Monday, March 29, 2021
Friday, March 26, 2021
New Price Fixing Suit Goes After Publishers and Amazon for Print Prices
Earlier this year, the law firm Hagens Berman Sobol Shapiro (Hagens) filed suit alleging the price fixing and collusion among Amazon.com and the five largest trade publishers which, the suit alleges, caused consumers to pay higher prices.
Now the same law firm is alleging a similar crime with respect to print book prices. In the press release, the law firm states,
“We believe we have uncovered a classic antitrust price-fixing scheme akin to exactly what Amazon and the Big Five book publishers have been accused of in the past,” said Steve Berman, managing partner of Hagens Berman and attorney representing the proposed class of booksellers. “The Big Five and Amazon have sought to squeeze every penny they can from online and retail booksellers through a complex and restrictive set of agreements, and we intend to put an end to this anticompetitive behavior.”
The lawsuit was filed in the U.S. District Court for the Southern District of New York on Mar. 25, 2021, and states that Amazon colluded with the Big Five U.S. book publishers – Hachette, HarperCollins, Macmillan, Penguin Random House and Simon & Schuster – to restrain competition in the sale of print trade books, or non-academic texts such as fiction and non-fiction material.
Back in 2011, this law firm also sued Apple accusing them of fixing e-book prices at artificially high levels and in that case Apple agreed to settle for $400 million. Hagens has a colorful history as these links (1, 2, 3) suggest but it also was recognized in 2020 by Law360 as Class Action Practice Team of the year.
It remains to be seen how these cases will be adjudicated over the next few (likely) years. As noted in an earlier post, Connecticut is also taking a look at Amazon and eBook pricing according to the NYTimes.
Thursday, March 18, 2021
Barnes & Noble Education: 3Q Results Show COVID Impact
Barnes & Noble Education reported their third quarter results on March 9th, showing a predictable decrease in revenues due to Covid. Third quarter sales ($411MM) were off 18% versus 2020 which contributed to a year to date negative revenue ($1,211MM) variance of 24%. EBITDA for the period showed a loss of $(48)MM versus $(1.7)MM in 2020. The year to date loss is $(87)MM versus income of $2.1 in 2020. The company indicated they took a write down of $27MM for store fixtures.
It is worth noting that revenue results for 3Q 2020 were off 8% for the quarter and 6% year to date versus 2019 showing that the COVID impact has been significantly worse in recent periods. In the 2019 3Q filing, revenues for the quarter were $550mm which indicates revenue has fallen $140mm over two years. Year to date revenues in 2019 were $1.6B versus $1.2B in 2021.
(See Follett release below).
As this chart shows however, recent investors might be happy with share performance:
Additional details from their press release:
Related news from Higher Ed retailer Follett: Web Sales Show Rapid Growth
Wednesday, March 17, 2021
McKinsey Report on Diversity in Film and Television
Interesting set of research from McKinsey into the economic impact of diversity in the film and television industries:
Today, Black Americans make up 13.4 percent of the US population, and that percentage will increase over the next few decades. 2 Just as the racial wealth gap is constraining the US economy, the film and TV industry will continue to leave money on the table if it fails to advance racial equity (see sidebar “The value of achieving racial equity in Hollywood”).
....
- By addressing the persistent racial inequities, the industry could reap an additional $10 billion in annual revenues—about 7 percent more than the assessed baseline of $148 billion. 1 Fewer Black-led stories get told, and when they are, these projects have been consistently underfunded and undervalued, despite often earning higher relative returns than other properties.
- The handful of Black creatives who are in prominent off-screen, “above the line” positions (that is, creator, producer, writer, or director) find themselves primarily responsible for providing opportunities for other Black off-screen talent. Unless at least one senior member of a production is Black, Black talent is largely shut out of those critical roles.
- Emerging Black actors receive significantly fewer chances early in their careers to make their mark in leading roles, compared with white actors, and they have a lower margin for error.
- Both film and TV still have very little minority representation among top management and boards; film in particular is less diverse than relatively homogenous sectors such as energy, finance, and transport.
- A complex, interdependent value chain filled with dozens of hidden barriers and other pain points reinforces the racial status quo in the industry. Based on our research, we catalogued close to 40 specific pain points that Black professionals in film and TV regularly encounter as they attempt to build their careers.
Monday, March 08, 2021
Newsletter: Media News Update
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Friday, March 05, 2021
ABA: Bookseller Video Montage: Dealing with COVID
Also an hour program from WGBH (Boston) about how independent bookstores are dealing with COVID-19
https://www.wgbh.org/news/local-news/2020/12/05/saving-bookstores-how-independent-shops-cope-against-covid-and-e-commerce-giants
Sunday, February 21, 2021
Media Report (Vol 14, No 2): Pell Grants, Black Literature, Cancelling Shakespeare, American Dirt
Raising Pell: How Industry Support and Federal Grants Improve Prison Education (PND)
The Obama Administration recognized that a coordinated and organized approach from the Department of Education and Bureau of Prisons would improve prison education programs. In the years since, quality education programs – where they exist – remain concentrated and reach less than 10% of incarcerated individuals. Allowing Pell Grants to be used by this population is an important step; however, if educational programs are a hodge-podge of well-intentioned but uncoordinated initiatives, they will only ever be partially successful (if success means delivering an efficacious education program to all who seek it).
Black Kids and White dominated Literature: A Do It Yourself Model (The Conversation)
Although much of American children’s literature published near the turn of the last century – and even today – filters childhood through the eyes of white children, The Brownies’ Book gave African American children a platform to explore their lives, interests and aspirations. And it reinforced what 20th-century American literature scholar Katharine Capshaw has described as Du Bois’ “faith in the ability of young people to lead the race into the future.”
Most likely inspired by The Brownies’ Book, several Black weekly newspapers went on to create their own children’s sections. While the children’s publishing industry may have shut out Black voices and perspectives, the editors of these periodicals sought to fill the void by celebrating them, giving kids a platform to express themselves, connect with one another and indulge their curiosities.
Why are schools cancelling Shakespeare? (WAPO)
Why should students be forced to read Shakespeare, as some teachers on Twitter are wondering? Why, indeed? God forbid they should try to muddle through a sentence by Vladimir Nabokov, Jane Austen, Leo Tolstoy or, my high school favorite, William Faulkner. I loved Faulkner not because he was easy to read but because I had an unforgettable teacher whose passion shined light on the beauty and the sound and the fury of words.
Not that I’m a literary snob, mind you. I also read all of Harold Robbins’s trashy novels in junior high, much to the furrowed brow of my mother. One night, while I was reading “The Carpetbaggers” by flashlight under my covers, I overheard her say to my father: “Should we be letting her read those books?”
The Management Lessons in David Simon's Homicide (Strategy + Business)
What can we learn from this acute environment? For one, culture matters. The foundation of the work that gets done in the book is a powerful culture built on tradition and values, which the detectives transmit and reinforce in one another. It is a ferociously masculine culture, insular and to a great extent Catholic, expressed in gallows humor, and exalting duty and strength. Being a cop in Baltimore is so dangerous that a tradition has evolved for when someone returns to work after being shot in the line of duty: The officer gets to pick any assignment he’s qualified for.
As Simon demonstrates, this culture sustains the detectives in the face of nearly overwhelming challenges. But it can also be a problem. “Police-involved shootings” are investigated with an eye toward making potential problems go away. The culture also means that the advent of women as detectives is unwelcome to the men, even as they occasionally accept one.
The Implosion of America Dirt (NYMag). It didn't stop it being one of the years biggest books,
On the publisher’s side, Miller and Don Weisberg, then the president of
Macmillan, did most of the talking. The book’s editor, Amy Einhorn, was
mostly silent. The executives expressed interest in the activists’
suggestions, but they also wanted to discuss the tone of the online
discourse. Miller comes from a generation that prizes “civility,” one
employee noted. “He could be accused of tone policing,” added another.
Gurba, who had received a barrage of menacing emails since publishing
her essay, was disturbed that Miller seemed to be “equating the
criticism Jeanine was receiving with the death threats I was receiving,”
she said. As Miller and Gurba began to argue over this, one Macmillan
staff member blurted out that Cummins had never received any actual
death threats. “Everybody just went dead silent,” Gurba recalled.
Magazines are turning in to Books (CNN)
While many magazines have shrunk or folded in recent years, some publishers see opportunity in bookazines. They are less dependent on advertising — a once reliable source of revenue that continues to be eaten up by tech platforms like Facebook (FB) and Google (GOOG). The issues are big, sometimes exceeding 100 pages, but publishers can fill pages with stories and photos from their archives, making them less costly to produce. And they can seize on current trends like keto diets or cultural moments such as the passing of beloved celebrities and other public figures.
"To me, [bookazines] represent a really nice pandemic treat," said Aileen Gallagher, associate professor of magazine, news and digital journalism at Syracuse University. "We're all still stuck in our houses and the only place we're really going is the grocery store. It's like, 'Oh, here's this thing that will entertain me for a little while that I will invest $10 in.'"
Digital subscriptions for content businesses are growing across the board (TheNewStatesman)
In a survey conducted for the Reuters Institute’s Digital News Report 2020, 64 per cent of readers in the UK cited “distinctive journalism” as their primary reason for subscribing to any publication, and 35 per cent of those readers said that they subscribe for particular writers they like. This agrees with what our readers tell us about why they subscribe: for Stephen Bush, Anoosh Chakelian, Jeremy Cliffe, Emily Tamkin, Sarah Manavis and Ailbhe Rea, among many others.
Our investments in technology and data journalism are paying off, as is our expansion into international coverage, led by Jeremy Cliffe. Our coverage of the US election in particular was widely praised for its insight and accuracy.
More from my Flipboard magazine
