ time,” he said, “there won’t be any newspapers left to do this. All these millions of hits won’t pay our salaries. The internet is killing journalism.”

Rare aerial photographs of Britain go online

15 books that apparently make you "undateable" – happy to report I've read most

Libraries, patrons, and e-books  

Top US universities create online platform EdX worldwide initiative to deliver online course by Harvard & MIT

The French Still Flock to Bookstores

Sunday, June 03, 2012

MediaWeek (Vol 5, No 23): Amazon, Achilles, Ulysses +More

In a heavily retweeted article, The Nation takes a look at The Amazon Effect.  In the process, the author seems to rely a lot on what Jason Epstein had to say.  (Not that there's anything wrong with that).

Jeff Bezos got what he wanted: Amazon got big fast and is getting bigger, dwarfing all rivals. To fully appreciate the fear that is sucking the oxygen out of publishers’ suites, it is important to understand what a steamroller Amazon has become. Last year it had $48 billion in revenue, more than all six of the major American publishing conglomerates combined, with a cash reserve of $5 billion. The company is valued at nearly $100 billion and employs more than 65,000 workers (all nonunion); Bezos, according to Forbes, is the thirtieth wealthiest man in America. Amazon may be identified in the public mind with books, but the reality is that book sales account for a diminishing share of its overall business; the company is no longer principally a bookseller. Amazon is now an online Walmart, and while 50 percent of its revenues are derived from music, TV shows, movies and, yes, books, another 50 percent comes from a diverse array of products and services. In the late 1990s Bezos bought IMDb.com, the authoritative movie website. In 2009 he went gunning for bigger game, spending nearly $900 million to acquire Zappos.com, a shoe retailer. He also owns Diapers.com, a baby products website. Now he seeks to colonize high-end fashion as well. “Bezos may well be the premier technologist in America,” said Wired, “a figure who casts as big a shadow as legends like Bill Gates and the late Steve Jobs.”
Tales of brave Achilles: From the Observer a discussion of the continued popularity of Achilles (Observer)
Why are the classics making a comeback? According to Hughes, the classical historian and broadcaster, it is to do with emotional connection.
"You think of big epic tales and you think they're just to do with war and conflict, but Homer actually writes beautiful lines," she says. "There's one line about Athena brushing an arrow away 'like a mother brushing a fly off the face of a sleeping child'. I read that and I remembered doing that with my own child.
"So suddenly there's an immediate emotional connection, 27 centuries later, to me as a 21st-century mother. There are big philosophical connections, but also the base connection of what it is to be human.
"I do think that, post-millennium and post-9/11, people have become much less abashed about asking the big questions about why we're here. If anything can answer those, it's the wisdom of the ancients because the Greeks and Romans weren't just swanning around in the Mediterranean sunshine, they were living in tough times. You could be dead by the age of 45. You were in a time of total war."

BBC Radio 4 is planning a whole day on Joyce's Ulysses for Bloomsday June 16th (Observer):

Which makes it all the more welcome that the BBC is intending to go several better than its (admittedly useful) cheats' guide and mount an extensive celebration of the novel on this year's Bloomsday. This coming 16 June, Radio 4 will be a wall-to-wall Joycefest, kicking off at 9am and running until midnight: a new, five-and-a-half hour dramatisation of Ulysses, narrated by Stephen Rea and starring Henry Goodman, Niamh Cusack and Andrew Scott, will be punctuated by broadcasts by Mark Lawson in Dublin and discussions about the book's place in 20th-century literature.
To reassure those who might quail at some of the book's more full-blooded material, the Beeb has emphasised that its raciest parts will be concentrated after 8pm (although there has not been a cull of the explicit: as the dramatisation's producer, Jeremy Mortimer, points out: "You can't have a Molly Bloom that doesn't enjoy sex").

Potentially interesting big data application in Higher Ed gets some funding (TC):

With capital in tow, Civitas is looking to provide colleges and universities not only with smart learning tools but also the ability to create their own learning apps based on its “Learning Community’s” application programming interfaces. By doing so, Civitas is providing an alternative path for scaling tools and solutions across institutions, through supporting publisher-created apps as well as those built by startups that otherwise could never invest in the integrations with campus systems or the sales cycles necessary to establish relationships with higher ed institutions.
In turn, the startup’s participating institutions can identify trends across swaths of student learning data, including a realtime view of which students are at risk of dropping out (and why), the ability to identify specific courses and degree paths that are contributing to attrition, and, in turn, what specific resources and interventions are most successful and for what type of students.

Frank Donoghue at The Chronicle thinks about the consequences of closing University Presses (Chronicle):

University presses have been an essential component of research institutions since the founding of Johns Hopkins, venues where scholarly knowledge could be dispersed to an admittedly small but interested intellectually interested community. It is, I admit, hard to imagine major universities without presses. But one has to at least consider: Have those various intellectual communities become too splintered, specialized and small? Have the monographs that university presses produce become so costly that individual scholars can’t purchase them? And, thus, have university presses outlived their time? If they have, there are even more dire professional consequences, which I will take up next time.
From the Twitter:

Ten Reasons to Avoid Doing Business With Amazon -

Tintin cover fetches record price

Spanish Booksellers to Sue Amazon Over Book Prices

Textbooks don't have to be free, but $20/month is too much. Students will rebel.  (HT )

Libraries Grapple With The Downside Of E-Books NPR

Monday, April 16, 2012

MediaWeek (Vol 5, No 16): Texas Custom, Apps For Education, William Boyd, Official Chinese Authors, + More

Tarrant county (Texas) attempts to save students money on textbooks runs into faculty resistance (IHEd):
The push for cheaper textbooks isn’t new, and the spat in Tarrant County frames larger debates about the use of open-source texts and the best way to increase student learning while controlling costs. Some community colleges have saved money by working with publishers to create custom books for widespread adoption. Some textbook writers have started making their materials free on the Web, and a recent Rice University effort expanded that medium. Tarrant County administrators hope that using a common textbook in every class will help push costs down, which will allow more students to buy the books and in turn perform better in the classroom.
But some professors aren’t convinced. The faculty resolution expressed agreement with the goal of reducing textbook costs, but questioned whether this was the best way to do it. We "ask that the 'common course textbook' plan be suspended and that the college faculty be allowed to develop meaningful, realistic strategies for reducing student textbook costs to be implemented by the fall semester of 2014," the resolution reads.
Efforts to open up education information might create an App culture which has educators and technologists keenly interested (Chronicle):
In the case of the MyData button being promoted by the Education Department, it's not clear how many different types of information will be made available, although the data will exist in machine-readable, open formats. Participants will be required to specify how the exported data are formatted. Because participants are not required to export data in an identical format, a department official explains, developers may have to do more work upfront, but the information will get into students' hands more quickly.
At least one company, Fidelis Education, has committed itself to use the data students can download from the Veterans Administration's blue button.
As an enterprise that helps veterans pursue higher education and training for civilian careers, Fidelis plans to use the blue button's military-service data in the admissions process to verify that applicants are who they claim to be. Gunnar Counselman, a co-founder and chief executive of the company, says having access to an even more robust set of data about alumni satisfaction and employment could provide students with a personalized way to pick colleges that goes beyond rankings.
He's not convinced that such data will be available anytime soon. But the emergence of start-ups has had a "Hawthorne effect" on universities, he says—they're more open as a result of being observed so intently by outsiders.
 Profile of William Boyd who has been tasked with giving James Bond some new assignments (Independent):
They're still reviewed, however, in the serious, literary-fiction pages of the national press. Although Restless was a "Richard and Judy" selection in 2007, it won the high-profile Costa Award. Literary editors and judges refuse to relinquish their view of Boyd as a superior literary being, a writer of subtlety, poignancy and psychological nuance, as his earlier novels revealed him to be. He is, they admit, a 21st-century avatar of Graham Greene, who blithely interspersed "serious" works (The End of the Affair, A Burnt-Out Case) with action-thriller "entertainments" such as Brighton Rock and Our Man in Havana. The reading public couldn't care tuppence about such matters. They buy Boyd's books in hundreds of thousands because they know him to be the most reliably page-turning of modern English novelists, full of old-fashioned storytelling virtues, of place evocation, pace, drama and sex.
Of the generation nominated "Best of Young British Writers" by Granta in 1983 – the generation of Amis, Barnes, McEwan, Rushdie, Rose Tremain, Pat Barker, A N Wilson, Adam Mars-Jones et al – Boyd's probably the author for whom ordinary readers feel the most fondness. The Queen is known to be a fan, though possibly more because of his Commonwealth background and blue-eyed charm than his prose style. He lives in a handsome Chelsea townhouse, with his wife Susan, editor-at-large at the American Harper's Bazaar magazine (he married her at 23 – they've been married for 37 years, and have no children) and in a converted farmhouse in Bergerac, where he owns a vineyard, Chateau Pecachard. For a chap who turned 60 in March, it seems an enviable life.
China is the focus at London Bookfair which predictably has raised some commentary about how some authors where chosen over others (Independent):
Did the BC have any alternative? Almost certainly not. But, via its literature director, it has chosen to tell us, chillingly, that "There was no disagreement with the Chinese government about the final list of... writers who regularly appear on well-respected lists of the best novelists and poets in China." Indeed. But so do many other Chinese writers - who live not only in exile but also at home, where they may have a vexing relationship with the cultural authorities. That's not to mention the dozens brutally silenced in the courts. At Amnesty International, the Tiananmen Square veteran Shao Jiang has greeted the run-up to the Book Fair with an invaluable day-by-day log of imprisoned Chinese writers: learn their stories at amnesty.org.uk/ blogs/countdown-china.
The non-state Chinese Independent PEN Centre comments, with grave courtesy: "We cannot but ask: to understand Chinese literature, should the British people rely on... recommendations by the Chinese government alone?" The Centre has objected to the British Council's collaboration with the GAPP, saying that if it "wishes to promote an authentic cultural exchange in a free and civilised way, please do not disregard the independent writers whose works are dedicated to shaping Chinese civil society".
Juicy gripping true crime story reviewed in the Observer:
In 1877, Harriet Staunton's husband and three others were accused of starving her to death and lurid newspaper reports of the Penge murder trial held the nation's rapt attention. A bestselling novel about the affair – written in 1934 and now republished – proves as gripping today .
Creating, writing editing and producing a magazine as performance art (Observer):
The idea to create twenty-four began selfishly: I wanted to make a magazine. For me, print magazines are a fascinating medium, combining content, design, a crafted physical object and the opportunity to curate an ongoing conversation around a single idea. Twenty-four is simultaneously a print magazine, an online experience and a creative challenge. The goal is simple: a small team of creative professionals conceptualise, design, write and photograph a print magazine in 24 hours and document everything via Flickr, Tumblr, YouTube, Storify and Kickstarter, making the process part of the product. Time-restricted projects have been done for comics, art shows, albums and other magazines before; it seems we increasingly invest in experiences over products and we want more transparency from the artists we love. This is why twenty-four was designed with documentation in mind; revealing our process live meant that we were not only producing a magazine for print but also creating a sort of online improv show.
From Twitter this week:

Amazon Massively Inflates Its Streaming Library Size

(In case you missed it) BBC News - US sues Apple and publishers over e-book prices

ALA Releases State of American Libraries 2012 Report.


Saturday, March 31, 2012

MediaWeek (Vol 5, No14): Frontline Video on NI Hacking, Blackboard Thinking, Taking the SAT (again), Book Awards + more

Frontline on PBS has spent an hour looking at how the Murdoch/News International phone hacking scandal has evolved from the start.  As you watch this just remember that The Guardian did not get newspaper of the year in the UK this year.  (Frontline);


Watch Murdoch's Scandal on PBS. See more from FRONTLINE.

People are still digesting the news about Blackboard's acquisition of Moodle.  Here is an interesting view from Audrey Watters at Inside Higher Ed.  I happen to agree that LMS providers could gain access to very significant data that many in the education supply chain would find useful and worth paying for (IHEd):
But I think the value's elsewhere. Or rather the value is in the customer, but not in terms of licenses or sign-ups or enrollment numbers per se. I think the value's in the data:
What are students reading? What are they buying at the bookstore? What are they checking out of the library? How much time are they spending on course materials? How often do they interact with other students? What does that interaction entail? How often do they interact with faculty? What does that interaction entail? How do students respond to feedback? How's attendance? How are grades -- not just at the end of the term, but in an ongoing and real-time basis? What classes do students want to take? What classes should they take? What classes should the university offer? Can it build a recommendation engine to help make suggestions to students? What faculty should it hire? And what are those faculty doing?
These are the sorts of questions that big data promises to answer for universities, as well as (I'd hope) for leaners. That's both a frightening and a thrilling prospect, I think, when we consider its implications. But learning analytics is still a largely open field right now, I'd say, even though there are pockets of early incumbants: companies who've built adaptive engines, companies who hold massive amounts of user data, companies who sell products and services to universities/professors/students.

Ever think of taking the SAT over again? Me either, but Drew Magary at Deadspin thought he would give it a try and hilarity ensues.  Parents, this is what you are putting your kids through. (Deadspin)
I mean seriously, HOLY FUCK. My mind exploded when I looked at this. You may as well have asked me to climb Everest using a fork. It took me five minutes just to try to understand the QUESTION. Once I had figured it out, time was up. I finished most of the verbal sections of the test under the time allotted. I had no such luck with the math sections. Even when I got the question right, the mental strain it took to try and dig through the piles of shit-encrusted mildew in my brain to retrieve the information needed to solve any given equation was brutal. How do you divide fractions again? Don't you flip the top number and the bottom number or something? And what's the top number called? The Ruminator? The Kilometer? OH FUCK IT.
Many times, I had to skip a question because I couldn't figure out the answer, and then I got that paranoia that's unique to someone taking a standardized test. I became fearful that I had failed to skip over the question on my answer sheet. So every five seconds, I'd double-check my sheet to make sure I didn't fill out my answers in the wrong slots. One time I did this, and so I had to erase the answers and move them all forward. Only I had a shitty eraser, which failed to erase my mark and instead smeared the mark all over the rest of my sheet. FUCK YOU, TRICK ERASER. I HATE YOU.
This year's Booker came under fire for being too low brow and this post on a scifi award shows that complaining about book award efforts is alive and well, but that hasn't stopped the Observer from launching a new award program to name the best book from 1962.  Why? Well, just because it was 50 years ago which I don't need reminding (Observer).
The Observer is sponsoring a new annual prize to decide which book of ideas from the crop published 50 years ago has had the most lasting influence on society's thinking. So, taking the class of 1962, the Bristol festival's Best Book of Ideas prize will come from this shortlist of 10:
1) Another Country James Baldwin
2) Capitalism and Freedom Milton Friedman
3) A Clockwork Orange Anthony Burgess
4) Day (originally published as The Accident) Elie Wiesel
5) My Land and My People: The Original Autobiography of His Holiness the Dalai Lama of Tibet Dalai Lama XIV
6) The Other America Michael Harrington
7) Sex and the Single Girl Helen Gurley Brown
8) Silent Spring Rachel Carson
9) The Structure of Scientific Revolutions Thomas S Kuhn
10) Toward a Psychology of Being Abraham Harold Maslow
The winner, chosen by the festival board, will be announced on 21 May.
Speaking of which, Christopher Hitchens is one of 18 authors selected for the Orwell Prize for political writing.(Telegraph)

From Twitter:

Blackboard's Open Source Pivot | Inside Higher Ed: No one really knows what to make of it.

Presentation from BlackBoard User meeting on important trends impacting Higher Ed  

Great Potter round-up from Porter Anderson

Bertelsmann Weighs I.P.O. For Expansion

BBC News - Amazon boss Jeff Bezos 'finds Apollo 11 Moon engines' And they weren't in his warehouse.

UK Publishers Assoc Outraged It Wasn't Consulted Ahead Of The Public Over Open Access To Publicly-Funded Research

Monday, March 26, 2012

MediaWeek (Vol 5, No 13): Pew Reports: News Isn't Dead Yet, Slow Reading, Odd Titles + More

The Pew Research Center published their annual State of Media report this week and the research suggests some interesting trends are developing in the manner in which readers are accessing news.  Specifically, the research suggests that the rapid spread of mobile devices is also escalating our level of news consumption with traditionally news brands standing to benefit.  Here is their press release summary:
  • Americans are far more likely to get digital news by going directly to a news organization’s website or app than by following social media links. Just 9% of digital news consumers say they follow news recommendations from Facebook or Twitter “very often” on any digital device — compared with 36% who say the same about directly going to a news organization’s site or app; 32% who access news through search; and 29% who use news organizing sites like Topix or Flipboard.
  • Even so, social media are an increasingly important driver of news, according to traffic data. According to PEJ’s analysis of traffic data from Hitwise, 9% of traffic to news sites now comes from Facebook, Twitter and smaller social media sites. That is up by more than half since 2009. The percentage coming from search engines, meanwhile, has dropped to 21% of news site traffic, from 23% in 2009.
  • Facebook users follow news links shared by family and friends; Twitter users follow links from a range of sources. Fully 70% of Facebook news consumers get most of their story links from friends and family.  Just 13% say most links that they follow come from news organizations. On Twitter, however, the mix is more even: 36% say most of the links they follow come from friends and family, 27% say most come from news organizations, and 18% mostly follow links from non-news entities such as think tanks. And most feel that the news they get on either network is news they would have seen elsewhere without that platform.
  • Most media sectors saw audience growth in 2011 — with the exception of print publications. News websites saw the greatest audience growth (17%) for the year. In addition, thanks in part to the drama of events overseas, every sector of television news gained in 2011. Network news audiences grew 5%, the first uptick in a decade. Local news audiences grew in both morning and late evening, the first growth in five years. Cable news audiences also grew, by 1%, after falling the year before; in particular, MSNBC and CNN audiences grew in 2011, while Fox declined. Print newspapers, meanwhile, stood out for their continued decline, which nearly matched the previous year’s 5% drop. Magazines were flat.
  • Despite audience gains, only the web and cable news enjoyed ad revenue growth in 2011. Online advertising increased 23%, and cable ads grew 9%. Most media sectors, however, saw ad revenues decline — network TV was down 3.7%; magazines ad pages, 5.6%; local news, 6.7%; and newspapers, 7.6%.
  • As many as 100 newspapers are expected in coming months to join the roughly 150 dailies that have already moved to some kind of digital subscription model. In part, newspapers are making this move after witnessing the success of The New York Times, which now has roughly 390,000 online subscribers.  The move is also driven by steep drops in ad revenue. Newspaper industry revenue — circulation and advertising combined — has shrunk 43% since 2000. In 2011, newspapers overall lost roughly $10 in print ad revenue for every new $1 gained online. (That suggests no improvement from what a separate PEJ study of 38 papers found regarding 2010, when the print losses to digital gains in the sample were a $7-to-$1 ratio.)
  • The emerging landscape of community news sites is reaching a new level of maturity — and facing new challenges. As some seed grants begin to sunset, a shakeout in community news sites is beginning, along with a clearer model for success. NewWest.net and Chicago News Cooperative are among the prominent community news sites that ceased publishing in 2011 or early 2012. The model for success, epitomized by Texas Tribune and MinnPost, is to diversify funding sources and spend more resources on business—not just journalism.
  • Privacy is becoming a bigger issue for consumers, creating conflicting pressures on news organizations. Roughly two-thirds of internet users are uneasy with targeted advertising and search engines tracking their behavior, according to a recent Pew Research Center survey. At the same time, though, consumers rely more heavily on the services provided by the companies that gather such data. News organizations are caught in between. To survive, they must find ways to make their digital advertising more effective — and more lucrative. Yet they also must worry about violating the trust of audiences to protect their strongest assets — their brands.

A movement towards slow reading advocated by Maura Kelly at The Atlantic:
With empathy comes self-awareness, of course. By discovering affinities between ourselves and characters we never imagined we'd be able to comprehend (like the accused murderer Dimitri Karamazov), we better understand who we are personally and politically; what we want to change; what we care about defending.
Best of all, perhaps, serious reading will make you feel good about yourself. Surveys show that TV viewing makes people unhappy and remorseful—but when has anyone ever felt anything but satisfied after finishing a classic? Or anything but intellectually stimulated after tearing through a work of modern lit like, say, Mary Gaitskill's Veronica?
And though a television show isn't likely to stay with you too long beyond the night that you watch it, once you've finished a slow book—whether it's as long as Tolstoy's epic or as short as Old Man and the Sea, as old as The Odyssey or as new as Jonathan Franzen's Freedom, as funny as Portnoy's Complaint or as gorgeous as James Salter's Light Years—you'll have both a sense of accomplishment and the deeper joys of the book's most moving, thought-provoking, or hilarious passages. Time and again—to write that toast, enrich your understanding of a strange personal experience, or help yourself through a loss—you'll return to those dog-eared pages (or search for them on your Kindle). Eventually, you may get so good at reading that you'll move on to the slowest (and most rewarding) reading material around: great poems.
The Booksellers annual oddest book title competition as noted in The Economist:
The Diagram Prize, organised by the Bookseller magazine, has offered an annual award to the most outlandishly titled books since 1978. Judges recently announced the seven shortlisted titles for the 2011 award. “Cooking with Poo”, a cookbook by Saiyuud Diwong, may not smell that sweet, but its title ensures intrigued shoppers will buy it. Ms Diwong’s competitors are a varied bunch, and include plenty of explanatory ones: “A Century of Sand Dredging in the Bristol Channel: Volume Two”; “A Taxonomy of Office Chairs”; “Estonian Sock Patterns All Around the World”; and “The Mushroom in Christian Art”.
Other shortlisted titles include “The Great Singapore Penis Panic: And the Future of American Mass Hysteria”, a self-published effort, and “Mr Andoh’s Pennine Diary: Memoirs of a Japanese Chicken Sexer in 1935 Hebden Bridge”. The latter title was chosen to “get everyone’s attention,” says Kate Cloughan of Royd Press, its publisher. The tactic worked: “Mr Andoh’s Pennine Diary” has seen greater sales than a typical release by Royd Press.
From the Guardian: Ian McEwan: 'I started Atonement with a careless sentence'
Author Ian McEwan in conversation with the Guardian's deputy editor Ian Katz at the Guardian Open Weekend festival. Here, McEwan discusses hiking; the importance of indolence to writers; moving house, which means the loss of his writing room; and how on 9/11 he broke with his policy of refusing journalistic commissions
From the Twitter this week:

BBC News - How the world's first rock concert ended in chaos

My hero: Stephen Haff by Peter Carey via

Ex-CEO to publish book on Olympus scandal - The Tokyo Times

St. Martin’s Press Marijuana Mystery -


Monday, March 05, 2012

MediaWeek (Vol 5, No 10): The Monkees, PayPal, Self-Publishing, Jeff Bezos + More

I was never that aware of The Monkees but the passing of Davy Jones generated a lot of reminiscing.  Mrs. PND recalls the time her Dad brought home the record - unprompted - becoming 'cool' in the process and in the last few days she has DVR'd what must be 24hrs worth of the show.  Here some thoughts from Neil McCormick at The Telegraph:
One of the most remarkable things about the Monkees is that the show, like the band itself, was sophisticated enough to be open to interpretation. Watching those endless repeats in my teens, I formed further ideas of the pop process. The myth of the Monkees is one of the great myths of pop culture: the manufactured band rebelling against svengali manipulators, briefly shining before burning up in the fires of ego. We see the same story played out again and again in the “real” pop world, from the Bay City Rollers to the Spice Girls, but with The Monkees, we can watch it happen in repeat, from the zany innocence of the TV series to the mad rush of their self-immolating movie, Head, in which the band attempted to break free of their constraints by exposing their own essential fiction, but only ended up destroying the illusion that sustained them.
All of this is really sustained, however, by genuinely fantastic music that has, remarkably, stood the test of time. The miracle of The Monkees is that this exploitative, manipulative, derivative children TV series was underpinned by brilliant pop songs, written to order by some of the great writers of the era (from Neil Diamond to Goffin and King), framed in colourful arrangements that captured the happy essence of the band’s spirit, performed with conviction and emotion. Last Train To Clarksville, I’m A Believer, Randy Scouse Git, Pleasant Valley Sunday … these are songs of such dynamic originality they put the imaginary band shoulder to shoulder with the heroes they were imitating.
PayPal the censorship enforcer?  Stranger than fiction as PayPal says it will strike off certain self-publishers (Independent):
From now on, the firm said, it will begin aggressively prohibiting erotic literature which contains scenes of bestiality, rape, incest and under-age sex. Ebook websites that sell such works will have their PayPal accounts deactivated. "It's underhanded, unfair and ludicrous, and it bodes badly for the future of free speech and expression," said Juillerat-Olvera, adding that Demon's Grace is now banned by self-publishing sites.
Mark Coker, the founder of Smashwords, one of the world's largest such sites, said the announcement has so far caused roughly 1,000 of the 100,000 novels that he stocks to be withdrawn from sale. "Regardless of whether you or I want to read these books, this is perfectly legal fiction and people have a right to publish it," he told The Independent on Sunday. "It surely isn't for some financial services company to control what is written by an author."
Mr Coker said that attempting to enforce PayPal's effective ban is likely to be impossible. "They say they won't have rape, bestiality or incest presented in a way that might titillate. But deciding what constitutes titillation is completely subjective," he said. "The Bible has incest in it, and rape. Nabokov's literature does. Should we ban the sale of those books?"
Articles about Self-publishing and the death of traditional publishing are as freckles on a haole.  Here's an interesting take from Atlantic author Alan Jacobs
But one of the illusions most common to writers -- an illusion that may make the long slow slog of writing possible, for many people -- is that an enormous audience is out there waiting for the wisdom and delight that I alone can provide, and that the Publishing System is a giant obstacle to my reaching those people. Thus the dream that digital publishing technologies will indeed "disintermediate" -- will eliminate that obstacle and connect me directly to what Bugs Bunny calls "me Public." (See "Bully for Bugs".) And we have heard just enough unexpected success stories to keep that dream alive.
Well, here's hoping. But a couple of months ago I decided to dip my toes into these waters: I wrote a longish essay called "Reverting to Type" about my own history as a reader -- a kind of personal epilogue to The Pleasures of Reading -- and decided to submit it as a Kindle Single. Amazon wasn't interested, so I decided to publish it myself using Kindle Direct Publishing. I announced its existence to the world: that is, I posted a link on my tumblelog and tweeted about it. A few people downloaded it; some pointed out typos that I had missed, but that a copy editor surely would have caught. I thought about ways to promote it better but haven't been able to come up with anything other than becoming a self-promoting jerk on Twitter. Last time I checked it had sold 98 copies.
And from the BBC, no more boring waffle (BBC):
Buy an e-book through, say, a Kindle, and one of the first things you will notice is that the length of the text itself is nowhere to be seen. Unlike a hardback, an e-book doesn’t have to have 250 pages any more than it has to cost a set amount, or sit handsomely on your shelf. There are some great losses wrapped up in these facts. As far as actually writing a book goes, though, the digital format has one significant advantage over the physical: it is much harder to get away with producing boring waffle.
...
Buy an e-book through, say, a Kindle, and one of the first things you will notice is that the length of the text itself is nowhere to be seen. Unlike a hardback, an e-book doesn’t have to have 250 pages any more than it has to cost a set amount, or sit handsomely on your shelf. There are some great losses wrapped up in these facts. As far as actually writing a book goes, though, the digital format has one significant advantage over the physical: it is much harder to get away with producing boring waffle.
From the Economist:
Taking the long view - Jeff Bezos, the founder and chief executive of Amazon, owes much of his success to his ability to look beyond the short-term view of things.
Mr Bezos’s willingness to take a long-term view also explains his fascination with space travel, and his decision to found a secretive company called Blue Origin, one of several start-ups now building spacecraft with private funding. It might seem like a risky bet, but the same was said of many of Amazon’s unusual moves in the past. Successful firms, he says, tend to be the ones that are willing to explore uncharted territories. “Me-too companies have not done that well over time,” he observes.
Eyebrows were raised, for example, when Amazon moved into the business of providing cloud-computing services to technology firms—which seemed an odd choice for an online retailer. But the company has since established itself as a leader in the field. “A big piece of the story we tell ourselves about who we are is that we are willing to invent,” Mr Bezos told shareholders at Amazon’s annual meeting last year. “And very importantly, we are willing to be misunderstood for long periods of time.”
Could they have made Jeff's eyes more freaky in that image?

From the Twitter this week:

Librarians Feel Sticker Shock as Prices for Random House Ebooks Rise 300 Percent -

College Publishing Comes of Age: Highlights of the BISG Higher Education Conference (BookBus)

Jackie Collins experiments with self-publishing The Bitch Hilarious headline. So is "Queen of bonkbuster"

Sunday, June 27, 2010

MediaWeek (Vol 3, No 26): OCLC, AAUP Conference, Intellectual Property Enforcement, Harold Robbins, Book Bloggers

OCLC announced that a revised record use policy will be going into effect on August 1st (LJ):
After more than a year and a half of proposals, withdrawals, and revisions, OCLC's final updated policy governing the usage of WorldCat records is set to go into effect on August 1. The document, an update to the currently prevailing "Guidelines for Use and Transfer of OCLC Derived Records" (from 1987), is written in the form of an agreement on "Rights and Responsibilities" governing both OCLC Cooperative members and the steward organization itself. This commitment-driven approach is a departure from OCLC's previous attempts, criticized for being opaque and for featuring severe legalistic language. The current iteration has been repeatedly described as "a code of good practice," and stresses cooperative member libraries' vested interest in maintaining WorldCat as a viable and self-sustaining resource for catalog records and other services.
A wrap up of the AAUP conference in Salt Lake City (Chronicle):
The program was praised by many attendees in part because it focused on digital how-to: how to make and market e-books, and how to work with libraries that want everything in electronic form. It's far too early to say that most or even many university presses have made the transition from a print-based world to an electronic one. But most have now recognized that they have to figure out what that transition will look like for their particular presses if they want to keep publishing.
Concluding:
Beyond the practical questions, there was a philosophical slant to the conference, too. The publishers wondered and worried about the future of the long-form argument—e.g., the scholarly monograph. How will it survive in an era of quick Internet searches and piecemeal reading? Nicholas G. Carr, author of The Shallows: What the Internet Is Doing to Our Brains, wasn't in Salt Lake City, but his argument that the Internet is killing off "deep reading" came up several times.

At a freewheeling session on "information hyperabundance," the audience wrestled with how society ought to deal with the flood of data coming at us. Michael J. Jensen, director of strategic Web communications for National Academies Press, talked about how publishers and the rest of us are up against "a whole industry of distraction engines" that wants us to surf the Web, play video games, and generally do anything but read a book.
A drink writer is a bad writer (Independent):
"The idea that drugs and alcohol give artists unique insights and powerful experiences is an illusion," he said. "When you try and capture the experiences [triggered by drugs or alcohol] they are often nonsense. These drugs often wipe your memory, so it's hard to remember how you were in that state of mind."
LA Times notes that the Obama administration is beefing up the policing of piracy and counterfeiting of goods and e-books are mentioned (LAT):
Intellectual Property Enforcement Coordinator Victoria Espinel said her office would review current efforts to curb intellectual property infringement of U.S. goods abroad, especially in China. China also is the source of many counterfeit goods. A U.S. Customs and Border Protection report published last year said 79% of seized fake goods came from China.

The enforcement strategy outlined in a 61-page report released Tuesday contains over 30 recommendations, which includes establishing an interagency committee dedicated to curbing fake drugs and medical products. It also calls for agencies to encourage foreign law enforcement to go after rogue websites and "increase the number of criminal enforcement actions" against intellectual property violators.

"There's not an industry that hasn't been affected," said Dr. Mark Esper, executive vice president of the Global Intellectual Property Center at the U.S. Chamber of Commerce, who lauded the enforcement strategy. "The next victim out there is probably going to be the e-books and the publishing industry. "
Also in the LAT, book bloggers are inheriting the world of book reviews (LAT):
Blogs like Riley's, because of the genres they focus on, have caught the eye of publishers, who are eager to have a new opportunity to reach readers. "Women's fiction that maybe wouldn't be covered by traditional book sections is being blogged about, talked about," says Jennifer Hart, vice president and associate publisher at HarperCollins for its paperback imprints. "There are books blogs for every niche of publishing — from literary and commercial fiction to young adult, to sci-fi, to cookbooks. This offers publishers an incredible opportunity — we can reach the audience for all of our books, no matter the genre."

Some of this diversity was reflected in the Book Blogger Convention's attendees. Joan Pantsios, a public defender from Chicago just getting started with book blogging, has a fondness for literature. Carrie Brownell, whose Christianity is important to her blogging, is a stay-at-home mom from Oregon. Monica Shroeder, a 23-year-old military service member, devours books with incredible speed — especially those with vampires. Yet despite their different backgrounds, world views and tastes in books, these women — most book bloggers are women — were all incredibly friendly, eager to connect.
Almost complete collection of Faukner's works goes up for auction at Christie's (AP):
The auction could be the last chance to acquire such a large collection of the Nobel Prize-winning author's work, said Louis Daniel Brodsky, a poet and Faulkner scholar, who lives in St. Louis.Brodsky, who donated his own private collection to the Center for Faulkner Studies at Southeast Missouri State University, said he once owned the extremely rare copy of Faulkner's first novel, "Soldier's Pay," in a dust jacket that's part of the lot up for auction."There are five of those known," he said.Also included in the collection are signed copies of "The Wild Palms" and "Absalom, Absalom!" In keeping with common auction house practice, Christie's didn't identify the owner, but said he was an American.A few items offer a glimpse into the personal side of the author, whose stream of consciousness writings explored the complicated social system of the South.Ironically, Faulkner likely would have cringed to know his personal items are to be part of a public bidding war, Griffith said.
The lot eventually went for $833K. Not too bad - pays for a few air conditioners.

News that Author House will bring Harold Robbins back into print reminded me of Basil Fawlty and the Waldorf salad episode of Faulty Towers. This is Basil's review of Robbin's work:
"aimless thrills, ... the most awful American ... tripe, a sort of pornographic muzak." Of course, when he (Basil) learns the Hamiltons (guests) like Robbins, Basil pretends to have been referring to another author named "Harold Robinson." Harold Robbins was an American romance novelist whose peak of popularity lasted from the 1950s through the 1970s. His lurid, melodramatic writings were dismissed by critics as trashy pulp but were international bestsellers.
Here from the press release:

AuthorHouse, a leading self-publishing imprint of Author Solutions, Inc. (ASI), announced Thursday that is re-releasing 12 classic novels from America's top-selling fiction author of all-time, Harold Robbins.

Robbins' widow Jann said she chose AuthorHouse because it provided her the opportunity to make the books available over a wide range of digital platforms, like the Kindle, the nook and through Kobo. Additionally, the books will be re-released in paperback and hardcover formats.

"I'm an avid reader of eBooks and Harold would have loved the idea of making his books available digitally," said Jann Robbins. "His books spoke to all people, and by increasing the ways we can reach readers [through digital formats], I believe we're carrying on his legacy."

Galley editions of the first three titles: Where Love Has Gone; The Lonely Lady; and Goodbye, Janette will be debuted at the 2010 American Library Association (ALA) Annual Conference Friday through Sunday at the Washington Convention Center in Washington DC.

In addition, AuthorHouse will re-release nine more titles in the coming months. The release dates for hardcover copies and digital versions of the books will be announced in July, but pre-orders will be taken at the conference. "Harold Robbins is an American icon, selling more than 750 million books, in 32 languages, to readers worldwide. He paved the way for mainstream authors like Danielle Steele and Jackie Collins. We are pleased to bring his writing into the new digital age," said Kevin Weiss, ASI president and chief executive officer. The other nine titles being made available through AuthorHouse include: The Adventurers; Never Love a Stranger; Descent from Xanadu; Memories of Another Day; The Pirate; The Inheritors; Spellbinder; Dreams Die First; and The Dream Merchants.
From the @twitter this week:

Guardian: Conrad Black given fresh hope of early release after US supreme court ruling The http://bit.ly/9hImnD
TeleRead: Ray Kurzweil’s ‘Blio’ e-reader: Is it really all that? http://bit.ly/dgwClg
Guardian: 'Operation Thunderdome' takes US paper digital. http://bit.ly/c75mnE http://bit.ly/9fgvDu Digital first print last. Revolutionary
MediaPost Viacom's Copyright Infringement Lawsuit Against YouTube Dismissed: In a sweeping victory for Google, a federal... http://bit.ly/bRBAtR

BBC News: Spy novelist Alan Furst takes readers back in time http://bit.ly/bpagJF - Just saw this. He is a great writer. (Video)
Nothing to report in Sport this week.