Why detective fiction works from New Statesman:
This may or may not be a good thing. These days, you can comfortably
inhabit the world of eccentric amateur detectives and embittered private
eyes all year round, in the company of learned fellow travellers, on
television, at the cinema, in books and online. There are murder mystery
weekends and endless box sets; in classrooms, at conferences and on
college campuses, it is now de rigueur for undergrads to study crime
fiction and its relationship to feminism, post-colonialism and critical
theory, just as I once had to sweat my way through Troilus and Criseyde
and the meaning of courtly love. At City University in London, you can
now study for an MA in crime thriller novels. Doubtless at a certain
point, even Michael Gove will capitulate and make Elmore Leonard his
grammar tsar. The underground has become the mainstream.
Just to recap, for those few who haven’t been paying attention or who
haven’t had the chance to study, say, module EAS3217 (“Crime and
Punishment: Detective Fiction from the Rue Morgue to the Millennium”) at
the University of Exeter or EN658 (“American Crime Fiction”) at the
University of Kent: Edgar Allan Poe invented detective fiction in 1841
with his short story “The Murders in the Rue Morgue”, then Wilkie
Collins wrote The Moonstone (1868), then along came Sherlock
Holmes and Agatha Christie; America went hard-boiled; and now there’s
everything else, including a lot from Scandinavia.
Boris Kachka with some needed perspective on the news about Barnes & Noble (New York):
The industry that looked on Barnes & Noble as a virus now treats
Amazon like a pandemic. Just last week, in advance of Obama’s visit to
an Amazon warehouse, a letter from the ABA (now down to roughly 1,500
members) called Obama’s praise of the company “woefully misguided.”
Publishers, meanwhile, are a lot more open in their disdain for Bezos
than they ever were for Riggio—especially after Amazon came out on top
in a recent antitrust suit over e-book prices. Now they’re on the side
of Barnes & Noble, the last bastion of bricks and mortar. When
Microsoft invested in the Nook last year, publishing CEOs wrote in to
congratulate Lynch.
But that cooing sound you hear from publishers isn’t love for
Barnes & Noble; it’s fear of its disappearance. Last year, one
executive compared a B&N-free landscape to The Road: “The
postapocalyptic world of publishing, with publishers pushing shopping
carts down Broadway.” For all the anti-chain agitation, publishers long
ago adapted to a world in which one business controls 25 percent of the
market. And while it may have hastened publishing’s own rapid
consolidation—culminating in this year’s Penguin–Random House
merger—Barnes & Noble never seriously jeopardized the publisher’s
role as the supplier. Amazon, though, is now a growing publisher in its
own right, threatening to make not just bookstores but traditional
publishers obsolete.
In sports this week from Twitter feed:
James Anderson of England poses with Bob Willis ,Ian Botham and Michael Cairns, the Lancashire Chairman after after
becoming the highest Test wicket taker whilst playing for Lancashire
during Day one of the 3rd Investec Ashes Test match between England and
Australia at Old Trafford http://fb.me/2eSG3vKbi
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