Monday, November 24, 2008
SharedBook in Deal with LucasBooks
Promotional links and pages provided by Random House, direct consumers to SharedBook's online store, where they can create a custom dedication with text and photo that appears in the front of their STAR WARS book. Books are then purchased and printed in hardcover and shipped free to the recipient. Thus, the force is with the consumer.
Reader's Digest
Ms. Berner has been a jolt to the system for this stodgiest of media companies since she became chief executive in a private equity takeover 20 months ago. She has replaced executives, sold unprofitable businesses and even set out to change the company’s name, shaking it up any way she can.
Most important, the company is taking risks, starting dozens of new magazines at a time when its peers are contracting.
One of the biggest new ventures, to be announced Monday, is a multimedia partnership with Rick Warren, the renowned minister and author, hoping to tap into the vast audience for his book “The Purpose Driven Life.”
Together, they are creating a Christian membership organization, The Purpose Driven Connection, built on Mr. Warren’s call to faith and charitable work. Paying members will receive a quarterly magazine edited by Mr. Warren, with DVDs and pull-out study guides in each issue, and access to a social networking Web site.
Sunday, November 23, 2008
MediaWeek (Vol 1, No 47):
Sales for the third quarter were $1.1 billion, a 4.4% decrease compared to the prior year. Barnes & Noble store sales decreased 4.4% to $971 million, with comparable store sales decreasing 7.4% for the quarter. Barnes & Noble.com sales were $109 million for the quarter, a 2.0% comparable sales increase compared to the prior year.
For the thirty-nine weeks ended November 1, 2008, the company had a net loss of $5.2 million as compared to net income of $20.8 million in the prior year. The net loss includes the third quarter charge noted above ($7.0million) as well as a $5.0 million after-tax charge from the first quarter relating to a tax settlement. Excluding these charges, the company achieved net income of $6.8 million year-to-date.The company explained that they have maintained their gross margins and pointedly noted that they have avoided 'unprofitable top line sales growth with additional coupon promotions and extra discounting' which may not be an argument that Borders will be making next week. SeekingAlpha Transcript Speaking for myself, I was more surprised that Random House still had a pension plan. Well, it's now officially closed. AP
The country's largest trade publisher, Random House Inc., has frozen the pensions of its current employees and eliminated them for future hires, the latest cuts in an industry hit by declining sales and anticipating, at best, a difficult 2009.Reuters (via Billboard) reports on books by musicians. (Reuters):"Effective Dec. 31, benefits in the Random House, Inc. Pension Plan will no longer grow — but they will not be reduced," spokesman Stuart Applebaum said in a statement released Thursday in response to a query from The Associated Press.
Applebaum added that, effective Jan. 1, no new employees "will be enrolled in the Random House, Inc. Pension Plan." The company will continue to offer matching funds, up to 6 percent, for 401k plans.
Personally, I think more imagination could be applied to this genre far beyond the simple tell all but that's just my opinion. An obit of Fred Newman that appeared in The Telegraph. e-Publishing company Atypon purchase eMeta from Macrovision, Inc. LINKBut not everyone who has ever cut a record should count on getting a book deal.
"Things are dire in the publishing business, and they are looking to get the big names that already have established brands and platforms," says literary agent Sarah Lazin. And she adds that even some popular musicians face an added hurdle because of their fan base.
"For a long time, publishers made the mistake of thinking that because a band had sold a lot of records, they would sell a lot of books," she says. "I think they've discovered that it depends on the audience. For the Tori Amos (biography "Piece by Piece," which she co-wrote with Ann Powers), we had a huge response, because her fans are readers and book buyers."
"Piece by Piece" has generated hardcover sales of 32,000 units and paperback sales of 9,000 units since its publication in February 2005, according to BookScan.
The acquisition of this operation from Macrovision supplements Atypon’s existing technologies and services and creates a broader proposition focused exclusively on the licensing and online delivery of publisher content. It creates a single entity dedicated to providing innovative content production, marketing, ecommerce and e-rights management tools to the publishing industry. Through the acquisition of the eMeta operation, Atypon has expanded its highly experienced technical team and added a publishing services consulting team to the company’s existing proposition.
Every Picture Tells a Story
Here is a taste:
Now invention is again overthrowing the dominant media. A new distribution-and-display technology is nudging the book aside and catapulting images, and especially moving images, to the center of the culture. We are becoming people of the screen. The fluid and fleeting symbols on a screen pull us away from the classical notions of monumental authors and authority. On the screen, the subjective again trumps the objective. The past is a rush of data streams cut and rearranged into a new mashup, while truth is something you assemble yourself on your own screen as you jump from link to link. We are now in the middle of a second Gutenberg shift — from book fluency to screen fluency, from literacy to visuality.
The overthrow of the book would have happened long ago but for the great user asymmetry inherent in all media. It is easier to read a book than to write one; easier to listen to a song than to compose one; easier to attend a play than to produce one. But movies in particular suffer from this user asymmetry. The intensely collaborative work needed to coddle chemically treated film and paste together its strips into movies meant that it was vastly easier to watch a movie than to make one. A Hollywood blockbuster can take a million person-hours to produce and only two hours to consume. But now, cheap and universal tools of creation (megapixel phone cameras, Photoshop, iMovie) are quickly reducing the effort needed to create moving images. To the utter bafflement of the experts who confidently claimed that viewers would never rise from their reclining passivity, tens of millions of people have in recent years spent uncountable hours making movies of their own design. Having a ready and reachable audience of potential millions helps, as does the choice of multiple modes in which to create. Because of new consumer gadgets, community training, peer encouragement and fiendishly clever software, the ease of making video now approaches the ease of writing.
Friday, November 21, 2008
Pardon Me, says Black
As an update, Lord Black tells us prison isn't so bad after all. It's justice that's all wrong. (TimesOnline)
I enjoy some aspects of my status as a victim of the American prosecutocracy.My appeal continues. Given the putrefaction of the US justice system, it is an unsought but distinct honour to fight this out and already to have won 85% of the case and 99% of the financial case. The initial allegation against me of a “$500m corporate kleptocracy” has shrunk to a false finding against me - that even some of the jurors have already fled from in post-trial comments – of the underdocumented receipt of $2.9m. There is no evidence to support this charge.
Elsevier Journals Under Fire
If the quality of a journal falls, or is filled with pseudoscientific garbage, subscriptions will be cancelled. In this case, libraries will need to start analyzing usage patterns more carefully. Has anyone downloaded a paper from Chaos, Fractals, and Solitons since it turned into a journal of numerology? If the mathematics department at your local university knew about its content, would they still want it in the university? These are questions that should be subjected to regular review, but the bundling practice makes asking them useless. Universities should have the power to cancel these subscriptions without looking forward to a huge increase in subscription fees.It would be nice to think that Elsevier will listen to scientist, but I suspect that this will not happen until scientists start getting a little more strident. If you are scientist, publish your work in society journals rather than Elsevier journals. Try to avoid citing work published in Elsevier journals. Elsevier lives by a combination of pricing and impact factor, and scientists have direct control over only one of these—impact factor. Librarian could start looking at Elsevier journal usage patterns; perhaps they can follow Cornell's example, and subscribe to just a few Elsevier journals.