The Great Debate: Authors and readers are all that matter. Publishers will soon be irrelevant

From CCC:

First introduced at the 2011 London Book Fair, the “Great Debate” made its North American debut earlier today at the 27th Annual IBPA Publishing University! Four leading industry pundits argued for and against the resolution: “Authors and readers are all that matter. Publishers will soon be irrelevant.”

Taking their sides were Rudy Shur, Publisher of Square One; Richard Nash, founder of Cursor, and named by Utne Reader as one of 50 Visionaries Who Are Changing Your World; Daphne Kis of SheWrites.com, longtime publisher and new media advisor; and Mark Coker, founder and CEO of Smashwords, and named by the Wall Street Journal as one of “Eight Stars of Self-Publishing”

Moderators were Susan Danziger, CEO of DailyLit, and Michael Healy, Executive Director of the Google Book Rights Registry.

The Audio is here

MediaWeek (Vol 4, No 22): Patriot Act, ALA Preview, Revolution Writing + More

Patriot Act is Extended for another Four Years (LJ)

The extension leaves unchanged Section 215 (also known as the "library records provision"), which has always been a serious concern to the library community. Under the provision the FBI can ask a federal court for access to "any tangible thing"---including library records---relevant to a terrorist threat.

"ALA is more than disappointed in the final outcome," said Lynne Bradley, the director of the office of government relations for the American Library Association. "The library community has sought reasonable Patriot Act reforms since it was first posposed in the fall of 2001, and this would have been another opportunity to fix some of the grievances we have. But Congress decided to punt instead," she said.

ALA Preview from Publisher's Weekly starts off ominously:

In New York City, the New York Public Library (NYPL) system is celebrating its centennial—and facing potential funding cuts totaling $40 million, the worst hit in its 100-year history. Indeed, despite absorbing a cut in FY2010, NYPL logged 40 million physical visits to libraries throughout New York City last year alone—more than all the local sports teams combined. In addition, there were 29 million visits to the NYPL Web site. If the proposed cuts go through, officials estimate the library may have to cut 650 full-time positions; hours would be trimmed to an average of three to four days per week; five million fewer items would circulate, and new book acquisitions would be cut by a third. One million fewer children and young people would be served by the library, and overall attendance would dip by an estimated six million. NYPL supporters are fighting back (takeaction.nypl.org), but it promises to be a tough battle. Things aren't much better elsewhere in the Atlantic states. At the Harford County Public Library, in Belcamp, Md., the materials budget remains flat after sustaining a 20% cut in FY10. In North Carolina, the Charlotte Mecklenberg Library system has seen its proposed materials budget drop from $3.39 million in FY08 to $1.8 million in FY11. For the FY12 budget, the library has requested approximately $2 million be restored, and administrators are hopeful that the request will be considered. With government help, the auto industry made a remarkable comeback in 2011—libraries in the industrial heartland could now use some support as well. The Detroit Public Library's FY12 budget, originally set at $35.5 million, is set to be reduced to $23 million. Tax revenues through 2015 are expected to be lower by almost 30%, according to spokesperson Atiim J. Funchess. Just last March, facing a $7.49 million deficit, Detroit laid off 20% of its library work force and lowered salaries by 10%. In Dallas, the public library's materials budget has decreased from $3.9 million in FY06–07 to $1.6 million in FY10–11. In Houston, the Public Library's FY12 budget will shrink to $32 million, down from $39.3 million in FY10.

A Revolution in Writing from SEED Magazine:

Nearly universal literacy is a defining characteristic of today’s modern civilization; nearly universal authorship will shape tomorrow's. In our analysis, we considered an author’s text “published” if 100 or more people read it. (Reaching 100 people may seem inconsequential, but new-media messages are often re-broadcast by recipients, and then by their recipients, and so on. In this way, a message can “go viral,” reaching millions.) Extrapolation of the Twitter-author curve (the dashed line) predicts that every person will publish in 2013. That is the ceiling: 100 percent participation. Provided current growth continues, the prediction of imminence is robust. Increasing the stringency of the criterion for “publishing” from 100 to 1,000 readers would reduce new-media authorship tenfold, but merely delays the predicted 100 percent participation by a year under this model

From the twitter this week: Sesame Street and Friends 'pumping out left wing messages' - Telegraph Elevator Repair Service Performs at New York Public Library - NYTimes Groupon Counts on Writers and Editors to Build Its Audience - NYTimes From Shelves to Internet: America's Digital Library Takes Shape LiveScience New crowdfunded publishing project signs up major names Guardian What Upstarts Can Teach Established Presses: ScholarlyKitchen New Stats: E-Reader Usage Growing Much Faster Than Previously Predicted PaidContent HP finishes Paul McCartney’s private digital library Digital Trends California Gay History Plan Widens Textbook Divide With Texas - Bloomberg Houghton Mifflin Harcourt Expands Middle East Presence with Launch of Qatar Office Businesswire Rupert Murdoch uses eG8 to talk up net's power to transform education Guardian And in Sports: MU played off the field by Barca (I don't understand it either)

Won't Get Fooled Again - Intelligent Life

Long article/interview with Pete Townshend (Intelligent Life):

The Who as we know them came into being in 1964, and soon became the most powerful, iconic and humorous emblem of the Mod movement. But their scope would extend far beyond a fashionable subculture. On stage, they were all you could hope for in a rock band: brutally arresting, unnervingly unpredictable and blisteringly loud. Then as now, pop music was dependent on a character-led plot to thrive, and The Who offered much. There were Daltrey’s Tarzan acrobatics with a swinging microphone, and the raw emotion in his voice, ranging from angelic yearning to a raging throttle. There was the bassist John Entwistle’s prowling menace, the traditional “quiet one” turned dangerous uncle. There were Townshend’s scything windmills of excitement and improbable leaps, vividly illustrating the visceral force of his songs. And then there was Keith Moon, a complex public lunatic, who lived as he drummed, with every complex flaw on brazen display. On their best nights, such as the one captured on the album “Live at Leeds” in 1970, the crowd witnessed a type of bombastic heist, an excessively glorious musical offence.

Auckland and The Big I: March 1971

Auckland and The Big I: March 1971

Another weekly image from the family archive.

We lived in Auckland, NZ between 1969 and 1973 at the Intercontinental which is the large building in the center of this photo. Taken in March 1971, you can imagine Auckland has changed significantly since then and now resembles Seattle quite a bit. Auckland even has a needle and many office towers but in those days the Big I was one of the largest (if not the largest) building in the city. The distance from the hotel to the docks wasn't far and my mother used to take us for walks around the piers which were both operational; hence the freighter on the left, and completely accessible. We would have walked around the pier in the center of this shot many times. Later I recalled, they built a large container crane which we could see constructed from our living room window and with that access to the docks gradually dissipated.

Join me on Flickr.