Thursday, February 10, 2011

The Orpheum Los Angeles in Neon

The Orpheum Los Angeles in Neon
A weekly image from my archive. Click on the image to make it larger.

A few years ago when BookExpo was in Los Angeles, I had some time to walk around the downtown area and put together this collection of neon theater facades.
I like neon and in walking along Broadway in Los Angeles there is a feast of it adorning the front of the many old theatres that formed the core of LA's theater district from approximately 1910 - 1940.

LA city government has announced a $30mm restoration project for this area. It would be great if they could recreate the glamor and excitement that pervaded this area in the 20s and 30s.

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Tuesday, February 08, 2011

Welcome to the migration (and other lessons)

The day before we went live with our first web product at Bowker, customer service were fielding the typical customer complaints. One customer in Cleveland was missing volume two of a three-volume set and another in Jacksonville was questioning their standing order discount. These queries and many more like them were synonymous with moving physical units to customers but all that changed the day we went live.

The changes we were forced to make didn’t happen instantaneously and, while progressive, only became apparent when we reflected periodically on our progress. Over time, ‘customer service’ morphed into ‘technical support’ and became concerned with logins, sluggish search times and IP ranges. Customer service was only one example of a line function forced to reevaluate how it operated and interacted with customers. I wish I could admit that our transition was managed and handled methodically and perfectly but, like many businesses in our situation, we oscillated at times between confused and frantic.

We did reach a point where we took the unanticipated in stride and became expert at dealing with unforeseen developments. Ironically, the supposed ‘impersonal’ nature of the internet created an environment for us where we were far closer to the customer than we ever were in the print world.

Expediency can define the future

When I joined Bowker in 1999, the future of our business was seriously challenged. No need was more imperative than that for a web version of our primary database product Books In Print. Deluged with cancelled print orders, we couldn’t even engage our customers in a discussion about migration because we had no online option. Expediency ruled our web development: We had little or no time to do extensive user testing and involve our customers in any UI development; and, with limited options available to us, we chose to replicate the functionality of our CDROM product. That strategy proved highly effective (though perhaps not optimal) and we launched the product in 2000. That’s when the fun really began.

Getting a field sales force in place became a strategic imperative if we wanted to effectively sell our online products. Selling static print products is completely different from selling an online product, which can be sold effectively via telesales; however, we had an appallingly bad approach to the sales function prior to 2001. As we implemented the field sales effort, the company became a more effective sales organization, and we gained deeper insight into our market. (I’m glossing over how difficult the task of putting a new team in place was – maybe for a later post). Feedback from the sales force, coupled with a directive from me that product managers and senior staff make frequent ‘visits’ into the market with the sales force meant we became far more aware of and attuned to what our customers were looking for. Had this sales organization been in place prior to our web transition, it would have fed our initial web development effort.

Who's your buyer?

Making the assumption your buyers are the same in changing circumstances should be challenged before you waste a lot of time. In the move to field sales we also found that the buyers of online products at our institutional customers (mainly libraries) were frequently different from the typical buyers of the print titles. The money for electronic products often came out of a different budget and, increasingly, consortia (group buying at various levels) sales became a regular component of our selling process. Historically, our sales approach hadn’t been sophisticated enough to address these changing market dynamics but we addressed that issue by hiring more effective sales management, which brought a different philosophy to sales that we hadn’t had in the past.

More staff attuned to the market did lead to more insight. An important missing input to our initial development effort was the deep knowledge about how our customers were using our products. This sounds startling (and is) but what became clear to us was that many customers of the print version were using BIP as a simple look-up tool. This print ‘look up’ tool was pulled off the shelf to find an ISBN or confirm a title name and then the volume was returned to its place. When Amazon came along (and that data was never licensed to them by Bowker) retailers and librarians saw a far simpler and effective mechanism for finding this information. Suddenly we were competing with free, made worse by the fact we didn’t have an online version. (So, I guess ‘competing’ overstates our position). Had we understood their behavior at a deeper level during our development effort, it might have impacted how we designed the search and UI. That said, we were lucky enough to do very well with the initial development and the team pulled off a triumph in the launch and subsequent roll-out. While it sounds obvious, understanding how your customers use your products and what issues they face in their daily business should be considered vital to your initial planning process. Don’t take it for granted you understand this; prove it via primary research.

Renewals are about usage

In the first year of launch, our renewal rate for Booksinprint.com was in the 70% range. Feeble, and, in a market that doesn’t grow, finding new customers to take the place of the 30% subscribers we were losing became an impossibility. Admittedly, our first-year subscriber base was low; however, this was the future of the company and, unless we raised the renewal rate, the future success of BooksinPrint.com would have been in jeopardy. As any sales manager knows, selling to a current customer is a lot easier than selling to a new one. A focus on the customer experience - particularly user stats - and strong sales management enabled us to get the renewal rate up to the low-to-mid 90% range, which is an incredible improvement and a testament to the strength of the sales team we had in place at the time.

As I look back on our transition, I see three distinct stages - two of which I have described above. Firstly, the product development and market assessment phase, where we conceived the product. Secondly, the management of the implications of this transition (particularly on customer service and sales). Which leads me to the third phase of our migration process - maintenance.

Significant in our sales improvement was the sales administration support we gave sales reps in two areas: user statistics and training. When we started to analyze our renewal statistics in the early post-launch years, we saw we could predict which customers were likely to renew based on how and how much they were using the product. Sounds obvious, but we were learning as we went.

We used this data to intervene throughout the subscription term via sales and sales admin outreach and training. On-site customer training in our market wasn’t a new thing and our parent company had embarked on a similar effort several years before. Our customer training program was designed to ensure that customers understood how to use our product and what features of the product were available to them. We hired specific trainers to travel around the country giving these sessions (often in a group setting) at client sites.

Our trainers were able to generate significant customer engagement and the program proved instrumental in pushing the renewal numbers higher each year. The payback was measurable but having trainer staff face-to-face with customers also created a feedback loop for product development as we considered new enhancements to the product. Since we sold multiple products to the same institution, the trainers often delivered multiple product training sessions during each institutional visit.

Maturity shouldn't mean complacency

I often reflect on how distinct these migration phases were from development and launch through to maintenance, and how our activities changed over time to reflect those changes. For example, in the early launch days, our sales staff was focused on making sales and finding customers yet, as the cycle reached maturity and our renewals exceeded 90%, the sales activity became focused on making sure the customers were truly engaged with our product(s). New business was still important since any percentage point below 100% renewal means the organization needs to keep finding new customers to fill the gap (but the sales person’s time spent becomes weighted differently).

Migrating from a print focus to online delivery changes every part of a business and, in the discussion above, I’ve barely scratched the surface of how one organization made this tremendous turnaround over 36mths or so. In different circumstances we might have done this faster – the company was sold in the middle of this transition – but I do think the company managed exceedingly well to reestablish a future for itself that, in 1999, didn’t look so rosy. One note of caution: The maintenance phase can be dangerous because it has an ugly sister named complacency.

Sunday, February 06, 2011

MediaWeek (Vol 4, No 5): Eadweard Muybridge, Open Courseware, Education Aps, Lexis, Mother Russia, Taschen

A fascinating review of Eadweard Muybridge in a Time of Change at the San Francisco Museum of Art (The Smart Set):
This thought struck me while walking through the recent exhibit of Muybride’s work at London’s Tate Britain. The retrospective opened amidst new austerity programs in the U.K. The right-leaning coalition government announced drastic cuts in public spending, slashing budgets for cultural institutions and universities, cutting back on social services, setting up plans to sell off forest lands that have been protected since the Magna Carta. Last spring in Washington, D.C., Muybridge’s sepia landscapes and innovative motion studies captivated patrons at the Corcoran Gallery not far from where Congress debated bank regulations and cuts in social programs. But those are political questions, and the Muybridge exhibit was about art, and the particular passions and inventions of a man who pioneered the science of photography. As the exhibition showed so well, Muybridge motion studies were about the experience of stopping time, and turning motion into mechanical reproduction. The show didn’t mention the 19th-century economic collapse. Maybe it didn’t want to remind us that industrialization and the annihilation of time and space had it collateral damage. ... Across the room from these publicity photographs, you learn that Muybridge was a murderer. The show displayed sensational news accounts and front page headlines that recount the night in October 1874 when the 44-year-old Muybridge tracked down Harry Larkyns, the alleged lover of his wife, Flora. Greeting Larkyns with the words “My name is Muybridge and I have a message for you from my wife,” Muybridge shot Larkyns in the chest. He died minutes later. What sparked Muybridge rage? Coincidentally, it was a photograph. He found one of his infant son inscribed on the back by his wife with the words “Little Harry.” This, for Muybridge, confirmed what he had suspected for some time: that Larkyns, a tall and attractive dilettante and scam artist who had become close friends with his wife, was in fact the father of his child. While a jury acquitted Muybridge, believing his defense of temporary insanity due to domestic trauma, this aspect of Muybridge’s life haunts the work throughout the show. Here was a man who embodied the very metaphors that link the camera with the gun. It is difficult not to shake the reality that all those intricate, stop-motion photographs were taken by a murderer. And then I began to notice all the destruction that surrounded me. Most acutely true in the motion studies, there was throughout the show a deep sense that what you are looking at was in the process of becoming marginal, or insignificant, or destroyed. The horse. The vast landscapes of California, Oregon, and the Alaskan coast. The way of life for the Modocs. The economic collapse.
Inside Higher Ed takes a look at free on line course ware via a new book on the subject by Taylor Walsh (IHE)

In Unlocking the Gates, Walsh profiles current online courseware projects at MIT, Yale, Carnegie Mellon, the University of California at Berkeley, and India’s National Programme on Technology Enhanced Learning. She also reviews the cautionary tales of Fathom and AllLearn, the profit-seeking harbingers of the Open Educational Resources (OER) movement, and thus lays out the conundrum facing their nominally successful offspring: As pressure mounts on online courseware projects to demonstrate their value and/or become self-supporting, will the world's premier universities be able to stay above the fray of online degree programs and pay-to-play course materials? Can they afford to stay pure, righteous, and unaccountable? Inside Higher Ed recently caught up with Walsh to explore these questions and others. The interview was conducted asynchronously and online; Walsh received no money, and Inside Higher Ed received no academic credit.

From the Boston Globe a short piece on experiments by education publishers in launching apps into middle and high schools (Boston):

Although both publishers have been aggressively moving from paper textbooks to digital and networked products for years, the two iPad pilot programs indicate that they’re eager to explore whether such devices are the next phase for textbooks. For the publishers, these iPad explorations are crucial initiatives. As school districts demand more technologically sophisticated teaching materials, platforms like the iPad serve as high-profile initiatives for publishers seeking valuable educational contracts. Programs that incorporate devices like the iPad can also open the door to public and private grants that are designed to encourage innovation. Many states, like California and Virginia, are also now encouraging school districts to experiment with digital textbooks as a way to save money. Why start on the iPad, as opposed to competing tablets and electronic reading devices?“Because this is a sexy device,’’ said Bethlam Forsa, executive vice president for content development and publishing operations at Houghton Mifflin. “Students are no different than consumers. They are excited to work with something like this.’’

LexisNexis has launched a Litigation Profile Suite (PR):
As the first product in a series of releases that will be part of the LexisNexis Litigation Profile Suite, LexisNexis Expert Witness Profilesis a Web-based solution that addresses this issue by harnessing the largest and most comprehensive collection of information about expert witnesses in North America, which was developed for direct use by litigators. Built on the New Lexis® technology platform, this rich set of content combined with easy to use analytical tools, enables users to more effectively evaluate and report on experts retained by opposing counsel or ones they may want to retain themselves. Resources within LexisNexis Expert Witness Profiles include an authoritative, exclusive database of more than 1,000,000 records on 220,000-plus experts from IDEX®, acquired by LexisNexis in 2008. The collection of information available to evaluate these experts includes transcripts from previous depositions and trials, resumes and CVs, verdicts and settlements in past cases, testimony challenges, news, publications, and Lexis® Web searching. Expert Witness Profiles also provides customers with the ability to manage the information they collect about experts by helping them aggregate volumes of data into single, easy to read reports. Interactive charts and graphs allow users to identify trends and meaningful information to assist them in shaping their case strategy. Users can also quickly illustrate the how often an expert has been hired by plaintiff or defense counsel, the percentage of cases in which the expert has testified for the prevailing party, losing party or in cases where there was a settlement, and the percentage breakdown of cases by area of law in which the expert was retained.

Why do authors love Mother Russia, you ask? The Observer wondered as well:

The country's appeal to Olga Grushin, Gary Shteyngart and David Bezmozgis is easy to understand. They were all born in the Soviet Union, emigrating to North America as children. They inherited a folk memory of suffering, plus the minutely descriptive Russian language. The dying Soviet Union, in which shortages could sometimes be overcome by ruses and yarns, was a natural breeding ground for fabulists. Finally, a system that had seemed adamantine crumbled; the world broke open (Grushin's The Dream Life of Sukhanov wonderfully captures the disorientation caused by this rupture). Add the galvanising effects of immigration to that legacy and you have a propitious background for novelists. Writers born elsewhere tend to be captivated first by the grandeur and reckless honesty of the great Russian authors; some might always view the country though the prism of Tolstoy, Dostoevsky, Chekhov and Vasily Grossman. But modern novelists are also drawn in by the same historical electricity and convulsions that fed those giants' work. Think of James Meek's magnificent civil-war saga The People's Act of Love, which features castrates, cannibalism and stranded foreign armies: all-too-real elements of the Russian 20th century, with its camps, famines and mass murder, the whole doomed, rotten Soviet experiment. Relatively calm though the country's recent past has been, and volatile as other parts of the post-9/11 world have become, Russia's sheer eventfulness is still a pull. It is still more an empire than a state, with an empire's patchwork variety and quirks. As an old joke has it, Russia is again in a period of transition between two periods of transition. It remains a place where anything can happen, and does: shamanism in Buryatia, sectarianism in the Caucasus, and capitalism, or at least a warped Russian version of it, more or less everywhere. A great slab of unprocessed pain sits toxically at and on the country's heart.

Off the top shelf: A new finding may explain why some works of canonical poetry were so successful in the 18th century (Telegraph):

This particular collection, ‘The Works of the Earls of Rochester and Roscommon’, was so popular that it was reprinted over 20 times in the 18th century.

It is the first time the connection between the popularity of this bestselling poetic miscellany and the erotic verses in ‘The Cabinet of Love’ has been made, indicating that high art - canonical poetry - and low art were packaged together.

Speaking of which, the WSJ visits with Benedikt Taschen (WSJ):
Just like the scavengers in these Hollywood hills, Mr. Taschen is well aware of those circling and waiting for the right moment to pounce. Not many publishers can be heralded and begrudged at the same time as vigorously as he has over the past 30 years. He doesn't adhere to rules; he makes his own. Mr. Taschen, who turns 50 this month, has cornered the book market in a way that most sellers only dream of: Cult status, with massive sales. "He has built his empire solely on personal vision and taste; this is niche publishing to the extreme," says Matt Tyrnauer, a writer for Vanity Fair and the filmmaker behind "Valentino: The Last Emperor" (2008) whose interviews were included in a book on the fashion designer published by Taschen. "Benedikt makes these remarkable documents with incredible attention to quality; he is only interested in getting the most complete and extremely interesting subjects, if only for their eccentricity."
From the twitter this week: New Dashiell Hammett stories discovered in the Harry Ransom Center. Publishing and politics: The shame of 'O': S&S and the shameful deception of 'O' McGraw-Hill Education Posts Big Earnings Gain on Small Sales Increase Google CEO Eric Schmidt searches for book deal -

Thursday, February 03, 2011

Istanbul 1972: From the air

Istanbul 1972: From the air
A weekly image from my archive. Click on the image to make it larger.
In the PND family archive there are many, many 'from the air' photos and most of the locations are virtually impossible to identify. That is not the case with this image however as it looks to me to be Istanbul from about 15,000 feet. Taken in August 1972 it is a stunning photo and for those most familiar with the city (and I am not) I am sure it provides a window on the past documenting how the expansive city has changed over the past forty years.

We would have been on one of the magnificent Pan Am 747s which circled the globe. One flight traveled clockwise (PA002) and the other counterclockwise (PA001). This flight was probably London, Frankfurt, Istanbul, Tehran, Karachi, Bangkok, HongKong. We got off in HK and traveled south to Sydney and Auckland which was home at the time.

(Little known fact: Flight numbers are odd east to west and even west to east.)
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