MediaWeek (Vol 5, No 34): Copyright, Digital Public Library, Colleges & Big Data + More

University of California at Berkeley professor Dr. Pamela Samuelson in The Chronicle from a few weeks ago on Copyright reform and the creation of a comprehensive digital library (Chron):

The failure of the Google Book settlement, however, has not killed the dream of a comprehensive digital library accessible to the public. Indeed, it has inspired an alternative that would avoid the risks of monopoly control. A coalition of nonprofit libraries, archives, and universities has formed to create a Digital Public Library of America, which is scheduled to launch its services in April 2013. The San Francisco Public Library recently sponsored a second major planning session for the DPLA, which drew 400 participants. Major foundations, as well as private donors, are providing financial support. The DPLA aims to be a portal through which the public can access vast stores of knowledge online. Free, forever.

Initially the DPLA will focus only on making digitized copies of millions of public-domain works available online. These include works published in the United States before 1923, those published between 1923 and 1963 whose copyrights were not renewed, as well as those published before 1989 without proper copyright notices, and virtually all U.S.-government works. If a way can be found to overcome copyright obstacles, many millions of additional works could be made available.

It's no secret that copyright law needs a significant overhaul to adapt to today's complex information ecosystem. Unfortunately the near-term prospects for comprehensive reform are dim. However, participants at a conference last spring at Berkeley Law School on "Orphan Works and Mass Digitization: Obstacles and Opportunities" believe that modest but still meaningful reforms are possible.

Her comment about the institutional license for the Google database reminded me of the analysis I completed in 2010.

The Atlantic takes a more detailed look at the Digital Public Library (of America):

The DPLA is the most ambitious entrant on the digital library scene precisely because it claims to recognize this need for scale, and to be marshaling its resources and preparing its infrastructure accordingly. With hundreds of librarians, technologists, and academics attending its meetings (and over a thousand people on its email listserv), the DPLA has performed the singular feat of convening into one room the best minds in digital and library sciences. It has endorsement: The Smithsonian Institution, National Archives, Library of Congress, and Council on Library and Information Resources are just some of the big names on board. It has funding: The Sloan Foundation put up hundreds of thousands of dollars in support. It has pedigree: The decorated historian Darnton has the pages of major publications at his disposal; Palfrey is widely known for his scholarship on intellectual property and the Internet; the staging of the first meeting on Harvard's hallowed campus is not insignificant. Ideally, the consolidation of resources—specialized expertise, raw manpower, institutional backing and funding—means that the DPLA can expand its clout within the community, attract better financial support, and direct large-scale digitization projects to move toward a national resource of unparalleled scope and functionality. "We believe that no one entity—not the Library of Congress, not Harvard, not the local public library—could create this system on its own," Palfrey says. "We believe strongly that by working together, we will build something greater."

The Economist takes a look at an exhibition at the British Library on the life of Shakespeare (Econ):

Shakespeare is such a global brand that the man himself almost disappears. The aim of “Shakespeare: Staging the World”, at the BM until November 25th, is to make the playwright specific and particular, to root him in his time, 400 years ago. The exhibition summons his physical world with an array of culturally evocative objects, many of which were used in “Shakespeare’s Restless World”, a splendid BBC radio series presented by the BM’s director, Neil MacGregor, earlier this year.

The show unfolds in a dark circular space, with curving rooms that wind from one to the next, each subtly lit and discreetly atmospheric of its contents: arrow slits in the room about the history plays, a hint of trees to suggest Warwickshire and the Forest of Arden, a touch of charring on black walls for the gunpowder and witchcraft of James I’s reign (when Shakespeare wrote “Macbeth”), and finally a pale dawn for the Americas, the “brave new world” of “The Tempest”. All this sits within the embrace of the old Reading Room, its shelves and dome dimly glimpsed through gaps here and there. This globe within a globe, as it were—one full of artefacts, the other of books—glances at the play between word and object that underlies the exhibition.

Fascinating (potentially spooky) article at the NYT on how colleges are beginning to use "big data" to manage student performance and even play match maker (NYT):

Data diggers hope to improve an education system in which professors often fly blind. That’s a particular problem in introductory-level courses, says Carol A. Twigg, president of the National Center for Academic Transformation. “The typical class, the professor rattles on in front of the class,” she says. “They give a midterm exam. Half the kids fail. Half the kids drop out. And they have no idea what’s going on with their students.”

As more of this technology comes online, it raises new tensions. What role does a professor play when an algorithm recommends the next lesson? If colleges can predict failure, should they steer students away from challenges? When paths are so tailored, do campuses cease to be places of exploration?

“We don’t want to turn into just eHarmony,” says Michael Zimmer, assistant professor in the School of Information Studies at the University of Wisconsin, Milwaukee, where he studies ethical dimensions of new technology. “I’m worried that we’re taking both the richness and the serendipitous aspect of courses and professors and majors — and all the things that are supposed to be university life — and instead translating it into 18 variables that spit out, ‘This is your best fit. So go over here.’ ”

From the Twitter this week:

ALA Releases Report on Library E-book Business Models Publishers Weekly

Media Decoder: Google to Buy Frommer's From Wiley Publishing New York Times

MediaWeek (Vol 5, No 30); MOOCs, Online Higher Ed Courses, Library Ideas, Research Needs,

Massive Open Online Courses or MOOCs are really getting some people excited and the sheer numbers are amazing - although is this a fad and or a function of supply?  From the NYTimes an interview with Anant Agarwal of MIT who's first class enrolled 150,000 students (NYTimes)

Did you expect so much demand?

With no marketing dollars, I thought we might get 200 students. When we posted on the Web site that we were taking registration and the course would start in March, my colleague Piotr Mitros called and said, “We’re getting 10,000 registrations a day.” I fell off my seat and said, “Piotr, are you sure you’ve got the decimal point right?” My most fearful moment was when we launched the course. I worried that the system couldn’t handle it, and would keel over and die. 

...

Most students who register for MOOCs don’t complete the course. Of the 154,763 who registered for “Circuits and Electronics,” fewer than half even got as far as looking at the first problem set, and only 7,157 passed the course. What do you make of that?

A large number of the students who sign up for MOOCs are browsing, to see what it’s like. They might not have the right background for the course. They might just do a little bit of the coursework. Our course was M.I.T.-hard and needed a very, very solid background. Other students just don’t have time to do the weekly assignments. One thing we’re thinking of is to offer multiple versions of the course, one that would last a semester and one that could stretch over a year. That would help some people complete.

And from The Atlantic a profile of Coursera which they suggest is the "Single Most Important Experiment in Education" (Altantic):

But the deals Coursera announced Tuesday may well prove to be an inflection point for online education, a sector that has traditionally been dominated by for-profit colleges known mostly for their noxious recruitment practices and poor results. That's because the new partnerships represent an embrace of web-based learning from across the top tier of U.S. universities. And where the elite colleges go, so goes the rest of academia.
Coursera has previously teamed with Stanford, Princeton, University of Pennsylvania, and University of Michigan to offer 43 courses, which according to the New York Times enrolled 680,000 students. It now adds to its roster Duke, Caltech, University of Virginia, Georgia Tech, University of Washington, Rice, Johns Hopkins, University of California San Francisco, University of Illinois Urbana-Champagne, University of Toronto, University of Edinburgh, and Switzerland's École Polytechnique Fédérale de Lausanne.
Only one school, the University of Washington, said it will give credit for its Coursera classes. But two others, University of Pennsylvania and Caltech, said they would invest $3.7 million into the enterprise, bringing the company's venture funding to more than $22 million. Literally, colleges are buying in.

Suggestions that independent bookstore protectionism works in other countries - should it be implemented in the US? (Atlantic)

Here in the U.S., most bookstores survive in tales of grassroots preservation or community campaigns. Price-fixing is undoubtedly the least likely American solution, though as Jason Boog has pointed out at NPR, booksellers and publishers actually did persuade FDR to enforce a price floor to prevent Macy’s from undercutting small book retailers with loss-leader pricing on Gone with the Wind during the Great Depression. (That policy was later declared unconstitutional, but it did throw a wrench in the Macy’s strategy.) This April, though, the U.S. Department of Justice filed a lawsuit accusing Apple and several publishers of colluding to raise the price of e-books to compete with Amazon’s price-discounting. Don’t expect to see federal protection of local bookstores via price-setting anytime soon.

Possibly the worlds most bizarre library carrel but some interesting ideas for the future of libraries (Harvard):

In the seminar’s freewheeling atmosphere, ideas flew like cream pies at a food fight. What if behind-the-scenes work could take place in the open instead, suggested Matthew Battles, a fellow at the Berkman Center. “What if you set up somebody processing medieval manuscripts in Widener or Lamont—a processing station in a public space?” Battles had just come from a used-furniture depository, where he’d been scavenging for shelves that could be repurposed for use as curator stations, places where faculty members or librarians could be asked to curate small collections of books. “What about a mobile, inflatable library?” suggested Goldenson. “What would that do?” Or how about an “Artist in Reference,” he continued. “We could bring in experts in a particular subject to serve as guest reference librarians in their area of expertise.” Schnapp, running with the idea, noted that “Widener contains collections in fields that haven’t been taught at Harvard in a hundred years, where we have the best collections of materials.”

Is wikipedea looking to set up their own travel information and guide site (Skift):

Imagine a free TripAdvisor focused on travel destinations, where masses of travelers could update information during or after their hotel stay, tour or private meanderings around town, and share it with the world under the supervision of seasoned administrators.
The foundation’s board of trustees on July 11 approved a proposal [see Update below] to launch an advertisement-free travel guide [see Update below] and community members noted that 31 of the 48 administrators of the Internet Brands-owned Wikitravel have expressed interest in joining forces with the Wikimedia Foundation’s travel guide website.
Wikitravel is considered the current leader in travel wikis, but its advertisements and monetization efforts may turn off travelers and would-be contributors.
In addition, the introduction to a community discussion about the travel guide proposal argues that Internet Brands has failed to keep pace with the times and that Wikitravel suffers from a “lack of technical support/feature development.”

The Guardian Higher Ed team reports on a JISC study on student research needs 

The report's findings indicate that the greatest challenge to researchers is the difficulty of access to e-journals. It is easy to see why: doctoral students across all subjects told us that they predominantly look for secondary published resources to inform their research, and for over 80% of researchers, this means accessing full text journal articles.
These same materials are often subject to licensing restrictions and other limitations imposed by e-journals publishers and other information service providers. This appears to be an area of sharpening tension in the doctoral and broader research community, with the majority of students surveyed describing it as a 'significant constraint' in the research process, and one of the biggest frustrations affecting their work.
Despite the ongoing debate around open access in the media, the report's findings have told us that there is a significant level of confusion among researchers around what open access means, or even how reliable open access materials are.
Another finding from the report shows that as many as 35% of those researchers surveyed in 2011 did not receive any face-to-face training in research and information-seeking skills in the previous academic year, even though 65% of researchers ranked it as their most important training need. These outcomes are concerning, but fortunately they are also an area where significant improvements can be made, through increasing face-to-face training and support for researchers when they start their PhD programmes, but also much earlier as they enter higher education.

MediaWeek (Vol 5, No 25): Coherent Marketing, Analyzing Email, Library Futures and Congress + More

Strategy+Business has an interesting article titled "How to be a more Coherent Marketer" (S+B)

Many of our respondents pointed to the importance of developing senior marketing executives with traits that will enable them to evolve as the scope of their responsibilities changes. For instance, best-in-class senior marketing leaders demonstrate a collaborative and participative leadership style. They tend to be approachable and informal. When making decisions and solving problems, these leaders demonstrate an ability to combine creativity and decisiveness, and are comfortable with complexity and ambiguity. Success comes from encouraging behaviors that yield the desired results. Google Inc. understands this better than most companies. To encourage innovation and agility, the company requires employees to spend 20 percent of their time on projects of their own choosing.

But attracting the right talent is only one part of the equation. People need to see how their roles will evolve over time if they are going to stay with the company and remain productive and creative contributors. Survey respondents who described their company as a leader in its respective market were more likely than self-described market followers to be focused on providing a competitive career path for marketing employees. For example, in shifting its talent system to address a shortage of leaders, Royal Dutch Shell PLC identified talent within the company by focusing on technical skills and leadership ability. The development program was customized for frontline, midlevel, and executive staffers, and was incorporated into the company’s university relations and diversity initiatives.

Interesting analysis showing how information flows within an organization using Enron as an example (Atlantic):

What does this show? This is a picture of how information moved across Enron's hierarchy, as indicated by the thickness of the tie. The authors of the study, Tanushree Mitra and Eric Gilbert of Georgia Tech, have divvied Enron's employees into seven levels, zero being the lowest ("employees") and six being the highest (president and CEO). Level five includes all the vice presidents and directors; level four are the in-house lawyers. In the graphic, you can see that the plurality of the information circulates among the level-zero employees (the thick gray bar connecting the two zeroes). "Employees at the lowest level play a prime role in circulating gossip throughout the hierarchy," the authors conclude. Additionally, a substantial amount of the information that flows up goes straight to the very top, and a substantial amount that flows down goes straight to the very bottom. None of the lines seems particularly mutual: For every combination of rank, there is an imbalance in who is doing the talking and who is doing the listening.

Summary of a talk by Roy Tennant (OCLC) on how libraries need to prepare themselves (Info Space)

Funding for academic libraries is dwindling while competitors are popping up everywhere. Accessing e-content is ridiculously complicated and fraught. Library staff have the wrong skills. Today, students and faculty have lots of easy ways to find the same stuff they used to rely on a library to provide. Tennant said that these issues, along with new mandates for higher ed, are changing the roles of libraries on campuses. Rather than see these challenges as burdens, Tennant told his audience, a group of academic librarians and library students, to see them as an invitation to innovation, a kick in the butt. (My words, not his, but I think he’ll approve.)

Sticking with that theme, from ArsTechnica a discourse on the future of libraries (Ars):

This transition time is one of great opportunity for those involved in libraries, but all transitions, all borders and verges, are places of great vulnerability as well. Grand changes are possible here, but so are operatic failures. The future seems promising. It’s the present that worries some librarians.

“The myth that the information scholars need for research and teaching is, or soon will be available for free online is a dangerous one,” said Bourg, “especially when it is used as an excuse to cut funding to libraries. Right now libraries face enormous but exciting challenges in maintaining print collections and services where they are still necessary, while simultaneously developing strategies for collecting, preserving, organizing, and providing access to digital objects. I fear that if libraries across the nation don’t get the resources we collectively need to meet these challenges that we may be at risk of losing big chunks of our cultural record because of a lack of funding for digital collecting and preservation.

The Library of Congress may be under fire for bad financial management (Gov Executive)

While spending is under scrutiny, the library is seriously stretched for space. No funding for future buildings has been appropriated, and while the collection in Landover, Md., will be able to hold a million books after a completed renovation in October, the library adds 250,000 books and periodicals a year, so the fight for space remains.

The inspector general’s office reported that librarians are storing books on the floor, double- and triple-shelving materials, and keeping rare and valuable collections in nonsecure areas. The Asian Division, which grew out of its designated secure space, recently lost a valuable scroll that was kept in a cage, but the scroll was later mysteriously returned. During the search for the scroll, the inspector general’s office also discovered a number of valuable artifacts left out in vulnerable locations.

Congress appropriated $587.3 million in taxpayer dollars to the Library of Congress for fiscal 2012, a portion of which went to contractors. Schornagel did not reveal which specific contracts had not been sent out for bids, but he did say that library contracts often carried hefty price tags, such as $40 million for an IT contract and more than $50 million for talking-book machines for the blind and disabled.

Novelist Richard Ford interviewed in the Observer

In the book, Canada becomes a sort of promised land, a refuge. There is a line characters cling to: "Canada was better than America and everyone knew that - except Americans." Is that how it feels to you?

I never had much conceptual idea of Canada being better. But whenever I go there, I feel this fierce sense of American exigence just relent. America beats on you so hard the whole time. You are constantly being pummelled by other people's rights and their sense of patriotism. So the American's experience of going to Canada, or at least my experience, is that you throw all that clamour off. Which is a relief sometimes.

How does that sentiment go down among American readers?

Last night, I was in New Orleans at this book party full of local oligarchs, a charity group. I was trying to tell them why I called the book Canada, and I said this stuff about America beating on you and I saw a lot of unfriendly faces in the room. There is this very strong "If you are not for us, you are against us" feeling in America just now. Perhaps there always has been. You are not allowed to complain. Or even have a dialogue. But if a novel is there for anything I believe that is what it has to induce.

From my twitter feed this week:

James Joyce's Ulysses - reviews from the archive http://gu.com/p/38bkn/tw

These historical photographs from the New York City Municipal Archive are fantastic: http://theatln.tc/NyBuRP

BookExpo America Report: Book Publishing Begins Anew as a Startup and Growth Industry http://soc.li/4eby85E

Teen inmates pen graphic novel about escaping criminal life http://bit.ly/NQw7v3

MediaWeek (Vol 5, No 24): Gatsby, Effective Tweets, Taliban, Why Read? Young Offenders + More

Jay McInerney writing in the Observer about The Great Gatsby (Observer):

The Great Gatsby seems to be enjoying a moment, what with the success of the New York production of Gatz, opening in London (described by America's leading theatre critic Ben Brantley as "The most remarkable achievement in theatre not only of this year but also of this decade"), and the release later this year of Baz Luhrman's $120m film version. The book was little noticed on your side of the Atlantic on its initial publication. Collins, which had published the English editions of F Scott Fitzgerald's first two novels, rejected it outright, and the Chatto and Windus edition failed to arouse much enthusiasm, critical or commercial, when it was published in London in 1926. To be fair, the novel hadn't been a smash hit in the States the year before, selling less than his two previous novels and falling well short of the expectations of Fitzgerald and his publisher, despite some very good reviews. TS Eliot declared: "In fact, it seems to me the first step American fiction has taken since Henry James." And yet, many of the 23,000 copies printed in 1925 were gathering dust in the Scribner's warehouse when Fitzgerald died in obscurity in Hollywood 15 years later.

At that time, Gatsby seemed like the relic of an age most wanted to forget. In the succeeding years, Fitzgerald's slim tale of the jazz age became the most celebrated and beloved novel in the American canon. It's more than an American classic; it's become a defining document of the national psyche, a creation myth, the Rosetta Stone of the American dream. And yet all the attempts to adapt it to stage and screen have only served to illustrate its fragility and its flaws. Fitzgerald's prose somehow elevates a lurid and underdeveloped narrative to the level of myth.

How popular are your tweets?  Take a lesson from some researchers (The Atlantic):

The algorithm comes courtesy of a fascinating paper [pdf] from UCLA and Hewlett-Packard's HP Labs. The researchers Roja Bandari, Sitram Asur, and Bernardo Huberman teamed up to try to predict the popularity -- which is to say, the spreadability -- of news-based tweets. While previous work has relied on tweets' early performance to predict their popularity over their remaining lifespan, Bandari et al focused on predicting tweets' popularity even before they become tweets in the first place. The researchers have developed a tool that allows Twitterers -- and, in particular, news organizations -- to calibrate their tweets in advance of their posting, creating content that's optimized for maximum attention and impact. That tool allows for the forecasting of a tweeted article's popularity with a remarkable 84 percent accuracy.

An anthology of contemporary Taliban poetry is being published (The Atlantic)

The anthology has already been criticized for promoting sympathy for the Taliban. How do you respond to such commentary?

We understand where these criticisms are coming from. Troops from 50 different countries are currently fighting in Afghanistan, and each week brings news of more injured and dead. At the same time, though, we would make a distinction between sympathy and empathy. This collection was not complied to garner sympathy for the Taliban. What it does give the reader is a new window on an amorphous group, possibly allowing one to empathize with the particular author of a poem, letting one see the world through their eyes, should one want to do so. For this collection, we felt these songs brought something new to the discussion, and added a perspective on where those who associate themselves with the movement are coming from. From our own experience, we knew how important and resonant these songs were for people living in Afghanistan, and we thought it would be useful to present these to a broader community of scholars, poets and the general public.

And a somewhat related opinion piece in Salon about the need to read books-with a question mark (Salon):

Essentially we haven’t changed since the beginning of our histories. We are the same erect apes that a few million years ago discovered in a piece of rock or wood instruments of battle, while at the same time stamping on cave walls bucolic images of daily life and the revelatory palms of our hands. We are like the young Alexander who, on the one hand, dreamt of bloody wars of conquest and, on the other, always carried with him Homer’s books that spoke of the suffering caused by war and the longing for Ithaca. Like the Greeks, we allow ourselves to be governed by sick and greedy individuals for whom death is unimportant because it happens to others, and in book after book we attempt to put into words our profound conviction that it should not be so. All our acts (even amorous acts) are violent and all our arts (even those that describe such acts) contradict that violence. Our world exists in the tension between these two states.

Today, as we witness absurd wars wished upon us less from a desire for justice than from economic lust, our books may perhaps help to remind us that divisions between the good and the bad, just and unjust, them and us, is far less clear than political speeches make them out to be. The reality of literature (which ultimately holds the little wisdom allowed us) is intimately ambiguous, exists in a vast spectrum of tones and colours, is fragmented, ever-changing, never sides entirely with anyone, however heroic the character may seem. In our literary knowledge of the world, we intuit that even God is not unimpeachable; far less our beloved Andromaque, Parzifal, Alice, Candide, Bartleby, Gregor Samsa, Alonso Quijano.

From the Globe and Mail a news item about some teen inmates encouraged to write about their experiences in graphic novel form (GandM)

The result is In and Out, a graphic novel illustrated by Meghan Bell, a professional artist outside the system, based on a story line developed by the small group of 16-to-19-year-old inmates.

It follows the experiences of a young man who fights to get his life on the right track, while his brother and friends are trying to pull him back into a continued life of crime.

The goal of the project, Ms. Creedon said, was to both encourage literacy and find a way for repeat offenders to get across to their peers that there is a way to get out and stay out.

“They refer to themselves as frequent flyers,” Ms. Creedon said. “They get out and then come right back in ... it is tragic.”

She said the recidivism rate is in a large part due to the fact most young offenders have such poor literacy skills that they can’t get jobs.

From my twitter feed this week:

California takes another big step towards open education in higher ed: http://ow.ly/bfW6Z 

Educators say they want faster, more precise results for online searches of educational content. http://ow.ly/bplVz

How Dorothy Parker Came To Rest In Baltimore http://n.pr/LCtXgK

OCLC Picks Jack Blount, former Dynix Executive, as New CEO - http://goo.gl/ddTek

MediaWeek (Vol 5, No 21): Internet Commons, Mass 'Professoriat", IP Markets, New ASCAP/BMI Model + More

In The Atlantic, Bill Davidow wonders whether like the sea, the internet will be 'over fished' (The Atlantic)

Free markets are the most efficient and best mechanism for managing most economic activity. But when they operate in arenas in which they can exploit the commons, the logic of the free market dictates that they will destroy it. Virtual retailers, for instance, live off their bricks-and-mortar brethren. They encourage customers to search for clothes that fit properly in retail stores that pay property taxes and other overhead costs, and then to buy them online. In the process, they get fat off the bricks-and-mortar commons.
One of the areas I see being chewed up at an alarming speed is privacy -- a vital aspect of our personal commons. We spend hours filtering out junk email, updating passwords, and worrying about stolen identity.
In the physical world, laws protect our privacy, and the cost of gaining access to us is high. (It costs a lot to send physical mail.) Physical spying is expensive. But in the virtual world, we have few property rights, few laws to protect us, and spying is almost free.

Give all the negative public relations that Elsevier has faced recently is a very different model on the horizon?  (The American Interest):

But the thought does occur to one: while it is relatively easy to see how public universities might want to support academic research in the natural sciences and economics, just how much do the taxpayers want to contribute toward the production of research of questionable utility in softer fields? And if the answer is, as I suspect it will increasingly be, that the taxpayers don’t want to shell out for these costs, how many fewer professors will our university systems employ?
It is much more fun to complain about the pirates of Elsevier than it is to think about the future of the mass professoriat, but I suspect that university faculties might soon find it necessary to adjust to a new set of public priorities. Fifteen years ago journalists thought that the internet wasn’t a serious issue for their field; today many of the journalists who once scoffed at the net are now unemployed.

A fascinating look at a new way to 'market' and trade intellectual property (Economist):

All of which makes this a good time to launch a new approach to trading intellectual property, says Gerard Pannekoek, the boss of IPXI, a new financial exchange that lets companies buy, sell and hedge patent rights, just like any other asset. The idea is to offer a patent or group of patents as “unit licence rights” (ULRs), which can be bought and sold like shares. A ULR grants a one-time right to use a particular technology in a single product: a new type of airbag sensor in a car, say. If a company wants to use the technology in 100,000 cars, it buys 100,000 ULRs at the market price. ULRs are also expected to be traded on secondary markets.

Capturing the 'data exhaust' from satellite transmissions to reinvent the way music royalties are made (WSJ):

So in 2009 , he and business partner and composer Chris Woods launched TuneSat, a startup that uses digital technology to monitor satellite TV signals from around the world and keep track of how music is being used in theme songs,  advertisements, background soundtracks and other broadcast situations. Schreer is CEO and Woods is COO of the company. The value of the new Big Data driven part of his business has the potential to eclipse revenue from the core business of composing and producing music.
Beyond that, they say TuneSat may help disrupt the performing rights business, an industry with $2 billion in revenue in U.S. and $9 billion worldwide, by putting powerful algorithms directly in the hands of copyright owners that allow them to scour and analyze the use of their work across the entire national TV market. A web-based application allows subscribers to access TuneSat’s servers and its proprietary analytic tools, in the process allowing them to bypass traditional royalty rights organizations, if they choose.

Stop sending free textbooks complains higher ed faculty (IHEd):

When I arrived at my office door one morning, arms full of books and lunch and workout clothes, and found my path blocked by an unsolicited box of books, the sales rep found my breaking point. I replied with a sharply but politely worded cease-and-desist message, making as clear as possible that I would disqualify unsolicited texts from consideration for adoption in our program because of my concern.

There are probably 50 pounds of never-requested and never-to-be-used textbooks in my office. I’d prefer 50 pounds of just about anything else. Fifty pounds of in-the-shell roasted peanuts to eat in my office; 50 pounds of water balloons to rain down on the heads of students who smoke under my frequently open office window.

From the twitter:

Is the New York Public Library Seizing the Future or Renouncing Its Past? NYTIMES

Amazon consumer book reviews as reliable as media experts Guardian

University of British Columbia opts out of Access Copyright agreement UBC 

Carlos Fuentes' Worldcat Identity page Worldcat

MediaWeek (Vol 5, No 13): Pew Reports: News Isn't Dead Yet, Slow Reading, Odd Titles + More

The Pew Research Center published their annual State of Media report this week and the research suggests some interesting trends are developing in the manner in which readers are accessing news.  Specifically, the research suggests that the rapid spread of mobile devices is also escalating our level of news consumption with traditionally news brands standing to benefit.  Here is their press release summary:

• Americans are far more likely to get digital news by going directly to a news organization’s website or app than by following social media links. Just 9% of digital news consumers say they follow news recommendations from Facebook or Twitter “very often” on any digital device — compared with 36% who say the same about directly going to a news organization’s site or app; 32% who access news through search; and 29% who use news organizing sites like Topix or Flipboard.

• Even so, social media are an increasingly important driver of news, according to traffic data. According to PEJ’s analysis of traffic data from Hitwise, 9% of traffic to news sites now comes from Facebook, Twitter and smaller social media sites. That is up by more than half since 2009. The percentage coming from search engines, meanwhile, has dropped to 21% of news site traffic, from 23% in 2009.

• Facebook users follow news links shared by family and friends; Twitter users follow links from a range of sources. Fully 70% of Facebook news consumers get most of their story links from friends and family.  Just 13% say most links that they follow come from news organizations. On Twitter, however, the mix is more even: 36% say most of the links they follow come from friends and family, 27% say most come from news organizations, and 18% mostly follow links from non-news entities such as think tanks. And most feel that the news they get on either network is news they would have seen elsewhere without that platform.

• Most media sectors saw audience growth in 2011 — with the exception of print publications. News websites saw the greatest audience growth (17%) for the year. In addition, thanks in part to the drama of events overseas, every sector of television news gained in 2011. Network news audiences grew 5%, the first uptick in a decade. Local news audiences grew in both morning and late evening, the first growth in five years. Cable news audiences also grew, by 1%, after falling the year before; in particular, MSNBC and CNN audiences grew in 2011, while Fox declined. Print newspapers, meanwhile, stood out for their continued decline, which nearly matched the previous year’s 5% drop. Magazines were flat.

• Despite audience gains, only the web and cable news enjoyed ad revenue growth in 2011. Online advertising increased 23%, and cable ads grew 9%. Most media sectors, however, saw ad revenues decline — network TV was down 3.7%; magazines ad pages, 5.6%; local news, 6.7%; and newspapers, 7.6%.
• As many as 100 newspapers are expected in coming months to join the roughly 150 dailies that have already moved to some kind of digital subscription model. In part, newspapers are making this move after witnessing the success of The New York Times, which now has roughly 390,000 online subscribers.  The move is also driven by steep drops in ad revenue. Newspaper industry revenue — circulation and advertising combined — has shrunk 43% since 2000. In 2011, newspapers overall lost roughly $10 in print ad revenue for every new $1 gained online. (That suggests no improvement from what a separate PEJ study of 38 papers found regarding 2010, when the print losses to digital gains in the sample were a $7-to-$1 ratio.)

• The emerging landscape of community news sites is reaching a new level of maturity — and facing new challenges. As some seed grants begin to sunset, a shakeout in community news sites is beginning, along with a clearer model for success. NewWest.net and Chicago News Cooperative are among the prominent community news sites that ceased publishing in 2011 or early 2012. The model for success, epitomized by Texas Tribune and MinnPost, is to diversify funding sources and spend more resources on business—not just journalism.
• Privacy is becoming a bigger issue for consumers, creating conflicting pressures on news organizations. Roughly two-thirds of internet users are uneasy with targeted advertising and search engines tracking their behavior, according to a recent Pew Research Center survey. At the same time, though, consumers rely more heavily on the services provided by the companies that gather such data. News organizations are caught in between. To survive, they must find ways to make their digital advertising more effective — and more lucrative. Yet they also must worry about violating the trust of audiences to protect their strongest assets — their brands.

A movement towards slow reading advocated by Maura Kelly at The Atlantic:

With empathy comes self-awareness, of course. By discovering affinities between ourselves and characters we never imagined we'd be able to comprehend (like the accused murderer Dimitri Karamazov), we better understand who we are personally and politically; what we want to change; what we care about defending.
Best of all, perhaps, serious reading will make you feel good about yourself. Surveys show that TV viewing makes people unhappy and remorseful—but when has anyone ever felt anything but satisfied after finishing a classic? Or anything but intellectually stimulated after tearing through a work of modern lit like, say, Mary Gaitskill's Veronica?
And though a television show isn't likely to stay with you too long beyond the night that you watch it, once you've finished a slow book—whether it's as long as Tolstoy's epic or as short as Old Man and the Sea, as old as The Odyssey or as new as Jonathan Franzen's Freedom, as funny as Portnoy's Complaint or as gorgeous as James Salter's Light Years—you'll have both a sense of accomplishment and the deeper joys of the book's most moving, thought-provoking, or hilarious passages. Time and again—to write that toast, enrich your understanding of a strange personal experience, or help yourself through a loss—you'll return to those dog-eared pages (or search for them on your Kindle). Eventually, you may get so good at reading that you'll move on to the slowest (and most rewarding) reading material around: great poems.

The Booksellers annual oddest book title competition as noted in The Economist:

The Diagram Prize, organised by the Bookseller magazine, has offered an annual award to the most outlandishly titled books since 1978. Judges recently announced the seven shortlisted titles for the 2011 award. “Cooking with Poo”, a cookbook by Saiyuud Diwong, may not smell that sweet, but its title ensures intrigued shoppers will buy it. Ms Diwong’s competitors are a varied bunch, and include plenty of explanatory ones: “A Century of Sand Dredging in the Bristol Channel: Volume Two”; “A Taxonomy of Office Chairs”; “Estonian Sock Patterns All Around the World”; and “The Mushroom in Christian Art”.
Other shortlisted titles include “The Great Singapore Penis Panic: And the Future of American Mass Hysteria”, a self-published effort, and “Mr Andoh’s Pennine Diary: Memoirs of a Japanese Chicken Sexer in 1935 Hebden Bridge”. The latter title was chosen to “get everyone’s attention,” says Kate Cloughan of Royd Press, its publisher. The tactic worked: “Mr Andoh’s Pennine Diary” has seen greater sales than a typical release by Royd Press.

From the Guardian: Ian McEwan: 'I started Atonement with a careless sentence'

Author Ian McEwan in conversation with the Guardian's deputy editor Ian Katz at the Guardian Open Weekend festival. Here, McEwan discusses hiking; the importance of indolence to writers; moving house, which means the loss of his writing room; and how on 9/11 he broke with his policy of refusing journalistic commissions

From the Twitter this week:

BBC News - How the world's first rock concert ended in chaos http://bbc.in/GFXFRd

My hero: Stephen Haff by Peter Carey via @guardian http://gu.com/p/36cdh

Ex-CEO to publish book on Olympus scandal - The Tokyo Times

St. Martin’s Press Marijuana Mystery - GalleyCat 

MediaWeek (Vol 5, No 12): BBC on Education, UK Copyright Revision, Pricing Classes, Book Binding, B&N Speculation Continues + More

The BBC on Education:  Has The Internet Sparked a Revolution in Education (Video):

The internet is helping to reshape the very foundation education by both allowing individuals to learn from the comfort of their own homes as well as training them to be the entrepreneurial moguls.  The BBC's Matt Danzico investigates what place traditional academic institutions have in a world consumed by do-it-yourself education.

The UK government in a proposed review of copyright laws has music publishers up in arms about the proposed benefits from revision to copyright laws (Telegraph):

A plan to update outmoded laws and legalise “format shifting” – transferring a song from a CD to an MP3 player, for example – will deliver up to £2bn of growth alone, according to the Government projection, which was adopted from an independent review of IP laws . It is partly based on the premise that the existing rules prevent companies conducting the kind of innovation that led to the MP3 player.
Mr Mollet added that the £2.2bn that is estimated to come from the creation of a Digital Copyright Exchange – a proposal for an online “one stop shop” for digital rights clearance Mr Mollet supports – is based on the “misappropriation” of an unrelated study.
“There are areas where copyright needs to be reformed. But we see a lot in the consultation on how [the proposals] would be good for anonymous entrepreneurs but there’s little on the cost for current creatives. That’s a damaging gap," he said.
Pete Wishart MP, of the all-party Intellectual Property Group, said: “ How the Government has got away with such bonkers figures is beyond me.”
But a Business Department spokesman said: “We’re not backing away from the £7.9bn figure.”

School costs more depending on popularity - Is this the new model? (Atlantic)

Since 2008, the Golden State has shrunk funding for its sprawling, 112-school community college system by 13 percent. Its cuts to higher-ed have not been the most severe in the nation, but they have been painful. Santa Monica alone has lost $9.9 million support. And like its institutional peers, the school has been forced to cut classes in response. It now offers 15 percent fewer courses than four years ago -- not nearly enough to meet the demand from students, many of whom simply cannot get enough credits to finish their degrees on schedule, or transfer to a four-year school. A Santa Monica spokesman told me that some courses have waiting lists twice the size of the actual class. Out of frustration, students have started transferring to expensive, for-profit schools, taking out high-priced loans in order to get their degree in a reasonable amount of time.
Santa Monica has come up with a smart, yet frustrating, solution. This week, the school announced that it would begin offering more expensive versions of its most popular courses during the summer in order to accommodate students who can't take them during the school year. The classes will be offered at cost, since the college is providing them without any subsidy from the state. The price works out to $180 a credit -- not a huge sum, but still five-times what students pay now.

Making books like art objects (Telegraph).  There is still art to books and book binding.

The books are so remarkable to look at they seem as though they might already be precious antiques – both because of the unearthed gems within the pages and the external format, a replica of the clothbound pocket hardbacks Jonathan Cape used to make in the Twenties. The creamy paper is the same as that used in the quarterly, the Slightly Foxed colophon is blind blocked on the front, and the title and author gold blocked on the spine. Each edition has a specially chosen cloth binding, contrasting endpaper, head and tail band and ribbon marker. The whole thing seems so handmade – indeed, as the film we’ve made shows, much of it is handmade – you can’t imagine how Slightly Foxed doesn’t make a huge loss. There aren’t even any dustjackets with which to sell the books or explain them, nor quotes of recommendation, nor blurbs. The books are, Wood suggests, like “portable sculptures”.

This weekend saw speculation that an offer had been placed for the (Barnes & Noble) college retail business that Barnes & Noble, Inc. absorbed a few years ago.

G Asset Management, a shareholder has lodged a bid for 51% of the business which in the carve out would also take on $410mm in debt.  Reported in the NY Post the story comes from the Bloomberg wire and notes that the business would be valued at $460mm.

In a letter to the board dated Febuary 17th, Michael Glickstein President of G Asset Management revisited his (and the funds desire) to 'unlock shareholder value' by proposing a break-up of the business.  Here is the text of his letter:

February 17, 2012

Members of the Board of Directors

Barnes & Noble, Inc.

P.O. Box 111

Lyndhurst, NJ 07071

Dear Members of the Board of Directors:

We are writing to reiterate our belief that taking strategic action to spin-off the Nook business would create substantial value for shareholders. We have communicated previously with you and with Chairman Riggio on this subject (our letters of April 5, 2011 and November 16, 2011 are attached).

We believe BKS should take strategic action as soon as practicable to unlock the value of the NOOK business and BKS as a whole. As shown in the attached summary of our analysis, we believe that very substantial shareholder value could be created by moving forward and executing a spinoff of the NOOK business. Furthermore, we believe that a spinoff by way of a rights offering in which each BKS shareholder would receive rights to exchange a proportion of their BKS shares for NOOK shares could create meaningful upside for both the NOOK and the parent firm.

While we were pleased to see the Company announce on January 5 of this year that it had decided “to pursue strategic exploratory work to separate the NOOK business,” we are concerned that there is no timetable for review and that the Company has said that it may decide not to take any action. We believe that BKS both can and should act without delay to reduce the risk that changes in technology and/or a reduction in current favorable high growth tech company valuations may occur. There is no assurance the same opportunity will be present down the line.

We are encouraged by management’s ability to improve results in a challenging industry environment and its ability to adapt and find new opportunities for growth. We have great confidence in the Board’s ability to take the steps needed to unlock the value of the NOOK business. Our attached November 16 letter notes the track record in successful spin-offs of Mr. Riggio and Dr. Malone’s Liberty Media.

We look forward to the Board’s consideration of this analysis and the taking of appropriate action as soon as practicable.

The above was submitted to the SEC and the submission also includes a Powerpoint deck describing in some detail their view.  (SEC).

Among numerous points made in the deck is a suggestion that in a 'sum of the parts' analysis the company could be worth $71 per share which is in excess of 400% more than the current market cap.  Nice!

Here is the deck via slideshare (since this is a scan it is a little difficult to read);

Barnes & Noble; G Asset Management SEC Filling

View more presentations from Michael Cairns.

From the twitter:

Literary legends brought to life in publisher's archive Guardian

Some deeply retro moaning about the internet from the Publisher of Harper's magazine Providence Journal

TechRadar - Encyclopedia Britannica now online only http://bit.ly/yVb1Y3

MediaWeek (Vol 4, No 48): Orwell on Police Actions, Dickens and Economist Book Festival + More

Conor Friedersdorf writing in The Atlantic asks What Orwell Can Teach us About OWS and Police Brutality

In Burma, Orwell remembers, every British police officer was a target of constant ridicule. "When a nimble Burman tripped me up on the football field and the referee looked the other way, the crowd yelled with hideous laughter," he writes. "This happened more than once. In the end the sneering yellow faces of young men that met me everywhere, the insults hooted after me when I was at a safe distance, got badly on my nerves." The next passage captures what it is like to be a man trapped in a system you wouldn't have chosen and don't particularly like:

I had already made up my mind that imperialism was an evil thing and the sooner I chucked up my job and got out of it the better. Theoretically - and secretly, of course - I was all for the Burmese and all against their oppressors, the British. As for the job I was doing, I hated it more bitterly than I can perhaps make clear. In a job like that you see the dirty work of Empire at close quarters. The wretched prisoners huddling in the stinking cages of the lock-ups, the grey, cowed faces of the long-term convicts, the scarred buttocks of the men who had been Bogged with bamboos - all these oppressed me with an intolerable sense of guilt. But I could get nothing into perspective. I was young and ill-educated and I had had to think out my problems in the utter silence that is imposed on every Englishman in the East...

All I knew was that I was stuck between my hatred of the empire I served and my rage against the evil-spirited little beasts who tried to make my job impossible. With one part of my mind I thought of the British Raj as an unbreakable tyranny, as something clamped down, in saecula saeculorum, upon the will of prostrate peoples; with another part I thought that the greatest joy in the world would be to drive a bayonet into a Buddhist priest's guts. Feelings like these are the normal by-products of imperialism; ask any Anglo-Indian official, if you can catch him off duty.

Perhaps you know the rest of the story. Orwell gets a call about a mad elephant stampeding through the village. It killed one man. Being the officer in charge, he is expected to do something.

I am sure Niall Ferguson could find a silver lining in there somewhere (Guardian)


An exhibition at the British library makes the claim the Dickens stole a ghost story from a rival (Guardian):

Exhibition tells how Charles Dickens was spooked by ghost tale doppelganger: Bicentennial show at British Library says rival accused Dickens of plagiarism but author said he was amazed by story similarities.

The Economist running a books festival in combination with their annual book of the year round-up. (Economist):

The process starts in mid-November when we e-mail all our reviewers, soliciting their advice. This year, for the first time, we also ran a competition among our readers on Facebook.
The rules are simple: to be included a book needs to have been published in English between January 1st and December 31st 2011.

A handful have already been selected to feature in The Economist’s first “Books of the Year” festival at London’s SouthBank Centre. Among these is “A History of the World in 100 Objects” by Neil MacGregor, the director of the British Museum, which began as a radio programme early in 2010; a new edition of the book is out this month. Also appearing will be Edmund de Waal, who opens the festival with a new illustrated edition of his bestselling family memoir, “The Hare with Amber Eyes”.

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