Showing posts with label Uk. Show all posts
Showing posts with label Uk. Show all posts

Sunday, January 29, 2012

MediaWeek (Vol 5, No 5); Fixing Copyright, UK Education & History, Girlsand Science + More

Long article in The Nation this week about reforming copyright and makes deep reference to Bill Patry's How to Fix Copyright. The author of the article Caleb Cain is not convinced of the arguments Patry, who is lead council for Google and widely seen as an expert on copyright issues, makes and he makes his opinion know very early on:
The non sequitur I’m objecting to here is a small one. Unfortunately it’s representative; Patry’s reasoning is slipshod throughout the book, and more than once he tells the reader what to think instead of taking the trouble to convince him. Nor are these the only signs that the book may have been hurriedly—or just poorly—written. Patry often repeats himself. Though he seems to wish to address a broad audience, he uses legal terms of art such as “de minimis” and “worldwide exhaustion” without explaining them, and the later chapters sprint faster and faster through vagaries of international copyright law that are more and more complex. His priorities seem unsorted; he devotes a whole chapter to discrediting a 1995 article that consists only of notes in outline form and that by his own admission seems to have been little read. Nonetheless, if only because of Patry’s connection to Google, the ideas in his book will be taken seriously.
* * *
Patry believes that copyright laws have failed, and for evidence of the failure he begins by pointing to conflicts. Creators of copyrighted work have tussled with the distributors to whom they sell it. Record labels, for example, have been found guilty of withholding payments to musicians, and Patry recounts that in his capacity as a writer, he was recently forced against his will to sign away valuable rights in negotiations with a powerful online publisher. Creators have also been quarreling with their audiences, especially about pricing and access. Patry cites a recent dispute over Amazon’s Kindle: Amazon enabled the device to read books aloud in a mechanized voice, and the Authors Guild protested that the function would cut into sales of audio books. Amazon backed down—a matter for regret, in Patry’s opinion.
This article is mostly a review of the book rather than an argument with Patry's point(s) of view. Read the whole thing in The Nation.

UK Education Secretary Michael Gove argues that schools should teach children about kings, queens and wars. He's offering a quack remedy to a misdiagnosed complaint (New Statesman):
How about teaching narrative rather than analysis, then? It is wrong, David Starkey has asserted, that history in the schools has modelled itself on university research. What we need, he declares, is to give children "a sense of change and development over time . . . The skills-based teaching of history is a catastrophe." But what sells in the bookshops or what succeeds on TV is not necessarily what should be taught in schools. Teaching is a profession with its own skills and techniques, different from those needed to present a television programme (as Starkey's performance on the reality TV show Jamie's Dream School dramatically indicated). Physics, biology and every other subject in schools is taught along lines that reflect research in the universities. One wouldn't expect physics teachers to ignore Stephen Hawking's ideas about black holes, or biology teachers to keep quiet about the discovery of DNA. So what makes history so different? Chemistry devotes a large amount of time to transmitting skills to students; why shouldn't history?
The narrative that the critics want shoved down pupils' throats in schools - as they sit in rows silently learning lists of kings and queens - is essentially what's been called the "Whig theory of history"; that is, telling a story of British history over a long period of time, stressing the development of parliamentary democracy in a narrative that culminates in a present viewed in self-congratulatory terms.
This theory was exploded by professional historians more than half a century ago, under the influence of the classic tract The Whig Interpretation of History by the conservative historian Herbert Butterfield. Yet it still has strong support in the media. The Daily Telegraph and the right-wing think tank Civitas even campaigned to get H E Marshall's patriotic textbook Our Island Story put on the National Curriculum. Dating from the Edwardian era, this book, with its stories of how the British brought freedom and justice to the Maoris of New Zealand and many other lucky peoples across the world, has rightly been described as "imperialist propaganda masquerading as history". In what other academic subject would people seriously advocate a return to a state of knowledge as it was a hundred years ago?
Steering Girls to Science and Technology (MediaShift):
One thing research consistently shows is the impact that one-on-one relationships and role models can have in influencing kids. And that's one of the defined goals of the Techbridge program. To that end, Ebony and her peers get to work once a week with Esosa Ozigbo, who comes from a similar background as many of the girls in the program -- single-parent home, struggling financially, parents who never graduated from high school. But Ozigbo, a Stanford graduate with a science degree, is living proof that there's a way out -- and it might just be in a field like science or math. "I definitely know that growing up, it would have been great to have someone like that come in and talk to me," Ozigbo said.
Ozigbo leads Techbridge field trips, taking girls to companies like Google and Yahoo for site visits so they see for themselves the possibility of a life that's different than what they've lived so far. "I took some girls to San Francisco -- they had never been on the other side of the bay," she said. "It's just about seeing what's out there and seeing if it's in your grasp and saying, 'This is what I have to do, this is what I can do.' I think that makes the world of a difference."
From the Twitter this week:

Serving police officer among four men arrested in London and Essex as part of Operation Elveden

Casio has unveiled smartphone prototypes able to exchange data using light. Some have labelled this system Li-Fi

Amazon's Hit Man - With Bow Tie

Locked in the Ivory Tower: Why JSTOR Imprisons Academic Research

Sunday, December 04, 2011

MediaWeek (Vol 4, No 49) Revamping GED, HS Corporate Marketing, Book Blogging, Pretty Books + More

The GED test is being revamped (EdWeek):
Situating the GED as a pathway to higher education echoes its original intent. The first exams, in 1942, were envisioned as a way for returning World War II veterans to complete high school and use the GI Bill to attend college. In 1949, the first year statistics are available for nonmilitary test-takers, 39,000 people took one or more of the five sections of the test: reading, writing, mathematics, science, and social studies. By 2010, that number had risen to 750,000.
The GED is widely used as a high-school-completion tool by those in the military and in prisons, and by dropouts who are too old for the public school system. Although one-quarter of those who take the test are 16 to 18 years old, the typical GED candidate is 26, has completed 10th grade, and has been out of school nine years, according to ACE data.

But while the test has helped thousands move forward, it is dogged by criticism that it doesn’t reflect high-school-level achievement. Officials in New York City, for instance, said last December that the passing score reflects only middle-school-level content and skills. The city is helping pilot a new, accelerated GED curriculum and accompanying supports in a subdistrict of alternative schools.

Even as the GED is overhauled, scholars continue to debate its value.
Report looks at the connection between corporatism and educating children (NonProfit Quarterly)
If you haven’t been around schools and schoolchildren recently, get ready for some stomach-wrenching corporate curricula:
  • Shell‘s “Energize your Future” curriculum, which reimagines the oil industry behemoth as a leader in alternative energy technologies.
  • American Coal Foundation’s “The United States of Energy” fourth-grade curriculum, which is quite favorable, not surprisingly, to coal mining and use.
  • Coal Education Development and Resource’s (CEDAR) curriculum, which encourages coal use and students’ participation in regional “coal fairs.”
  • Kohl’s department stores’ “Kohl’s Cares for Schools” campaign promoted awarding $500,000 to the 20 schools that got the most votes on Facebook—and everyone who voted found themselves on Kohl’s mailing lists for promotions and advertisements.
  • Education Funding Partners (EFP) is marketing to schools to sell the naming rights to school cafeterias and auditoriums to corporations such as Apple and Adidas.
Here’s the kicker for all of us in the nonprofit world. Some of the corporate marketing is cloaked in the garb of corporate charitable partnerships (for example, the Kohl’s competition). Some of the marketing is carried out by nonprofit affiliates of the corporate interests (for example, the American Coal Foundation and CEDAR, both 501(c)(3)s). And some of the corporate marketers are corporations whose partnerships for schools and other causes are often lauded as standout examples of corporate philanthropy—Microsoft, Disney, Nike, Google, etc.

Is book blogging dead is the question asked by Jacket Copy (LATimes) in response to a email blast from William Morrow:
"Message is essentially: if you don't review enough of the books we send you, in the timeframe we want you to, you're out," Rebecca Joines Schinsky tweeted Thursday. Schinsky, who writes and edits The Book Lady's Blog, is one of the leaders of the latest generation of committed book bloggers.
"Can you imagine them sending this to Horn Book or The NYTimes?" added Pam Coughlin, who blogs at MotherReader.
Many publishers enthusiastically send books to bloggers, and today's book blogger may rake in free books like leaves after a windy fall day. But it wasn't always that way.
When blogging about first began, publishers, like many other long-established businesses, looked at the form with justifiable skepticism. If just anyone could start a blog, what role could bloggers have?
Eventually, that skepticism faded. People who like to read books, it turns out, were reading things on the Internet. Those things included blogs. They included book blogs. As time passed, many early book bloggers, many of whom focused on literary titles, moved on to other things -- book reviewing, publishing short stories, writing novels, even writing for newspapers.

Two articles about beautiful books from the NYTimes:
Many new releases have design elements usually reserved for special occasions — deckle edges, colored endpapers, high-quality paper and exquisite jackets that push the creative boundaries of bookmaking. If e-books are about ease and expedience, the publishers reason, then print books need to be about physical beauty and the pleasures of owning, not just reading.
“When people do beautiful books, they’re noticed more,” said Robert S. Miller, the publisher of Workman Publishing. “It’s like sending a thank-you note written on nice paper when we’re in an era of e-mail correspondence.”
The eagerly anticipated 925-page novel by Haruki Murakami, “1Q84,” arrived in bookstores in October wrapped in a translucent jacket with the arresting gaze of a young woman peering through. A new novel by Stephen King about the Kennedy assassination, “11/22/63,” has an intricate book jacket and, unusual for fiction, photographs inside. The paperback edition of Jay-Z’s memoir “Decoded” features a shiny gold Rorschach on the cover, and in March the front of “The Song of Achilles” by Madeline Miller will bear an embossed helmet sculpted with punctures, cracks and texture, giving the image a 3-D effect.
And from the Guardian:
Publishers have started building their marketing strategies around form rather than content. The Everyman Library, which is coming up to the 20th anniversary of its modern relaunch, makes much of its books' elegant two-colour case stamping, silk ribbon markers and "European-style" half-round spines. In 2009, to celebrate its 80th birthday, Faber republished a collection of its classic poetry hardbacks illustrated with exquisite wood and lino cuts by contemporary artists. Not to be outdone, Penguin will next year be reissuing 100 classic novels in its revamped English Library series in what its press release describes as "readers' editions". What other sort could there be, you might wonder? The press release elaborates that these will be "books you will want to collect and share, admire and hold; books that celebrate the pure pleasure of reading". Translated into the material realm, this means cover designs that pay their respects to the classic orange spine of the original Penguin English Library, but modify its iconic "grid" in order to luxuriate in whole-cover retro prints.
It is not just the big publishing conglomerates that are paying more attention to the way their products look. Several boutique outfits have recently been established dedicated explicitly to making beautiful books. Full Circle and Unbound are just two, founded by the veteran publishing stars Liz Calder and John Mitchinson respectively. In their new incarnations as producers of exquisitely crafted books, Calder and Mitchinson spend more time than they probably ever did when they were helping to run companies including Bloomsbury and Orion pondering such arcane matters as cloth-slip covers, numbered limited editions, artwork that really is art, and paper so creamy you long to lick it.
Some other articles of interest:
Dr. Justin Marquis talks about the difference between "custom" textbooks and custom textbooks.

Richard Byrne points to an open math supplement, which reminded us that one of the benefits of using a custom text is that you can choose your own supplements from anywhere on the internet (or even create your own).

Nelly DeSa, a student, writes about the Textbook Pinch.

And finally Ken Ronkowitz at Serendipity35 asks if your students are buying the textbook...
 From the twitter:

 Thomson Reuters chief Glocer makes his exit

Save the UK's libraries? It's beyond me, admits US guru - UK -