Showing posts with label OCLC. Show all posts
Showing posts with label OCLC. Show all posts

Tuesday, September 29, 2020

OCLC's Vision for the Next Generation of Metadata

From the OCLC report summary: 

Transitioning to the Next Generation of Metadata synthesizes six years (2015-2020) of OCLC Research Library Partners Metadata Managers Focus Group discussions and what they may foretell for the “next generation of metadata.”
The firm belief that metadata underlies all discovery regardless of format, now and in the future, permeates all Focus Group discussions. Yet metadata is changing. Innovations in librarianship are exerting pressure on metadata management practices to evolve as librarians are required to provide metadata for far more resources of various types and to collaborate on institutional or multi-institutional projects with fewer staff.
This report considers: Why is metadata changing? How is the creation process changing? How is the metadata itself changing? What impact will these changes have on future staffing requirements, and how can libraries prepare? This report proposes that transitioning to the next generation of metadata is an evolving process, intertwined with changing standards, infrastructures, and tools. Together, Focus Group members came to a common understanding of the challenges, shared possible approaches to address them, and inoculated these ideas into other communities that they interact with. 
Download pdf

Sunday, March 03, 2013

MediaWeek (Vol 6, No 9: ISBNs, Books & Commuting, Course Guides, Music Money + More

The Economist readers in the group may have seen that the lowly ISBN made it into the newspaper this week. It wasn't a particularly good article and I said so. (Economist):
This is a curious article: In some cases, it misses the point and, in others, it misinforms the reader about how the publishing industry currently works.

There is no doubt that the ISBN--as a global standard for the identification of physical product--is facing, or will soon face, a challenge as physical books become eBooks but its irrelevance is still a fair distance off. A mix of formats (electronic and paper)is likely to exist for many years (particularly with the variability in markets around the world for adoption of the eBook) and the use of the ISBN is long and deeply embedded in all significant publishing systems from editorial to marketing to royalty accounting.

Further, it is hard to agree with your statement that the ISBN hampers small publishers when the past ten years have seen the most significant growth in small- and medium-sized publishers in history. Both Bowker and Nielsen report these numbers each year for the US and UK markets. One circumstance you allude to is that in 'olden times'--when we had more than two significant bookstore chains (in the US)--there was no question as to whether to obtain an ISBN; however, a publisher today could make a perfectly valid decision not to acquire an ISBN and simply sell their book or eBook through Amazon . . . and they could do okay with that. But why would any publisher with a book offering legitimate sales potential want to exclude all other retailers? That would be hard to understand.

Assigning an ISBN to a book never guaranteed 'mainstream' publication - it's not clear what you mean by that. Certainly, retailers would not (do not) accept a book without an ISBN but, by the same token, B&N won't accept your book simply because it has an ISBN. There's a little bit more to it than that. I wrote about the prospects for the ISBN back in 2009 and reflected on the ASIN situation. It's not new and it was never altruistic. Here it is, if interested: http://personanondata.blogspot.com/2009/08/isbn-is-dead.html

The other identifiers you note are interesting but don't really apply or fit with the requirements of the book (e- or p-) supply chain. There's no question the industry needs to think differently about identifiers but I don't think that's a point you end up making. Even if a book can be easily downloaded and paid for, someone still has to do the accounting and make sure the right publisher gets the right payment so they can the pay the author and contributors their share. Individuals and small publishers could possibly do without an ISBN but, in doing so, they may only be limiting their opportunities.
Commuting on the Underground: John Lanchester rides the London Underground (Guardian):
This is an academic finding that hasn't crossed over into the wider world. I've never seen a film or television programme about the importance of commuting in Londoners' lives; if it comes to that, I've never read a novel that captures it either. The centrality of London's underground to Londoners – the fact that it made the city historically, and makes it what it is today, and is woven in a detailed way into the lives of most of its citizens on a daily basis – is strangely underrepresented in fiction about the city, and especially in drama. More than 1bn underground journeys take place every year – 1.1bn in 2011, and 2012 will certainly post a larger number still. That's an average of nearly 3m journeys every day. At its busiest, there are about 600,000 people on the network simultaneously, which means that, if the network at rush hour were a city in itself, rather than an entity inside London, it would have the same population as Glasgow, the fourth biggest city in the UK. The District line alone carries about 600,000 people every day, which means that it, too, is a version of Glasgow. 
There are quite a few novels and films and TV programmes about Glasgow. Where are the equivalent fictions about the underground? New York has any number of films about its subway – The Warriors, the John Carpenter movie from 1979, is one of the best of them, and explicitly celebrates the network's geographical reach across the whole city, from Van Cortlandt Park in the Bronx to Coney Island. New York also has Joseph Sargent's The Taking of Pelham 123, an all-subway-located thriller, among many other cinematic depictions. Paris has the Luc Besson film Subway, and plenty of other movies. London has next to nothing. (Let's gloss over the Gwyneth Paltrow vehicle Sliding Doors – though not before noting that the crucial moment when she either does or doesn't catch the train is on the District line, at Fulham Broadway. Spoiler alert: in the version in which she rushes and successfully catches the train, she dies. A District line driver would call this a useful reminder that this isn't the national rail network, and there will be another one along in a minute.) There's a wonderfully bad Donald Pleaseance movie from 1972 called Death Line, set entirely in Russell Square underground station; there were some episodes of Doctor Who in the 60s, which seemed scary at the time, about the tube network being taken over by robot yetis. To a remarkable extent, though, that's it. London is at the centre of innumerable works of fiction and drama and TV and cinema, but this thing at the heart of London life, which does more to create the texture of London life than any other single institution, is largely and mysteriously absent.
American Public University and their course guides is an interesting project (CampusTech)
The online course guides project is an award-winning academic technology initiative to match every one of APUS's online courses with an online library course guide, a new approach to offset the high cost of traditional print text books. Now that the project has successfully completed guides for a little over half of the university's course offerings, further practical metrics may be applied to the initial statistical analytic framework to widen the project's focus from course guide completion rates to higher levels of quality assurance and sustainability.
Analysis on data reported on the music industry indicates that some music artists can make money (Atlantic):
Last month, Northwestern University law professor Peter DiCola released the results of a fascinating survey that tried to discern exactly how much income most working musicians make off of people actually paying for their recordings (or in some cases, their compositions). His very broad answer was between 12 and 22 percent, depending on whether you counted pay from session playing (shown as "mixed" below). If that doesn't sound like real money to you, consider how you'd react if your boss suddenly said you were getting a 10 percent pay cut tomorrow.

DiCola's study isn't perfect. It analyzes answers from roughly 5,300 musicians who volunteered for the survey, meaning it lacked the element of random sampling that most social science work strives for. The participants were overwhelmingly white (88 percent), male (70 percent), and old (the largest demographic was 50-to-59-year-olds). Almost 35 percent were classical musicians, and another 16 percent were jazz artists. In short, this isn't going to offer a crystal clear financial portrait of your up-and-coming Pitchfork darling.

Nonetheless, the results do offer insight into how workaday guitarists, saxophonists, singers, songwriters, and timpani players -- 42 percent of the group earned all of their income from music-related work -- earn a living. And music sales (or streams) are usually a small but by no means insignificant piece of the picture.
Do we own our eBooks? Covering old ground at Salon:
Switching devices presents another headache for readers. Late last year, independent booksellers made a deal with Kobo, an e-book retailer that also sells its own e-reader devices. The indies now sell both the devices and Kobo e-books. People who want to support their local independent bookstore might contemplate switching from the Kindle to the Kobo, but if they do they’ll have to leave their (DRM-protected) Kindle books behind on their old device. If you are an early e-book adopter who wants to keep and reread the books you bought for your Kindle, you’re locked into the Kindle platform.

Tablets like the iPad are slightly different. The tablet’s owner can install numerous proprietary apps to read a variety of e-book formats, but the titles have to stay in their own walled gardens. You can’t move your Kindle books into your iBook library, for example. This is a minor annoyance, but annoying all the same! When I got my first iPad, I mostly bought Kindle e-books because Amazon’s app was more versatile. Since then, iBooks has outstripped the Kindle app, especially when it comes to working with books used for research, and I would much rather read and organize all my e-books in iBooks. I can’t. Given such restrictions, it’s debatable whether or not I truly own them.
From my twitter feed this week:


PressBooks Goes Open Source To Let Authors Create Book Sites In Seconds
Not the Same Old Cup of British Tea Watch. 
RR Donnelley results hit by $1bn impairment charge
OCLC and ProQuest Collaborate to Enhance Library Discovery.  
What the Library of Congress Plans to Do With All Your Tweets  

In sports:
Lancashire County Cricket sign path-breaking 10-year deal PND Senior in the news - Congrats & Great News!
 




Monday, December 03, 2012

MediaWeek (Vol 5, No 49) Library World Overview, OCLC

A catch-up on what's going on in library land that I didn't intend to be an OCLC catalog of achievement yet that's what seems to have happened.  Most everyone else (vendors, content suppliers, etc.) seem to have been quiet over the past 6mths.  Especially interesting however is the LJ overview of the market which is their annual review from March.  If you haven't kept up to date on what's going on specifically with vendors in the library world give this a read.


Highlights:
  • NEXT SPACE: OCLC WorldShare: Sharing at Webscale (LINK)
  • More Libraries Join Worldshare Platform (LINK)
  • OCLC Improves Worldshare Metadata Program (LINK)
  • WorldShare Interlibrary Loan (LINK)
  • From March 2012 a Library Journal review of the library automation business (LJ):
Other News:
  • GoodReads and OCLC to work together (LINK)
  • OCLC Continues to Add Publisher Content (LINK)
Presentations and Research:
  • A joint OHIOLINK/OCLC project to determine how library resources can be used more effectively (LINK)
  • Libraries in 2020 – Pew Report (LINK)
  • Richard Walis Presentation on Linked Data to OCLC Members Committee Meeting (LINK)
  • The OCLC Global Council meeting was webcast live.
  • From Charleston Conference: The Digital Public Library of America (LINK)
Highlights:

NEXT SPACE: OCLC WorldShare: Sharing at Webscale (LINK)
Libraries are built on a foundation of sharing. They are the places where communities bring together important, unique and valuable resources for the benefit of all. OCLC WorldShare extends those values to allow all members to benefit from the shared data, services and applications contributed by each individual institution.

OCLC WorldShare is more than a new set of services and applications. It is the philosophy and strategy that will guide the cooperative in its efforts to help member libraries operate, innovate, connect, collaborate and succeed at Webscale. WorldCat data provides the foundation for WorldShare services. And WorldCat discovery and delivery applications help connect information seekers to library resources.
While the philosophy is broad, it also includes two very real, very specific sets of resources that can help libraries make the move to Webscale today: the OCLC WorldShare Platform and OCLC WorldShare Management Services.
More Libraries Join Worldshare Platform  (LINK)
OCLC WorldShare Management Services enable libraries to share infrastructure costs and resources, as well as collaborate in ways that free them from the restrictions of local hardware and software. Libraries using WorldShare Management Services find that they are able to reduce the time needed for traditional tasks and free staff time for higher-priority services.

"We selected WorldShare Management Services because we really wanted to get away from managing servers and back-office infrastructure and focus more of our time on working with student- and faculty-specific projects," said Stanley J. Wilder, University Librarian, The University of North Carolina at Charlotte, one of the newest members of the WorldShare Management Services community. "Plus, we wanted the ability to manage all of our various library services under one platform—using true multi-tenancy architecture that also would allow UNCC to benefit from cloud-based collaboration among our library peers."

UNC Charlotte is North Carolina’s urban research university. It is the fourth largest campus among the 17 institutions of The University of North Carolina system and the largest institution of higher education in the Charlotte region.
Among the new subscribers to OCLC WorldShare Management Services:
•    College of the Siskiyous (Weed, California)
•    De Anza College (Cupertino, California)
•    Glendale Community College (Glendale, California)
•    Indiana Institute of Technology (Fort Wayne, Indiana)
•    Iona College (New Rochelle, New York)
•    Lake Tahoe Community College (South Lake Tahoe, California)
•    Mt. San Antonio College (Walnut, California)
•    Nashotah House (Nashotah, Wisconsin)
•    North Central University (Minneapolis, Minnesota)
•    Northwestern Oklahoma State University (Alva, Oklahoma)
•    Saint Leo University (St. Leo, Florida)
•    San Bernardino Valley College (San Bernardino, California)
•    The Scripps Research Institute (La Jolla, California)
•    Tyndale University College & Seminary (Toronto, Ontario, Canada)
•    The University of North Carolina at Charlotte
•    Westminster College (New Wilmington, Pennsylvania)

OCLC WorldShare Management Services were released for general availability in the United States 16 months ago. Today, a total of 148 libraries have signed agreements to use the new services and 52 sites are already live.

WorldShare Metadata collection management automatically delivers WorldCat MARC records for electronic materials and ensures the metadata and access URLs for these collections are continually updated, providing library users better access to these materials, and library staff more time for other priorities.
OCLC Improves Worldshare Metadata Program (LINK)
OCLC worked with libraries in North America to beta test the new functionality as part of OCLC WorldShare Metadata services. Pilots of the new functionality are planned in different regions around the world.

"The WorldShare Metadata collection management service is a step forward because we can now use the records in the WorldCat database to provide access to our electronic collections in a way that incorporates access changes quickly and easily," said Sarah Haight Sanabria, Electronic Resources Cataloger, Central University Libraries, Southern Methodist University, who participated in the beta test.

Libraries use the collection management functionality to define and configure e-book and other electronic collections in the WorldCat knowledge base. They then automatically receive initial and updated, customized WorldCat MARC records for all e-titles from one source. With the combination of WorldCat knowledge base holdings, WorldCat holdings and WorldCat MARC records, library users gain access to the same set of titles and content in WorldCat Local, WorldCat.org, the local library catalog or other discovery interfaces.

OCLC WorldShare Metadata collection management services are available to all libraries with an OCLC cataloging subscription and work with other components of OCLC WorldShare Management Services as well as other library systems.
WorldShare Interlibrary Loan (LINK)
The release of WorldShare Interlibrary Loan represents the first large migration of OCLC member libraries to the OCLC WorldShare Platform, where they will benefit from expanded integration across a growing number of services. The platform will enable library staff and others to develop applications that will help them connect the service with other services in use within their libraries. They may also use the new service it in conjunction with other components of OCLC WorldShare Management Services.

The phased rollout of the service has begun and will continue through December 2013. Open migration for all WorldCat Resource Sharing users will begin in February 2013 and continue until the end of access to WorldCat Resource Sharing on December 31, 2013.

OCLC has invited a small group of libraries with a low volume of borrowing-only interlibrary loan activity to participate in the initial 90-day managed migration currently in progress. Participation in the next managed migration group, scheduled to begin in October 2012, will be open to interested WorldCat Resource Sharing librarians whose normal interlibrary loan activities can be supported by available functionality in the service before its full release in February.
From March 2012 a Library Journal review of the library automation business (LJ):
In 2011, the library automation economy—the total revenues (including international) of all companies with a significant presence in the United States and Canada—was $750 million. This estimate does not necessarily compare directly to 2010’s $630 million, as this year’s estimate includes a higher proportion of revenues from OCLC, EBSCO, and other sources previously unidentified. (Using the same formula, 2010 industry revenues would be estimated at $715 million.)

As OCLC becomes ever more involved as competition in the library automation industry, we have performed a more detailed analysis of what proportion of its revenues derive from products and services comparable to other companies considered in this report. Of OCLC’s FY11 revenue of $205.6 million, we calculate that $57.7 million falls within that scope.

A broader view of the global library automation industry that aggregates revenues of all companies offering library automation products and services across the globe totals $1.76 billion, including those involved with radio-frequency identification (RFID), automated handling equipment, and self-check, or $1.45 billion excluding them. Library automation revenues limited to the United States total around $450 million.

The overall library economy continues to suffer major cutbacks that may never be fully restored, so library automation vendors are facing enormous challenges to find growth opportunities. Libraries may only be able to justify investments for tools that enable them to operate with fewer resources. Software-as-a-service (SaaS) deployments, for example, result in revenue gains through subscription fees commensurate with delivering a more complete package of services, including hosting; libraries see overall savings as they eliminate local servers and their associated costs. Stronger companies can increase their slice by taking on competitors with weaker products, especially those in international regions.

The ongoing trend of open source integrated library systems (ILSs) cannot be discounted. Open source ILS implementations shift revenues from one set of companies to another, often at lower contract values relative to proprietary software. Scenarios vary, so it’s difficult to determine whether these implementations result in true savings in total ownership costs and to what extent costs shift back to the libraries or their consortial or regional support offices.

The above comes from the management summary and there are more detailed reports as follows:
•    Three-Year Sales Trends by Category
•    2011 Personnel Trends
•    2011 Sales by Category
•    Discovery Trends
•    Company Profiles
OTHER NEWS:

GoodReads and OCLC to work together ((LINK)
The new agreement pledges to improve Goodreads members’ experience of finding fresh, new things to read through libraries. It will also provide libraries with a way to reach this key group of dedicated readers through social media. As a WorldCat.org traffic partner since 2007, Goodreads has sent more than 5 million Web referrals to WorldCat.org.

“We are always looking to give the Goodreads community even more ways to connect with their favorite titles and authors,” explains Patrick Brown, Community Manager for Goodreads. “Linking to libraries through WorldCat and OCLC has always been important to Goodreads, and this agreement helps ensure that our more than 12 million members find their local library and that their local library finds them.”

The expanded partnership includes several components:
•    A joint marketing effort to get libraries to join the Goodreads site and create a library “group” page, which will now be listed at the top of the groups page.
•    Engagement reports from Goodreads that show how many libraries have joined and created group pages and how fast membership is growing for individual libraries on Goodreads.
•    An upcoming webinar held specifically for librarians and library staff members, to learn more about Goodreads and how to optimize the library’s presence.
•    Library-specific promotional materials to encourage patron participation in the Goodreads Choice Awards 2012 during the month of November.
•    A discussion session planned for ALA Midwinter 2013 to hear library feedback and solicit ideas for additional visibility and collaboration.
OCLC and Amazon (LINK)
OCLC WorldShare platform has an Amazon app that takes information about orders from the OCLC acquisitions web service and combines it with pricing and availability information from Amazon.  You can then see pricing and availability for titles and choose to purchase them from Amazon via a cart created on the fly.   (see p. 12)

Authority Control for Researchers: Orcid is another attempt at author/contributor authority (LINK)
Wouldn’t it be great if we had authority control for every researcher?  Of course, we do spend lots of time on authority work already but efforts are underway “to solve the author name ambiguity problem in scholarly communication.”  The ORCID project (http://about.orcid.org/) aims to resolve this ambiguity by issuing unique identifiers to authors.  The next stages of this project will focus on three areas:
•    “Allowing researchers to claim their profiles in an open environment that transcends geographic and national boundaries, discipline, and institutional constraints
•    Allowing researchers to delegate control of the ongoing management of their profile to their institution
•    Providing an interoperable platform for federated exchange of profile information with systems supplied by publishers, grant managers, research assessment tools, and other organizations in the scholarly community”
What is ORCID?
ORCID is an open, non-profit, community-based effort to create and maintain a registry of unique researcher identifiers and a transparent method of linking research activities and outputs to these identifiers.  ORCID is unique in its ability to reach across disciplines, research sectors, and national boundaries and in its cooperation with other identifier systems.  ORCID works with the research community to identify opportunities for integrating ORCID identifiers in key workflows, such as research profile maintenance, manuscript submissions, grant applications, and patent applications. 

ORCID provides two core functions:  (1) a registry to obtain a unique identifier and manage a record of activities, and (2) APIs that support system-to-system communication and authentication.  ORCID makes its code available under an open source license, and will post an annual public data file under a CCO waiver for free download. 

The ORCID Registry is available free of charge to individuals, who may obtain an ORCID, manage their record of activities, and search for others in the Registry.  Organizations may become members to link their records to ORCID identifiers, to update ORCID records, to receive updates from ORCID, and to register their employees and students for ORCID identifiers.
OCLC Continues to Add Publisher Content (LINK)
OCLC has signed new agreements with leading publishers around the world and has added important new content and collections to WorldCat Local, the OCLC discovery and delivery service that offers users integrated access to more than 922 million items.

WorldCat Local offers access to books, journals and databases from a variety of publishers and content providers from around the world; the digital collections of groups like HathiTrust and Google Books; open access materials, such as the OAIster collection; and the collective resources of libraries worldwide through WorldCat.

WorldCat Local is available as a stand-alone discovery and delivery service, and as part of OCLC WorldShare Management Services. Through WorldCat Local, users have access to more than 1,700 databases and collections, and more than 650 million articles.

OCLC recently signed agreements with the following content providers to add important new collections—including some searchable full text—to WorldCat Local, WorldCat.org and OCLC WorldShare Management Services:
June Announcement of earlier publisher additions (Link)
Presentations and Research:

A joint OHIOLINK/OCLC project to determine how library resources can be used more effectively
(LINK) via (Ohio Library Director)
This OCLC report by Julia Gammon (Akron) and Ed O’Neill (OCLC) was conducted to “gain a better understanding of how the resources of OhioLINK libraries are being used and to identify how the limited resources of OhioLINK member libraries can be utilized more effectively.”  The study collected and analyzed circulation data for books (30 million items in the final set used for analysis) in the OhioLINK union catalog using FRBR (Functional Requirements for Bibliographic Records) analysis.  It would take me pages to explain what FRBR does, but put most simply, it helps you look at items from a title level (all formats and types of holdings) rather than each type of format of the same content as separate.  Check out page 14 for a better explanation of FRBR.

For those of you looking for new research projects, the full data set for individual institutions is available from the project website at http://www.oclc.org/research/activities/ohiolink/circulation.htm.  Figure 3 in the report shows the spreadsheets for OSU.

Here are a few conclusions that the authors draw
•    “The academic richness and histories of the OhioLINK member institutions are reflected in the uniqueness of their library collections. Unique items are not limited to a few large institutions but are widely distributed across many different types of member institutions. The membership should avoid collection practices that homogenize the state-wide collection through unnecessary duplication.
•    Individual institution members commented with surprise on the low use of their non-English language collections. Further study is needed to discover potential causes and trends of these collections’ usage patterns.
•    The most fascinating result of the study was a test of the “80/20” rule. Librarians have long espoused the belief that 80% of a library’s circulation is driven by approximately 20% of the collection. The analysis of a year’s statewide circulation statistics would indicate that 80% of the circulation is driven by just 6% of the collection.”
Libraries in 2020 – Pew Report (LINK) 
Richard Walis Presentation on Linked Data to OCLC Members Committee Meeting (LINK)
The OCLC Global Council meeting was webcast live. 
From Charleston Conference: The Digital Public Library of America (LINK)

Monday, July 02, 2012

MediaWeek (Vol 5, No 27): Julian Barnes, eTextbooks Anyone? Inheriting eBooks + More

Julian Barnes writing in the Guardian about his life as a bibliofile:
By now, I was beginning to view books as more than just utilitarian, sources of information, instruction, delight or titillation. First there was the excitement and meaning of possession. To own a certain book – one you had chosen yourself – was to define yourself. And that self-definition had to be protected, physically. So I would cover my favourite books (paperbacks, inevitably, out of financial constraint) with transparent Fablon. First, though, I would write my name – in a recently acquired italic hand, in blue ink, underlined with red – on the edge of the inside cover. The Fablon would then be cut and fitted so that it also protected the ownership signature. Some of these books – for instance, David Magarshack's Penguin translations of the Russian classics – are still on my shelves.
Ten reasons students aren't actually using eTextbooks (Edudemic):
When e-textbooks were first introduced, they were supposed to be the wave of the future, and experts thought we’d see e-reader-toting students littering college campuses, and of course being adopted in droves by online university students.
But they haven’t taken off quite as expected: according to market research firm Student Monitor, only about 11% of college students have bought e-textbooks. So what happened? Here, we’ll explore several reasons why students aren’t yet warming up to the idea of e-textbooks today.
 Amanda Katz on NPR asks whether your grand children will inherit your eBooks (NPR):
In the age of the e-book, the paper book faces two possible and antithetical fates. It may become something to be discarded, as with the books that libraries scan and cannibalize. (In the introduction to another book, Unpacking My Library: Writers and Their Books, Price mentions the severed book spines that hang on the wall at Google, "like taxidermists' trophies.") Alternatively, it may become a special object to be preserved and traded. My grandfather's copy of War of the Worlds obviously falls into the second category — but very few of the millions of books published since the mid-19th century are ones you'd want to own. If Amazon has a "long tail" of obscure but occasionally purchased titles, the tail that goes back 150 years is near endless and thin as thread.
Meanwhile, the kind of "serial" book sharing (as Price describes it) that occurs over time is giving way to simultaneous, "synchronous" sharing. With the Kindle, you can see what thousands of other Kindle readers are highlighting in the book you're reading — a fairly astonishing innovation. But the passage of books from hand to hand, gathering inscriptions along the way, is not part of the e-book economy. Will your grandchild inherit your Kindle books? No one knows, but given password protection and the speed at which data becomes obsolete, that seems highly unlikely.
Real time language translation for in-class lectures is tested in Germany and could expand their pool of foreign students$  Maybe the could work on comprehension next (Chronicle):
The translation system could be an essential tool in making Karlsruhe and other German universities more attractive to international students, perhaps even allowing them to eventually abandon language requirements if it proves reliable enough.
Many students, in Germany and elsewhere, are also interested in translating from English into their own languages, especially Chinese, Mr. Waibel adds. “There’s tremendous potential for this,” both in classrooms and more generally, he says.
Even students who feel comfortable in the language in which a lecture is being delivered have said they find the automatic translator useful. Some have said they find that having a transcript in German helps improve their German and allows them to better follow a lecture, even if they don’t use the translation component.
Here's proof there's always a silver lining.  Sometimes in lace and satin.  And naughty.  (Observer):
"Once women see that sex shops are clean and then they visit again. Once they feel comfortable and realise that they are not the only people in the world trying to do something different they start asking the questions they would have asked years ago if they realised there was someone to ask."
Lesley Lewis, who first worked as a dancer in Soho in 1979 and now runs the famous French House pub, said the new generation of visitors were a welcome addition.
"Soho was always a place where people could be themselves. In the past it was gay men holding hands and if now it's women going to sex shops after reading Fifty Shades of Grey then that can't be a bad thing. Long may it carry on like that," she said.
The Library of Congress curates 88 books that shaped America

Lectures go digital.

The World's 54 Largest Book Publishers, 2012  

OCLC & EBSCO Develop Partnership Offering Interoperability of Services 4 Libraries and Increased Options for Discovery

Sunday, June 17, 2012

MediaWeek (Vol 5, No 25): Coherent Marketing, Analyzing Email, Library Futures and Congress + More

Strategy+Business has an interesting article titled "How to be a more Coherent Marketer" (S+B)
Many of our respondents pointed to the importance of developing senior marketing executives with traits that will enable them to evolve as the scope of their responsibilities changes. For instance, best-in-class senior marketing leaders demonstrate a collaborative and participative leadership style. They tend to be approachable and informal. When making decisions and solving problems, these leaders demonstrate an ability to combine creativity and decisiveness, and are comfortable with complexity and ambiguity. Success comes from encouraging behaviors that yield the desired results. Google Inc. understands this better than most companies. To encourage innovation and agility, the company requires employees to spend 20 percent of their time on projects of their own choosing.
But attracting the right talent is only one part of the equation. People need to see how their roles will evolve over time if they are going to stay with the company and remain productive and creative contributors. Survey respondents who described their company as a leader in its respective market were more likely than self-described market followers to be focused on providing a competitive career path for marketing employees. For example, in shifting its talent system to address a shortage of leaders, Royal Dutch Shell PLC identified talent within the company by focusing on technical skills and leadership ability. The development program was customized for frontline, midlevel, and executive staffers, and was incorporated into the company’s university relations and diversity initiatives.
Interesting analysis showing how information flows within an organization using Enron as an example (Atlantic):
What does this show? This is a picture of how information moved across Enron's hierarchy, as indicated by the thickness of the tie. The authors of the study, Tanushree Mitra and Eric Gilbert of Georgia Tech, have divvied Enron's employees into seven levels, zero being the lowest ("employees") and six being the highest (president and CEO). Level five includes all the vice presidents and directors; level four are the in-house lawyers. In the graphic, you can see that the plurality of the information circulates among the level-zero employees (the thick gray bar connecting the two zeroes). "Employees at the lowest level play a prime role in circulating gossip throughout the hierarchy," the authors conclude. Additionally, a substantial amount of the information that flows up goes straight to the very top, and a substantial amount that flows down goes straight to the very bottom. None of the lines seems particularly mutual: For every combination of rank, there is an imbalance in who is doing the talking and who is doing the listening.
Summary of a talk by Roy Tennant (OCLC) on how libraries need to prepare themselves (Info Space)
Funding for academic libraries is dwindling while competitors are popping up everywhere. Accessing e-content is ridiculously complicated and fraught. Library staff have the wrong skills. Today, students and faculty have lots of easy ways to find the same stuff they used to rely on a library to provide. Tennant said that these issues, along with new mandates for higher ed, are changing the roles of libraries on campuses. Rather than see these challenges as burdens, Tennant told his audience, a group of academic librarians and library students, to see them as an invitation to innovation, a kick in the butt. (My words, not his, but I think he’ll approve.)
Sticking with that theme, from ArsTechnica a discourse on the future of libraries (Ars):
This transition time is one of great opportunity for those involved in libraries, but all transitions, all borders and verges, are places of great vulnerability as well. Grand changes are possible here, but so are operatic failures. The future seems promising. It’s the present that worries some librarians.

“The myth that the information scholars need for research and teaching is, or soon will be available for free online is a dangerous one,” said Bourg, “especially when it is used as an excuse to cut funding to libraries. Right now libraries face enormous but exciting challenges in maintaining print collections and services where they are still necessary, while simultaneously developing strategies for collecting, preserving, organizing, and providing access to digital objects. I fear that if libraries across the nation don’t get the resources we collectively need to meet these challenges that we may be at risk of losing big chunks of our cultural record because of a lack of funding for digital collecting and preservation.
The Library of Congress may be under fire for bad financial management (Gov Executive)
While spending is under scrutiny, the library is seriously stretched for space. No funding for future buildings has been appropriated, and while the collection in Landover, Md., will be able to hold a million books after a completed renovation in October, the library adds 250,000 books and periodicals a year, so the fight for space remains.
The inspector general’s office reported that librarians are storing books on the floor, double- and triple-shelving materials, and keeping rare and valuable collections in nonsecure areas. The Asian Division, which grew out of its designated secure space, recently lost a valuable scroll that was kept in a cage, but the scroll was later mysteriously returned. During the search for the scroll, the inspector general’s office also discovered a number of valuable artifacts left out in vulnerable locations.
Congress appropriated $587.3 million in taxpayer dollars to the Library of Congress for fiscal 2012, a portion of which went to contractors. Schornagel did not reveal which specific contracts had not been sent out for bids, but he did say that library contracts often carried hefty price tags, such as $40 million for an IT contract and more than $50 million for talking-book machines for the blind and disabled.
Novelist Richard Ford interviewed in the Observer
In the book, Canada becomes a sort of promised land, a refuge. There is a line characters cling to: "Canada was better than America and everyone knew that - except Americans." Is that how it feels to you?
I never had much conceptual idea of Canada being better. But whenever I go there, I feel this fierce sense of American exigence just relent. America beats on you so hard the whole time. You are constantly being pummelled by other people's rights and their sense of patriotism. So the American's experience of going to Canada, or at least my experience, is that you throw all that clamour off. Which is a relief sometimes.
How does that sentiment go down among American readers?

Last night, I was in New Orleans at this book party full of local oligarchs, a charity group. I was trying to tell them why I called the book Canada, and I said this stuff about America beating on you and I saw a lot of unfriendly faces in the room. There is this very strong "If you are not for us, you are against us" feeling in America just now. Perhaps there always has been. You are not allowed to complain. Or even have a dialogue. But if a novel is there for anything I believe that is what it has to induce.
From my twitter feed this week:

James Joyce's Ulysses - reviews from the archive

These historical photographs from the New York City Municipal Archive are fantastic:

BookExpo America Report: Book Publishing Begins Anew as a Startup and Growth Industry

Teen inmates pen graphic novel about escaping criminal life

Monday, June 11, 2012

MediaWeek (Vol 5, No 24): Gatsby, Effective Tweets, Taliban, Why Read? Young Offenders + More

Jay McInerney writing in the Observer about The Great Gatsby (Observer):

The Great Gatsby seems to be enjoying a moment, what with the success of the New York production of Gatz, opening in London (described by America's leading theatre critic Ben Brantley as "The most remarkable achievement in theatre not only of this year but also of this decade"), and the release later this year of Baz Luhrman's $120m film version. The book was little noticed on your side of the Atlantic on its initial publication. Collins, which had published the English editions of F Scott Fitzgerald's first two novels, rejected it outright, and the Chatto and Windus edition failed to arouse much enthusiasm, critical or commercial, when it was published in London in 1926. To be fair, the novel hadn't been a smash hit in the States the year before, selling less than his two previous novels and falling well short of the expectations of Fitzgerald and his publisher, despite some very good reviews. TS Eliot declared: "In fact, it seems to me the first step American fiction has taken since Henry James." And yet, many of the 23,000 copies printed in 1925 were gathering dust in the Scribner's warehouse when Fitzgerald died in obscurity in Hollywood 15 years later.
At that time, Gatsby seemed like the relic of an age most wanted to forget. In the succeeding years, Fitzgerald's slim tale of the jazz age became the most celebrated and beloved novel in the American canon. It's more than an American classic; it's become a defining document of the national psyche, a creation myth, the Rosetta Stone of the American dream. And yet all the attempts to adapt it to stage and screen have only served to illustrate its fragility and its flaws. Fitzgerald's prose somehow elevates a lurid and underdeveloped narrative to the level of myth.

How popular are your tweets?  Take a lesson from some researchers (The Atlantic):

The algorithm comes courtesy of a fascinating paper [pdf] from UCLA and Hewlett-Packard's HP Labs. The researchers Roja Bandari, Sitram Asur, and Bernardo Huberman teamed up to try to predict the popularity -- which is to say, the spreadability -- of news-based tweets. While previous work has relied on tweets' early performance to predict their popularity over their remaining lifespan, Bandari et al focused on predicting tweets' popularity even before they become tweets in the first place. The researchers have developed a tool that allows Twitterers -- and, in particular, news organizations -- to calibrate their tweets in advance of their posting, creating content that's optimized for maximum attention and impact. That tool allows for the forecasting of a tweeted article's popularity with a remarkable 84 percent accuracy.

An anthology of contemporary Taliban poetry is being published (The Atlantic)

The anthology has already been criticized for promoting sympathy for the Taliban. How do you respond to such commentary?
We understand where these criticisms are coming from. Troops from 50 different countries are currently fighting in Afghanistan, and each week brings news of more injured and dead. At the same time, though, we would make a distinction between sympathy and empathy. This collection was not complied to garner sympathy for the Taliban. What it does give the reader is a new window on an amorphous group, possibly allowing one to empathize with the particular author of a poem, letting one see the world through their eyes, should one want to do so. For this collection, we felt these songs brought something new to the discussion, and added a perspective on where those who associate themselves with the movement are coming from. From our own experience, we knew how important and resonant these songs were for people living in Afghanistan, and we thought it would be useful to present these to a broader community of scholars, poets and the general public.

And a somewhat related opinion piece in Salon about the need to read books-with a question mark (Salon):

Essentially we haven’t changed since the beginning of our histories. We are the same erect apes that a few million years ago discovered in a piece of rock or wood instruments of battle, while at the same time stamping on cave walls bucolic images of daily life and the revelatory palms of our hands. We are like the young Alexander who, on the one hand, dreamt of bloody wars of conquest and, on the other, always carried with him Homer’s books that spoke of the suffering caused by war and the longing for Ithaca. Like the Greeks, we allow ourselves to be governed by sick and greedy individuals for whom death is unimportant because it happens to others, and in book after book we attempt to put into words our profound conviction that it should not be so. All our acts (even amorous acts) are violent and all our arts (even those that describe such acts) contradict that violence. Our world exists in the tension between these two states.
Today, as we witness absurd wars wished upon us less from a desire for justice than from economic lust, our books may perhaps help to remind us that divisions between the good and the bad, just and unjust, them and us, is far less clear than political speeches make them out to be. The reality of literature (which ultimately holds the little wisdom allowed us) is intimately ambiguous, exists in a vast spectrum of tones and colours, is fragmented, ever-changing, never sides entirely with anyone, however heroic the character may seem. In our literary knowledge of the world, we intuit that even God is not unimpeachable; far less our beloved Andromaque, Parzifal, Alice, Candide, Bartleby, Gregor Samsa, Alonso Quijano.

From the Globe and Mail a news item about some teen inmates encouraged to write about their experiences in graphic novel form (GandM)

The result is In and Out, a graphic novel illustrated by Meghan Bell, a professional artist outside the system, based on a story line developed by the small group of 16-to-19-year-old inmates.
It follows the experiences of a young man who fights to get his life on the right track, while his brother and friends are trying to pull him back into a continued life of crime.
The goal of the project, Ms. Creedon said, was to both encourage literacy and find a way for repeat offenders to get across to their peers that there is a way to get out and stay out.
“They refer to themselves as frequent flyers,” Ms. Creedon said. “They get out and then come right back in ... it is tragic.”
She said the recidivism rate is in a large part due to the fact most young offenders have such poor literacy skills that they can’t get jobs.
From my twitter feed this week:

California takes another big step towards open education in higher ed:  

Educators say they want faster, more precise results for online searches of educational content.

How Dorothy Parker Came To Rest In Baltimore

OCLC Picks Jack Blount, former Dynix Executive, as New CEO -