Monday, June 14, 2010

RLG (OCLC) Symposium Chicago 2010

A presentation to at the RLG (OCLC) Symposium "The Books have left the Building". In this presentation is a short summary of the state of the US publishing industry and a summary of research conducted for OCLC that addressed publisher's perceptions of their eBook future.




Presentation Comments:


Good Morning and thank you for inviting me to speak today. 

Chart 1: In preparing for this presentation this morning, I happened on an interesting article in Harvard Magazine about how Harvard’s libraries are dealing with change. 

Chart 2: In this article the author addressed some interesting themes including the librarian’s role as curator – which this quote addresses – but perhaps the most interesting theme for me was the notion that neither publishers nor consumers are up to the task of effectively managing the digital migration we find ourselves in at the moment.  As the sheer amount of data and information increases exponentially, the gap in our collective ability to manage the information and data is only going to get wider.

Perhaps though – finally some good news for librarians?

Shaw suggests that librarians retain specific skills that could bridge the gap between generic content where 'everything carries the same weight' and a 'consciously curated and controlled artifact' managed to the benefit of a librarian's constituency.  What that means is the librarian could be around for a while and could be helpful.  And isn’t that what we all want?

Curation is the hot topic of the day.  It is almost like we are all discovering it for the first time – as though the idea of Curation is a new one.  Tech start-ups and private equity investors have begun to lace their presentations with this buzz word but as we are smugly aware Curation is not new and perhaps is something we might actually be good at as the information and content business expands.

Chart 3:  When I speak to groups about the ‘state of the business’ I often present the industries digital sophistication on a spectrum.  My spectrum - which references knowledge, business model and experience is quite wide.  I don’t generally present the evolution of publishing while referencing Curation but in effect Curation has played a significant role in the progressive concentration of publishing segments and content over the past 20 yrs.  Having said that, Curation as practiced in my examples is a bit like taking a mallet to kill an ant and Curation in the next twenty years I expect will be far more nuanced and who knows maybe librarians will play a role.  I think Shaw hopes that is the case.

So, where are publishers in terms of transitioning their businesses from print to online?

Information companies began their migration in the early 1990s when they consolidated content into silos for tax information, legal, financial, medical/health, etc. They continue to innovate by building platforms that support content, provides a mechanism for delivery and the development of customer specific tools and solutions.  By my estimate, they hold a five year lead on the others in terms of their capabilities and sophistication.

Education publishers began their migration in early 2000’s as companies rapidly consolidated; however development in online and eContent really didn’t accelerate until mid decade.  This current rapid investment and experimentation in Education supports the eBook forecast you will see in a moment.

Trade is much further behind the others even though they experimented with aborted eContent initiatives in CDROM in the mid to late 1980s  and early eBooks in the mid-late 1990s.  They continue to proceed slowly and cautiously. Current levels of investment are concentrated at the top of the business and most medium and small publishers are doing nothing with respect to development and innovation with eContent.

What the Harvard article articulates quite well is that while information publishers in the medical and legal segments are relatively sophisticated the wider digital ‘marketplace’ specifically for raw data is advancing so rapidly that even these established players are having a tough time keeping up.

Chart 4: In my presentation today I would like to give you a snap shot of the US market showing revenues and growth trends.  In the second section, I will attempt to provide you with some perspective on what publishers are thinking about as they manage through the transition to digital and in doing so I will reference some research I did for OCLC in the latter part of last year where I interviewed publishers across the business about what they saw as the future of the book.  Lastly, I will briefly propose some predictions which is, of course, always dangerous.

Chart 5: By way of introduction, from a macro perspective, I think we loose sight of the fact that the publishing industry is really no different than any other old line business segment – whether the auto industry, newspapers or broadcast media:  Periodic seismic shifts occur. 

In the case of publishing, our industry tends to see changes at much wider intervals than others – stone chisels, charcoal sticks, movable type, and eventually the Macintosh computer – but my point is all industries face changes and publishing is no different.

Publishing is experiencing changes in how and what is published, how content is delivered to customers, and the speed by which content is updated, revised and re-edited – and this is no less the case with respect to real-time updates that must occur for database and directory content. Technology is now so fundamental to a publisher’s ability to produce and compete that technologists sit at the top levels of many publishing businesses helping to direct the company’s strategy.

Chart 6: In this context of change we also deal with macro economic problems that have made the US publishing market subdued and anxious about the future.  Retrenchment is evidenced in the continued reduction of staff at publishing houses, the reduction of retail operations across the country and the severe reduction in tax collections that impact library and state education budgets.  And that’s only to mention a few of the challenges we face.

Publishers are also confused about how to deal with important partners:  Amazon over e-Books and pricing, students over the cost of textbooks, Google over scanning and display of content and states over educational textbook content.  These issues absorb the attention of individual senior publishing executives, yet the industry as a whole must feel jealous of business such as Amazon, Apple, Google and others which depend on publisher product, don’t produce any of their own and yet post record profit gains.   If those are not enough, I also think trade and education publishers have yet to wake up to the ‘problem’ that is library lending of e-Books and this to will become an additional ‘confusing’ issue.

Chart 7: As I indicated earlier, the US Publishing market is traditionally divided into three segments: Information & Professional, Education and Trade.  Business drivers across these segments can be similar but each retains specific unique drivers critical to their success.

In the trade segment, big authors and celebrity authors are increasingly important (and thus an emphasis) for success.  In information publishing macro-economic factors exert an important influence in defining success.  For example, the global financial crisis has impacted information companies selling solutions to the financial and banking community.  There aren’t as many employees therefore there aren’t as many subscriptions.  In education, federal and state governments exert significant influence over the success of education publishers either by legislation or more directly in the allocation of funds for purchases.

I did want to show you some numbers so, let’s spend a few minutes on some industry data collected by the Book Industry Study Group.  BISG publishes an annual report named Trends that captures key industry statistics.  This document is available for purchase from their website.

Chart 8: Reported revenues look healthy – so despite all the negativity about the state of the business maybe things aren’t so bad after all.  This data was compiled in the last quarter of 2009 and so 2010 is an estimate based on 2009.  The actual 2010 revenues may not be quite this high but will not be significantly different. 

Chart 9: Title output has continued to grow.  The number of titles published by traditional publishers has risen incrementally since 2003 (215K) to 2010 (288K).   This is despite public pronouncements by some of the largest trade publishers over the past few years that they were trimming their publishing lists and becoming more selective.

And while I am not going to speak about the following in this presentation, more explosive growth is depicted in the non-traditional or self-published segment.  And you might argue that this is a more interesting trend given the size of these numbers.  Much of this volume is not monitored in the traditional supply chain.  How much that matters is not clear but it is useful to understand much of this volume increase is not counted in the first chart I presented.   The expansion in self-published content supports one of the themes of Shaw’s article of a rapidly increasing sea of content which we are having trouble navigating.

Chart 10:  The International Digital Publishing Foundation in collaboration with the Association of American Publishers has been tracking eBook sales in trade for several years.  In this chart from the IDPF, we see the acceleration of e-book sales by quarter for the past two years.

E-Books and the transition to eContent has been the focus of attention for all publishing executives in the trade and education space.  In the industry it is generally accepted that trade eBooks still represent less than 5% of all revenues.  But this percentage is volatile and eBooks absorb a disproportionate amount of attention and management time.  This is because the sale of eBooks raises significant issues for publishers about the future of their businesses.  These issues include, pricing, ownership – whether sale or license, distribution, their author contracts, international rights, copyright and many other issues.  Even though digital revenues are small in comparison with legacy businesses the questions are fundamental to the potential success or failure of these businesses as future going concerns.  The importance of these issues dictates that executive management be focused on them.

I mentioned volatility: In the launch of the iPad some publishers were seeing a jump to 30% of a title’s volume migrating to the eBook as a result of the new iPad platform.  The recent sales of Larsson’s third book The Girl Who Kicked the Hornet’s Nest released last week apparently sold over 30% of its volume in ebook format.  But we shouldn’t get carried away as your typical Joe Blogs fiction or Prof Grutz academic title is still likely to be below 5%.

Chart 11: The transition to eContent in education is equally important as it is in trade but the transition in education is running much faster.  This eBook forecast was recently prepared by educational books wholesaler Missouri Book Company.  MBS believes digital textbooks will represent over 18% of all textbook revenues by 2014.  I suspect looking to 2015 the percentage would approach 35%.

Chart 12 & Chart 13: Despite the near hysteria from the press over trade book electronic publishing which is - overall - tiny, electronic publishing is old really old news to education and information publishers.  As if to confirm this point and the forecast on the prior chart, Pearson in their recent financial reports, highlighted the proportion of digital content sold at 31%.  Other publishers such as John Wiley and Wolters Kluwer have made similar pronouncements.

Chart 14:  Those brief charts should give you a general idea of the current publishing environment from a business perspective.  As I mentioned earlier, at the end of last year on behalf of OCLC I interviewed a number of senior publishing executives about their thoughts and preparations for the future.  To clarify, I did not seek opinion from information and database publishers for this particular study.

Chart 15:  My observations were interesting from the stand point that it appears that publishers are dependent on external forces for their success as they transition.  For example, the trade and education success could have more to do with a better e-reader than whether the content meets user expectations in electronic form.  This will not be the case forever but places the publishers at the mercy of silicon valley.

It was clear to me from my interviews that e-Books have not been a catalyst for revolution and reinvention for the trade segment.  Publishers are attempting to apply the same logic for the creation and selling of print titles to eBooks and you see this in pricing and release dates for example.   

Piracy is a major issue – real or imagined - and drives many conversations about eBooks, despite the fact that it is becoming increasingly clear that the casual link between the availability of an eBook and a pirated edition is tenuous and that it is the non-availability of an eBook that may contribute more to piracy.  Most publishers don’t see this.

Chart 16:  Trade is problematic.  What activity there is doesn’t go very deep and is concentrated at the top of the pyramid.  The larger publishers admit to e-Books representing approximately 5% of revenues on average and even this is segmented toward the highly popular authors.  By protecting the 95% of their business that is not electronic they are almost by definition defensive in outlook.

While senior executives may be focused on eBooks and eContent there is much less attention paid to e-Books by mid-level staffers.  What tends to happen – and there is some evidence for this in the reaction to the iPad – is that publishers are bounced from one new idea and technology to the other and operate without a coherent medium to long term strategy that seeks to leverage the opportunity that e-Content and e-Books offers.  I think it is speaks volumes that trade publishers seem to be just as surprised at the eBook sales via the iPad as all of us uninformed lay people.

Most medium and small publishers are really no-where when it comes to understanding how to operate in an e-Content world.  This lack of knowledge and experience has another more insidious impact in that these less informed publishers are particularly reactionary on the negatives with respect to e-Content and in particular to the issue of piracy.

I asked almost every interviewee if they were treating their author contracts and relationships differently today than they were three years ago and all said they were not.  I admit to being baffled by that but they are attempting to change their workflows that reduce the reliance on typewriters and biros.

Chart 17:  Trade & academic reference publishing may offer significant opportunities from the integration of digital workflows and e-publishing. 

Just think of the active links, full text searching, document libraries, etc that can be incorporated into the academic book that can really bring the book alive.  The future is close but hasn’t been invented yet.

But tradition still plays a significant role in the expansion of eBooks in trade reference.  Scholarship is still dependent on a print formula even though much of the research activities that contribute to the reference work will have been conducted on line.  Publishers do recognize the potential that e-Books and digital content enable but there are only a few isolated examples to date – Rice University, U/Tennessee, – for example, and none within a major publishing house.

Chart 18:  Which brings me to education which as a segment has been rapidly digitizing content, building digital workflows and creating ‘born digital’ educational materials for the past five or six years.  A major driver in this effort was the private equity investments in Cengage and Houghton Mifflin Harcourt.

Education publishers find themselves balancing both “born digital” and migrated print workflows.  This will not last forever but does lead to some inefficiency.  As their markets mature, College is potentially more accepting of the migration to electronic in the short term whereas School will be much slower.  The school content approvals process may also limit some of the advantages that digital content enables such as content updating; A negative if materials need to be approved for each ‘version’.  Experiments with E-readers – particularly in the college space -  have largely failed both because of functionality and because of content ownership.  While e-Book content may be cheaper students aren’t able to re-sell the content and depending on the model may loose the content once the semester ends.  They don’t like this.

Education publishers are beginning to think terms of databases and subscriptions rather than books and retail price.  This is a big change and as this develops it could have a significant impact on the economics of educational publishing.

Education publishers are also following the path of information publishers in building content and service platforms that broaden the publishers offering beyond simply content.  Several of the larger publishers now own course and school administration software companies, student assessment products, schools and learning institutions and other similar companies that expand their market.  With a services model for example, publishers are able to offer numerous options from ‘build your own textbook’ functionality to testing and remediation tools.

I expect that within five years educational publishers will have opened their content warehouses to enable academics and students to interact with their content in ways we can only guess at but which will radically change the relationship between publishers, students and faculty.

Chart 19:  Some of my interviewees did offer a perspective on libraries. There’s a divergence of opinion on libraries and we see that in these quotes. 

Publishers think they are important.

Chart 20:  There’s a perception libraries help publishing but no one can ever cite empirical data.  I think it would be helpful if this gap in knowledge were filled.  As more and more content goes on line and is made available to more patrons via remote access, publishers and librarians are going to need some real data to understand the dynamics.  Some publishers told me they don’t want to sell their eBook content to libraries.  For example, no one really knows the characteristics of a library patron who is also a book buyer.  How can we anticipate how the patron’s behavior will change in an online world without research?  How can we guarantee that a heavy book buyer will not transfer their transactions from the bookseller to the library if content is online and available on their iPad?  If they do that, then how should the publisher/library business model change?

Chart 21:  Trade publishers and to some degree education publishers are interested in direct to consumer models.  They have virtually no experience in this which is not to say they can’t learn.  Some publishers even see the library as a potential gateway to the reader community.  Publishers want to build online communities of book readers.  The notion of the solitary reader is not ‘natural’ given the history of story (and advice) telling: Will or how will this relationship with the book change and can libraries and publishers work together in cooperation?

Chart 22: Which brings me to the final segment of my presentation for today which is to present some thoughts and predictions about publishing in the digital age.

Chart 23: Let us first remind ourselves about the publishers’ view of their current environment.  

Chart 24:  Are things really that bad.  By comparison with other media, book publishing looks like it was a winner in 2009.  Last year’s news about Newspapers, magazines and television represented an almost never-ending news cascade of revenue loss, closures and bankruptcies.  Many newspapers have forever lost over 1/3 of their revenues from classified advertising: It will never come back and circulation and display advertising is also on a decline.  Some major magazine titles were down 50% ad revenues during 2009.  What do you do when you lose 50% of your revenue all in one go?  That also doesn’t come back and many brand name magazine titles with long histories closed last year.

While nothing improved over the balance of 2009 for book publishers and senior executives continue to be hesitant to expect much improvement in 2010 the industry may be comparatively resilient.

In the library and education space lower tax collections means reduced spending generally but in the case of education, the Obama administration is committed to funding new education initiatives that should help publishers.

And we didn’t need a bail out.

Chart 25: While each segment of the publishing industry is at a different stage in their evolution they will all continue to deal with and manage significant change.  How these changes manifest themselves is hard to predict but my thoughts are as follows:

Hardest to predict is the information segment which will continue to invest in the content and technology products they are delivering to their clients.  They will continue to integrate content and technology and offer customers more flexibility in how they gain access to these integrated products via software as a service, application providers, outsource partners and embedded content.

Interestingly, the changes in the amount of content to be curated, managed, organized etc may hit this segment hardest and as I said earlier, while this segment is most sophisticated of all publishing segments publishers they will still find it difficult to keep on top of the data explosion.  In order to cope you will start to see publishers open up their platforms so that third parties can build applications on top of the publisher owned data, the use of taxonomies, and ontology’s will be increasingly important and probably the employment of content curators – perhaps librarians – or more accurately one part curator one part mentor who will curate and guide users in the use of the technology available to them.

Education publishers are following the lead of the information publishers in expanding their value chain to service more educational segments and in the process they become solutions providers.  The education publishers will also increasingly offer custom content creation for consumers/students, administrators, academics and state systems.  The education segment will rapidly catch up to the level of sophistication that the information publishers continue to exhibit.

Trade will generate the most attention but change will be slow.   All major publishers are currently reevaluating their value chain and redefining what it means to be a publisher.  For example, they are changing their workflows to rely more on xml and changing their author contracts.  How their activities evolve will be interesting to watch.  Trade publishers will also continue to experiment with direct to consumer models and will develop subscription products.

Chart 26:  eBooks and eContent will naturally continue to garner significant attention.   I think in the future we will look on 2009 and the time when eBooks really became a legitimate consumer product.  And with the release of the iPad we may be witnessing a broadening of the online retail options available for publishers and consumers.  This is a good thing.

A major development to watch during 2010 will be the introduction of Google Editions and the Apple Bookstore.  My expectation is that these products will raise awareness of how “books in the cloud” will impact traditional ideas of ownership, rights and copyright – perhaps this is more the case with Google than Apple but this framework is coming to all e-tailers. 

As e-Books and e-Content evolve they will become more recognizable as just another content format option similar to hardcover, paperback and audio.  A more interesting development will be the atomization of content as publishers allow their products to be sold in chunks, segments and parts as defined by their customers. 

It is my own personal belief that print will never go away and by ‘never’ I mean somewhere between 100-1,000 yrs.  The print option will become a far more functional format for consumers than it is today.  I think you will be able to have the print design of your choice for any title ever published in short order.

Chart 27: In summarizing my last section of this presentation I would close with the following statements:

·      Publishing and technology will become synonymous if it isn’t already.
·      Those publishers who are slow in adopting what are rapidly becoming standard practices in our industry – the use of xml for example - will be overtaken rapidly by more adventurous publishers.
·      The “platform” workflow approach which is all about addressing customer needs and requirements will expand in education and see some development in trade
·      The biggest and most innovative changes will be seen in education publishing over the next five years as new born digital content is delivered to students and we see proportional revenues exceed 30% by 2016.

Chart 28: Finally,

Curation maybe the buzz word of the hour but as more and more data and information is produced we will want some mechanism for deciphering and navigation.  Information overload is already a significant drain on the economy by various studies.  If the situation is growing exponentially worse our information economy may not be a productive one.

In closing, to return to one of Shaw’s themes, the idea that current publishers are finding it difficult to cope may bode well for libraries although change is needed there but that’s topic for another time.  In the meantime, if you haven’t read Shaw’s article I recommend it.

Chart 29: Thank you for having me.
 

Sunday, June 13, 2010

MediaWeek (Vol 3, No 24): Freak Show, Penguin's Canadian Problem, Textbook Reinvention

On the road with an economist. Steven Dubner and the Superfreakonomics show (Observer):
It's bizarre to think that the crash might have made economics sexy.

I'm thinking it was less like sex appeal and maybe more like a sexually transmitted disease: it made people pay attention. There are a lot of guilds in the world still, professions that want to make their work appear as complicated as possible to protect their ability to charge a price for it. Lawyers, obviously. And macro-economists certainly. They want to seem like the Wizard of Oz. What the crash showed is that the magic doesn't work as well as they wanted us to believe.

Malcolm Gladwell pioneered this kind of roadshow; does he have a lot to answer for?

We owe Malcolm Gladwell a great debt. The Tipping Point made the world safe for a book with many different tales in it that are connected. I like to think we took it one stage further: we have no grand unifying theme. We don't even have a thesis.
Anthony Bourdain: My war on fast food (Observer) and an extract from his recent book:

McDonald's has been very shrewd about kids. Say what you will about Ronald and friends, they know their market – and who drives it. They haven't shrunk from targeting young minds – in fact, their entire gazillion-dollar promotional budget seems aimed squarely at toddlers. They know that one small child, crying in the back seat of the car of two overworked, overstressed parents, will more often than not determine the choice of restaurants. They know exactly when and how to start building brand identification and loyalty with brightly coloured clowns and smoothly tied-in toys. From funding impoverished school districts to the instalment of playgrounds, McDonald's has not shrunk from fucking with young minds in any way it can.
The Toronto Star's headline says it best regarding the resignation of the head of Penguin Canada (Star):
The Plot Thickens:

Last Tuesday, Davidar announced he was stepping down from his position to pursue writing and planned to relocate to his native India. The announcement shocked literary observers who saw the move as a sign the company was retreating from the Canadian publishing scene. Three days later, Penguin and Davidar, clarified the circumstances around his abrupt departure. In a statement Friday, Penguin Canada said Davidar was “asked to leave the company last month.” Davidar went a step farther: “The truth is that a former colleague accused me of sexual harassment and Penguin terminated my employment.”
Lionel Shriver (We Need to Talk About Kevin) is not happy with book prizes and the industry generally (Independent):
"It'd be totally hypocritical to discourage people from joining my profession, which was good to me in the end, but I have qualms about being encouraging. The odds are stacked against you. I want to give people enough of an idea of the capriciousness of the industry." She went on to cast aspersions on the successes of some best-selling authors whose writing was simply not very good, she thought, but whose books were aided by the benefit of the powerful publishing publicity machine – citing Bret Easton Ellis' latest book, Imperial Bedrooms, as one such example. "There are a lot of books that end up selling that aren't very good. I've just read Bret Easton Ellis' new book and it's awful but it's had a big publicity campaign. "I'm writing a 1,500 word review of it – the size of which alone will overwhelm what I say. It's not a case of cream rising to the top but skimmed milk rising – of the 'no fat' kind. The book doesn't deserve the attention. It's ghastly. In the meantime, there are lots of books that will not be reviewed," she said. Shriver's Orange Prize-winning novel has gone on to sell over 600,000 copies in Britain since publication and is currently being adapted as a film starring Tilda Swinton.
Source Books CEO Dominique Raacah is profiled in Naperville Sun:
Sourcebooks was launched in 1987 and has produced more than 2,000 titles in its history, including a number of New York Times best sellers. But in the past two years, the company has been positioning itself to move into the digital age -- a time that Raacah says "we as a company have been very communicative about."

"The subject of the digital transformation of books is something we have been engrossed in and find the work very compelling," she said. "We've wanted to be aggressive about the digital era and were the sixth publisher of over 20,000 in the nation to sign on with Apple allowing access downloads of our titles on the iPad. The digital era will be a very important one for publishing."
In Inside Higher Ed: Reinventing the textbook (IHEd):
The higher education industry should at least agree on one thing when it comes to textbooks: the current system for publishing, distributing and pricing them is rather broken. The challenge lies in reimagining the textbook so that faculty construct the right set of learning materials that engages their students in deep learning, without bankrupting them. The open educational resources movement is already laying a foundation for that type of radical change. We need to move beyond and away from the textbook concept altogether.

In its place I recommend the term Curricular Resource Strategies (CRS), which I first heard used by Mark Milliron, deputy director for postsecondary improvement at the Bill & Melinda Gates Foundation, to describe the new thinking in learning materials. CRS affords faculty greater freedom of choice and flexibility in delivering learning material to their students, offers the possibility of using everything across the content spectrum from costlier traditional print texts to the latest open digital formats, is drastically more affordable for students, allows faculty greater control of their intellectual property -- and still offers revenue streams for traditional textbook publishers and college bookstores.

While it may require more personal effort from faculty, the reward is a unique opportunity to create a new model for publishing academic learning content that avoids the mistakes of the old system. Faculty can learn from their librarian colleagues, whose past experiences in managing scholarly communication offers a lesson in how not to structure a publishing model.
From the twitter:

Demi Moore memoirs set for 2012 BBB news $2mm from Harpercollins.
Why Apple’s iBooks Numbers Are Meaningless - NYTimes
Self-pub and online services, e-books, and digital demand printing are joined into a new and powerful sector. Book Business Mag

And in Sport, Lancashire opened the first stage in their their redevelopment plan (Crains)

oh, and something about butter fingers (Guardian)

Tuesday, June 08, 2010

A Car Ad Can Be Funny: To the Over-40 Crowd.

Over 3mm people think this is funny.

Blurb for Good

Self publishing site Blurb has launched blurbforgood.com that enables people or groups with a cause to create books supporting those causes (Blurb):

Make a book. Make a difference. Whatever you do to make the world a better place, a book can spread your message and support your cause. Joining Blurb for Good enables you to set the price for your book and keep 100% of the profit for your cause. Use Blurb BookShow™ to promote your book online. And we’ll help you get the word out by featuring your book in Blurb’s bookstore. We’ll also handle all the back end stuff, from fulfilling orders to tracking sales to sending checks. If you qualify, we’ll even pitch in with a charitable contribution for every book you sell. It’s the ultimate win-win-win. For you, your cause, and people who want to help.

Monday, June 07, 2010

Above the Treeline Introduces Edelweiss GeoSearch

An interesting application from Above the Treeline that I got to see at BookExpo last week. It should be of use to any bookstore looking to beef up their books of regional interest section.

From the press release:

Today, Above the Treeline introduced a new way for book industry professionals to search for titles and authors of interest: GeoSearch. GeoSearch allows users to specify geographic criteria to search digital catalogs within Edelweiss, Above the Treeline's market-leading digital publisher catalog service, for titles connected to cities, states, colleges, and universities across North America. GeoSearch is freely available to registered Edelweiss users.

How It Works

The user simply specifies a starting location and a radius in miles. GeoSearch returns all titles connected to locations within the radius specified. The locations are mapped with coded markers and the map is accompanied by a corresponding location summary in order by distance. The actual titles are also provided for the selected location. Click on the image below for a view of a sample GeoSearch result, with notes. Click
here for a clean view (without notes).

(Click on image for a full-sized, clearer version)
blossom

To refine the search, the user can specify filter criteria that includes BISAC subject category, format, pubdate, publisher, tags, and more.

GeoSearch currently finds title connections to geographic locations using automated logic that searches for patterns within author biography text such as "lives in New York City". Within the next three months, title content relevancy will be added as well as publisher-supplied title coding to supplement the automated logic. In addition, international locations will be supported.

John Rubin, Above the Treeline's founder and CEO, was enthusiastic about GeoSearch's ability to help booksellers, librarians, and reviewers more easily connect to authors and titles of local interest. "We're really proud of this new feature," he said, "I think it is a great addition to Edelweiss and clearly advances our mission to help publishers, booksellers, librarians, and bloggers connect titles and readers."

GeoSearch Summary Data

By summarizing the GeoSearch contents of approximately 30,000 title-location matches, states and universities can be ranked by author presence. Below is a list of the top 15 states, ranked by most titles published by connected authors (live there, raised there, born there) relative to the state's total population. In addition, there is a list of top U.S. universities based on titles published by connected authors (attended, graduated, faculty member):

Top Author States Per Capita
based on Titles by Authors with Connection to State



Rank State Index
1 Washington D.C. 10.71
2 Vermont 3.09
3 New York 3.00
4 Massachusetts 2.89
5 Connecticut 1.96
6 Maine 1.83
7 Montana 1.76
8 California 1.43
9 Colorado 1.19
10 Washington 1.15
11 Oregon 1.12
12 New Hampshire 1.10
13 New Mexico 1.10
14 Minnesota 1.06
15 Illinois 1.04

(data includes Edelweiss client publishers for titles published after 2008)

Top Author Colleges and Universities
based on Titles by Authors Connected to School

Rank School Index
1 Harvard University 21.18
2 Yale University 11.20
3 Columbia University 10.07
4 New York University 7.25
5 Stanford University 4.19
6 University of Chicago 3.99
7 Princeton University 3.79
8 University of California-Los Angeles 3.56
9 Duke University 3.39
10 Boston University 3.16
11 University of California-Berkeley 2.99
12 Wheaton College 2.89
13 Fordham University 2.76
14 Brown University 2.69
15 Cornell University 2.66
16 The University of Texas at Austin 2.63
17 University of Pennsylvania 2.46
18 University of Michigan-Ann Arbor 2.36
19 Northwestern University 2.13
20 Massachusetts Institute of Technology 1.96
21 School of Visual Arts 1.96
22 Georgetown University 1.80
23 Syracuse University 1.70
24 Philadelphia Biblical University 1.66
25 University of Virginia 1.66

Sunday, June 06, 2010

MediaWeek (Vol 3, No 23): Bletchley Park, Cambridge, Streaming Movies, Jim Thompson,

A load of spy stuff from Bletchley Park is to be digitized. That's the place where they read all the enigma transmissions during WW2. In December Mrs PND and I visited Disraeli's pile in the country and some of the brainiacs from BP had lodgings there. (Cambridge News):
Undercover mathematicians and military operatives produced high-level intelligence at the Milton Keynes base during the war, providing crucial assistance to the Allied effort.The work of the Bletchley Park staff, which included cracking supposedly unbreakable German codes generated by the Enigma and Lorenz machines, has been credited with curtailing the length of the war by up to two years.The Bletchley archive currently exists entirely in paper format and much of it is difficult to view, making it inaccessible to the general public. Until now, only limited access to the archive has been granted to academics and educators under strict supervision.

Gosh will there ever me a 'repository' of ebooks that will fetch £15m? I think not (Indep)
The collection, belonging to an unnamed English bibliophile, includes the first collected edition of William Shakespeare's poems, dated to 1640. Also featuring in the sale will be The Moonstone by Wilkie Collins, considered by many to be the first detective novel.
Can users be re-trained to use legitimate streaming sites? Research suggests they may be willing so an experiment is hatched in the UK (Guardian):

As part of the "Full Stream Ahead" campaign, which is backed by the UK Film Council and BFI, and launches tomorrow, anyone accessing the Blinkbox website from fullstreamahead.co.uk will be offered £20 credit to spend on films from studios including Paramount, Sony Pictures, Universal, 20th Century Fox and Warner Bros. Titles include Avatar, Sherlock Holmes and Up in the Air.Users will be able to stream their choices over the internet and watch them on their computer or – if they have the right cables – on their television.Music streaming services such as Spotify have proved a hit, helping to arrest some of the piracy that has affected that industry. The film studios are hoping video streaming services will do a similar job, attracting people who may otherwise succumb to unlawful filesharing networks. Many British consumers already use catch-up TV streaming services such as the BBC iPlayer, 4OD and the ITV Player.

Is noir fiction writer Jim Thompson about to get what's coming to him (Observer):

Thompson was a man of the left, a lifelong alcoholic and became closely acquainted with the dark underside of American life, the lonely crowd where petty criminals, low-level cops, conmen and prostitutes rub shoulders.From the 1950s, he was involved in the movies, writing routine scripts for TV and collaborating on the screenplays of Kubrick's The Killing and Paths of Glory and had a cameo role as a patrician Californian with a wayward young wife in the Robert Mitchum version of Farewell, My Lovely, but he never made much money.Serious cinematic recognition came in France where he'd long been admired, in two films at the turn of the 80s: Alain Corneau's Série noire (A Hell of a Girl transposed from Chicago to a Parisian suburb) and Bertrand Tavernier's Coup de torchon (Pop 1280, the tale of a corrupt southern sheriff shifted to French colonial Africa), a film highly regarded for its moral perversity by Jean Genet.

University of Kansas saves space and time by going to vertical storage (Star):

Library workers recently began loading books and other items into hundreds of bins, each of which has a cubbyhole in one of several four-story steel structures. About 80 percent of the library’s collection eventually will be stored there.Want a book? A 58-foot robotic crane will zoom down a narrow passageway between the structures, find and pull the bin and deliver it to a docking station and librarian. The process will take less than four minutes.Perhaps libraries of the future will go bookless, but for now, many are struggling to house growing collections, which include not only books but microfilm, recordings and other materials.

Using cloud computing in library services (ALA) - not sure why this is at istockanalysis.
One of the hottest topics in IT is cloud computing. Cloud computing is not new to many of us because we have been using some of its services, such as Google Docs, for years. In his latest book, The Big Switch: Rewiring the World, from Edison to Google, Carr argues that computing will go the way of electricity: purchase when needed, which he calls "utility computing." ...
By analyzing the complex needs of different systems and considering how to use resources more effectively, the author decided to run all the systems through one cloud computing provider. By comparing the features and the costs, Linode (http:// www.linode.com/) was chosen because it provides full SSH and root access using virtualization, four data centers in geographically diverse areas, high availability and clustering support, and an option for month-to-month contracts. In addition, other customers have provided positive reviews, hi January 2009, the author purchased one node located in Fremont, California, for $19.95 per month. An implementation plan (see appendix) was drafted to complete the project in phases. The author owns a virtual server and has access to everything that a physical server provides. In addition, the provider and the user community provided timely help and technical support. The migration of systems was straightforward: A Linux kernel (Debian 4.0) was installed within an hour, domain registration was complete and the domains went active in twenty- four hours, the Afghanistan Digital Libraries' website (based on Joomla) migration was complete within a week, and all supporting tools and libraries (e.g., MySQL, Tomcat, and Java SDK) were installed and configured within a few days. A month later, the Afghanistan ILS (based on Koha) migration was completed. The ILL system was also migrated without problem. Tests have been performed in all these systems to verify their usability. In summary, the migration of systems was very successful and did not encounter any barriers.
... The author introduces cloud computing services and providers, presents his experience of running multiple systems such as ILS, content management systems, repository software, and the other system "on the clouds" since January 2009. Using cloud computing brings significant cost savings and flexibility. However, readers should be aware of technical and business issues. The author is very satisfied with his experience of moving library systems to cloud computing. His experience demonstrates a new way of managing critical computing resources in an academic library setting. The next steps include using cloud computing to meet digital collections' storage needs. Cloud computing brings fundamental changes to organizations managing their computing needs. As major organizations in library fields, such as OCLC, started to take advantage of cloud computing, the author believes that cloud computing will play an important role in library IT.
From the twitter this week (@personanondata) EcontentMag: They’re Just Not That Into You "many people already believe they are paying for the content they receive" http://bit.ly/bio9aO Telegraph: Cambridge University Library to publish rare faith and science books on internet http://bit.ly/aEEV05 When Poets Rocked Russia’s Stadiums - http://nyti.ms/daIhSI Who says authors can't pull a crowd? How a Startup Wants to Change Higher Education — What You Need to Kno! - http://nyti.ms/dx0yqF An iPad beater? ALA: Condition of Libraries 1999-2009 (pdf) http://bit.ly/9PqoYW Pub'd in Dec. Some interesting trends. EBSCO Library Collections and Budgeting Trends Survey http://bit.ly/dkMA0c

Friday, June 04, 2010

Repost: Borders Strategic Plan: What Borders Could Have Said

Since management has changed again at Borders, I thought I would repost an article I originally wrote on March 26, 2007. As the introduction notes, I originally wrote my version of a Borders growth plan in answer to what I thought was a pretty anemic effort by CEO George Jones.

No telling what the new management of Borders has in mind.



Last week George Jones, the recently appointed CEO of Borders Stores, Inc. released his strategic vision for the next three years. There was little in the document to inspire, and it was replete with suggestions that the route to success for Borders was to travel the road already trod by their stronger competitors rather than develop a set of bold new ideas. Coupled with this mediocre set of objectives was a time frame that seems embarrassing given the critical issues Borders and the retail book industry are facing. Borders sales per store and per square foot which lag their competition are declining, they have embarked on a diversification program that continues to draw attention away for the core products and they propose to withdraw from the international market that appears to produce 50% more revenue per store than the domestic business. What then might George Jones have said.....


Dear shareholders,

Borders is a company in transition in an industry in transition. Borders customers now find the products we sell in more non-traditional outlets and at lower prices. Our customers now have more entertainment options limiting the time they spend on reading and the changes in the music and dvd industry is fundamentally changing the way our customers use and purchase these products. It may be only a matter of time before it becomes unprofitable for Borders to sell physical units of music and dvd products.

These are not issues that Borders faces exclusively, but over the past three years, the company has failed to proactively address these marketplace changes. While our in-store experience has grown confused and directionless, miss-steps in our internal operations now limit our ability to support an effective platform for growth. We have to admit that continued investment in our store management and merchandising technology will not produce or enable the rapid changes in operating efficiency that is required to effectively implement our strategic goals.

The Borders brand remains highly valued both domestically and internationally and as we consider our strategic options, we must resist the urge to adopt ‘me-too’ or duplicative retail models that succeed in this crowded marketplace. To that end, we will focus on maintaining a unique value proposition for the Borders brand and retail experience. Our goals over the next three years are to:
  • Lead the industry in sales per store, sales per square foot, fill rates and inventory turn while, maintaining growth in new store openings.
  • Aggressively eliminate non-core expenses in operations via strategic partnerships across the supply-chain.
  • Revamp the Borders retail experience by redesigning our stores, implementing state-of-the-art technology and integrating web retail into the stores.
  • We will expand our international retail operations in combination with partners, expand our Seattle’s Best Coffee relationship but devolve our investment in PaperChase.
Over the next three years the company will focus our improvement program in three areas: (1) Store improvement and better merchandising, (2) operational improvement and (3) efficiencies and expanding retail internationally and via the web. Each of these initiatives is addressed as follows:

Improving the In-Store Experience:
We are in the process of simplifying our in-store product mix and plan to temporarily reduce the amount of in-store product by 25-35% over the next six months. At the same time, we are aggressively revising and reassessing how we use our store-level sales data and have established a task force with an aggressive time horizon that will identify an effective management reporting package so that the company can better plan store inventory and product mix. (We also plan technology improvements at the store level discussed below). Once we have better management information, we will begin to experiment with incremental additions and regional additions to store mix that we expect will support store profitability.

Selling books, music and movies is our strength. Music and DVDs are important but the long-term viability for these product segments is suspect as on-demand, downloading and other direct to consumer distribution patterns become predominant. Frankly, we are not a music and DVD destination store and we recognize we sell these items as add-ons to book purchases which do improve average revenue per customer, but selling the products in their current form is not a long term strategy. Borders will continue to experiment with different mechanisms for selling music and movie content that will enable these segments to remain important revenue sources for us.

We also recognize that our in-store layout and retailing environment has grown stale and boring. As previously mentioned, we are in the process of redesigning the in-store concept and this is a matter of significant importance for the company. We expect to launch the new store concept no later than the fourth quarter 2007. In this important initiative, we do not expect a ‘me-too’ design or to simply replicate the store features of our competitors; rather, our objective will be to develop a unique approach to book retailing that combines an increased awareness of the correct product mix for our stores, market research and marketing statistics to determine the store features that resonate with our customers. Initial research suggests our current stores are bland and confusing to customers, who often leave our stores without finding the books they seek.

As previously disclosed, the company will reduce the number, and revamp the product mix, of our Walden Books mall stores. Critical to this effort is effective management reporting metrics enabling correct executive management decisions to close or significantly revise specific Walden stores. We expect to close 25% of our Walden stores over the next 18mths. While our small mall retailing business has declined, we still believe that mall-based retail outlets represent legitimate opportunities for Borders to retail our products. Along-side our Walden rationalization plan, we plan to test and launch a ‘mini-POD’ bookstore concept. These small stores will be located in high-traffic areas such as medium-to-small sized mall spaces, public spaces, high-traffic retail space and potentially within other retailers spaces. These ‘mini-POD’ stores will sell less than 200 titles (all best sellers based on our store POS data) be staffed by one clerk and cover less than 200 sq/ft; they can be either permanent or temporary fixtures, dependent on context. If the tests prove successful, we expect to have over 1000 of these mini-POD stores in place by the end of 2008.

Our airport store growth and re-branding effort has been resoundingly successful and we will continue to expand this program in the North American market. As part of our international expansion, we will consider opportunities to extend the model into the developing air transport markets of Asia.

The PaperChase acquisition has been an interesting experiment and the company stores continue to do well under Borders management. Regardless, the company’s future is in the sale of entertainment products and PaperChase will be carved off as a separate business and eventually sold to its management. We believe there is a future for this line of business but the synergy with entertainment products, our internal processes and between our vendors and those of Paperchase is tenuous at best. We believe we can generate higher sales/sq/ft from our traditional produce mix and Seattle’s Best Coffee.

Operations Review:
Borders must rationalize our internal operations so that we can focus on our core expertise. We are not proficient at software development, distribution, fulfillment or logistics, and over the years these areas have diverted too much management time, resources and money away from merchandising, retailing and brand development. It is our goal to seek strategic partners to further outsource our warehouse, fulfillment and distribution operations and to seek efficiencies in our logistics operations – particularly store fulfillment. Lastly, under discussion is the possibility of outsourcing our management information systems that support our store level point of sale systems and which connect these store systems to our merchandising systems. We believe the only way Borders can achieve the state-of-the-art technology critical to our success is to partner with a provider(s) who is simply better at implementation and IT management than we are. Discussions are advanced in these areas.

Coupled with this operations review, we will work with our vendors to implement Radio Frequency Identification throughout our supply chain. We believe this initiative will have particular value at the store level. Experience in other businesses indicates that this will be an expensive initiative but will lead to the following material benefits:
  • RFID on all book product and in all stores within 18mths (on 85% of in-store products and 100% by end 2009)
  • 100% location data for all products in store: ability to locate any item
  • Virtually eliminate theft
  • Increase in-store fill rates: Expect incremental sales increases between 5-10% of current store revenue ($250-500,000/store annually).
  • Reduce out of stocks by 10-20%
  • Reduce to 10% the current amount of time to stock new stores (to two days from 2 weeks)
  • Remove/reallocate slow-moving stock: Rapid/immediate understanding of stock mix versus sales
  • Daily inventory count: Eliminate need for physical inventory
  • Speed product receipt and returns process
We expect to lead the book industry in this initiative and we also expect the initiative to pay for itself in increased sales, better merchandising and higher customer loyalty within a 36-month period. Complementary store-level technology enhancements will also enable wireless couponing, self-check out and cross- and up-selling opportunities. These are the types of critical success factors that will lead to the industry-leading revenues per store and per square foot to which we aspire.

Expanding Our Retail Outlets:
Finally, the company has questioned the continued development of our international operations, but we remain committed to expanding this business via merger with a leading non-US retailer. Together, we will aggressively expand the super-store concept to Asia and ME particularly China, India and South and Eastern Africa. Additionally, we will seek a similar partnership arrangement in South and Central American where we believe the super-store market for books, music and DVDs is largely untapped. The development of these markets is expected to take place through a combination of franchising and store-owned operations. We expect to announce our first Borders stores in Buenos Aires and Santiago by the end of the year. The UK book retail market is currently in turmoil and we will seek to take aggressive advantage of this and leverage our strong market position in that market with assertive merchandising and product discounting to drive traffic to our stores. We will close underperforming stores and expand the superstore concept in the UK and Ireland as results dictate. All told, we expect our international operations to grow to over 300 stores by the end of 2012 and believe our continued success internationally will derive from our steep investment in our US store operations.

Lastly, we commenced development of a Borders.com web retailing site which we believe will tap a missing link between Borders and its customers. We will use this site as a marketing and customer service solution to strengthen the bond between Borders and our customer base (particularly the 17,000 members of the Borders awards program). There will be a close coordination between the redesign of this program and the development of the web site. The success of this site will be determined by the strength of the connection we can make between the physical stores and the web experience. We expect to make the Borders web-site a destination site that will enable social networking, user tagging and customer retailing options similar to those available on auction sites.

We recognize this strategic plan represents a series of ambitious but attainable goals. Importantly, across our business we will focus on our core competency in selling entertainment products in a conducive retail environment supported by strong merchandising and management information. Supporting this development will be an aggressive efficiency program that will support the above objectives by realigning our operations to reduce time and expense spent on activities we are not good at and investing in technology solutions that will support our long term goals.

Many of these initiatives are in process and we look forward to bringing you up to date with them in the next three months.

Wednesday, June 02, 2010

Oh My Curation! It's about the Librarian

I chanced on a very interesting article in Harvard Magazine this week as I was doing research for a presentation I am making next week. Titled Gutenberg 2.0: Harvard's Libraries Deal With Disruptive Change, the article is written by the magazine's managing editor Jonathan Shaw and is one of the more thought provoking articles I have read about the impact(s) of our transition from print to online.

Several themes come out of this article: Firstly, traditional publishing is ill-equipped to manage the huge onslaught of data and information. Specific examples note the medical discipline. Secondly, training for the consumers and students who have access to databases and information is inadequate; moreover, this negatively impacts job effectiveness. Examples, here include medical and legal professions. Thirdly, librarians may retain specific skills that bridge the gap between the generic content where 'everything carries the same weight' and a 'consciously curated and controlled artifact' managed to the benefit of a librarian's constituency. Here is a quote from the article:
"For Libraries and Librarians, the new premium on skills they have long cultivated as curators, preservers, and retrievers of collective knowledge puts them squarely on top of an information geyser in the sciences that could reshape medicine.”
Reshaping medicine is an extreme idea but the author of the article makes a supporting case and cites examples currently underway within the Harvard library community. The entire article is well worth reading but here are a few more quotes:
Internet search explodes the notion of a curated collection in which the quality of the sources has been assured. “What we’re seeing now with Google Scholar and these mass digitization projects, and the Internet generally,” says Hazen, “is, ‘Everything’s out there.’ And everything has equal weight. If I do a search on Google, I can get a scholarly journal. I can get somebody’s blog posting….The notion of collection that’s implicit in ‘the universe is at my fingertips’ is diametrically opposed, really, to the notion of collection as ‘consciously curated and controlled artifact.’” Even the act of reading for research is changed, he points out. Scholars poring through actual newspapers “could see how [an item] was presented on the page, and the prominence it had, and the flow of content throughout a series of articles that might have to do with the same thing—and then differentiate those from the books or other kinds of materials that talked about the same phenomenon. When you get into the Internet world, you tend to get a gazillion facts, mentions, snippets, and references that don’t organize themselves in that same framework of prominence, and typology, and how stuff came to be, and why it was created, and what the intrinsic logic of that category of materials is. How and whether that kind of structuring logic can apply to this wonderful chaos of information is something that we’re all trying to grapple with.”
....
Medicine has had to cope with this problem [information overload] ever since nineteenth-century general practitioners found they could no longer keep up with the sheer quantity of published medical literature. Specialization eventually allowed doctors to focus only on the journals in their particular area of expertise. Throughout such transitions, libraries played an important role. Doctors, upon completing their rounds, would comb the stacks for records of similar cases that might help with diagnosis and treatment. Today, the amount of new information being generated in the biological sciences is prescribing another momentous shift that may provide a glimpse of the future in other disciplines. For a doctor, learning about a genetic test and then interrogating a database to understand the results could save a life. For libraries and librarians, the new premium on skills they have long cultivated as curators, preservers, and retrievers of collective knowledge puts them squarely on top of an information geyser in the sciences that could reshape medicine.
The article also explores preservation:

Indeed, the HD [Harvard Depository] might one day play a role as the fulcrum for “radical collaboration” with the five other law libraries in the Boston area, says Palfrey. “We’re asking, ‘Could we imagine deciding, as a group of six, that we’re actually going to buy something and put it in the Harvard Depository,’” a central location from which the physical book could be delivered to any institution? “It would cost us a sixth as much.” Other Harvard libraries could explore the same strategy.

That doesn’t mean Harvard’s campus libraries would become less important. Because they are embedded in the residential academic community, they remain integral to University life. Students (and faculty members) are big users of the physical spaces in libraries, though they are using them differently than in the past.
There is a lot more in the article.

Monday, May 31, 2010

MediaWeek (Vol 3, No 22): Censorship, Liquid Textbooks, E-Books, Revenge Reviews.

Sometimes your censor is someone you know from the NYTiimes:

But sometimes, depending on the country, the story is more nuanced — not genocide or crude repression but a more subtle chronicle, the fine shadings of control. So it was for the South African-born writer and Nobel laureate J. M. Coetzee, as an audience at the American University in Paris learned recently when he spoke of his experiences to students, faculty members and at least one American icon — the poet Lawrence Ferlinghetti, 91, who was also, coincidentally, visiting Paris. “Until I was 50 years old my books could be read by my fellow South Africans only after they had been approved by a committee of censors,” Mr. Coetzee, 70, told his listeners. But it was only around 2008 that an academic researcher offered to show him files he had unearthed relating to three of the author’s works from the 1970s and early 1980s. In those years, apartheid pervaded the land, prescribing where people lived and worked, where they were born and buried, how they traveled, whom they loved: a law called the Immorality Act made miscegenation a crime. Yet one file, concerning Mr. Coetzee’s “In the Heart of the Country” (1977), seemed to find a way of bypassing those pseudo-moral strictures, noting that “although sex across the color line is described,” the book “will be read and enjoyed only by intellectuals.”

Comments and dedications on the fly leaves of books are lost in an eBook world (NYTimes):
If e-books end up largely replacing traditional books, where would the extra personality that comes with an inscription go? Where would the future Rings and Willies leave their personal markings? Would you really ask Tom Wolfe to type a note on your Kindle?
In a Times editorial Verlyn Klinkenborg hints at a big potential issue (NYTimes):
When it comes to digital editions, the assumption seems to be that all books are created equal. Nothing could be further from the truth. In the mass migration from print to digital, we’re seeing a profusion of digital books — many of them out of copyright — that look new and even “HD,” but which may well have been supplanted by more accurate editions and better translations. We need a digital readers’ guide — a place readers can find out whether the book they’re about to download is the best available edition.
A reuters (all over the place) recap of BookExpo (Wired):

Eileen Gittins of Blurb, which helps authors and companies self-publish, predicts e-books will make up half of all sales in five years. In 2009, the global publishing business, including print and digital, was worth $71 billion, according to PriceWaterhouseCoopers. “We’re seeing now in book publishing what had happened previously in the music publishing industry. And that is, a massive disruption of the business model,” she told Reuters. The problem is that the cost of printing is a minor cost of publishing whereas developing work with an author and marketing it consume the lion’s share of costs. That means, she said, that the book industry will become more like the movie business. “The book publishing industry is becoming more blockbuster focused,” she said. Susan Petersen Kennedy, president of Penguin Group USA, said publishers will not make the same mistakes as the music industry, which had an epic struggle over electronic distribution and piracy and lost huge market share. “It’s always treated as if the publishers are the Luddites,” she told Reuters in an interview. “The devices have not caught up with the content. Contrary to popular opinion, the book is actually so far more flexible.”
Canadian company Symtext has launched a product for educational publishers that attempts to "weave together print and electronic" content. (TheStar):

After graduating, Barker found financing through Flow Ventures, a tech startup accelerator that gives seed capital and operational support to early-stage ventures, which then helped to develop a more sophisticated version of the Liquid Textbook. Barker returned to the publishers he had initially approached and asked them for permission to feature chapters of their books in Liquid Textbooks. In exchange, the publishers would receive royalties, similar to those paid for print course-packs. So far 70 publishers have agreed, including Oxford University Press Canada. Liquid Textbooks respect “the place of the publisher in developing content and also offer something beyond what the printed book offered to its end users,” says David Stover, president of Oxford University Press Canada. “We really feel it represents an alternative revenue channel.” The interactive nature is exciting, Stover says. In a Liquid Textbook, instructors can post summaries or questions about the material. Students can then post comments on what instructors – and other students – wrote. “It allows an ongoing discussion around the material,” Stover says. That’s exactly what Amanda Goldrick-Jones experienced when she used a Liquid Textbook to teach business writing at the University of British Columbia’s Sauder School of Business. “Many of the students’ [online] comments were very insightful and so we would bring the comments into class discussion and students would elaborate on them, agree, disagree,” said Goldrick-Jones. “That added more depth and a bit more richness to class discussion.”

Recap of a eBook forum panel discussion at Buying and Selling e-Content (eContent):
So yes, it is time to rebuild the ebook infrastructure from the ground up-from author contracts to licensing models to delivery networks and mechanisms. Yet I would also propose that unlike other content types that have already faced much of the pain in this transition, text-based content must look more deeply at the user expectation developed through years of internet use. As we seek to rebuild publishing, let us reconsider what experience digital delivers to our readers that its page-flipping predecessors did not. Let's not become obsolete middlemen in the content value chain. Ebooks are crying out for nonlinear editors who can push the form and format to create a nonprint experience that will resonate with readers steeped in short-form, stone-skipping, socially intermediated digital reading experiences. These, like the potential I saw in The Elements, will deliver a user-optimized, multidimensional user experience that could do a lot more than save books. It can reinvent them ... and the industry along the way.
Information Today journalist Marydee Ojalga recaps the timeline and process in selling the Reed Business Information magazine titles and also speculates on issues for librarians with respect to archive content. (InfoToday) Has PND favorite Philip Kerr gone off the reservation in posting a review on Amazon of his critics book? At least he appears to have used his own name (Telegraph):

“Good manners and honesty prompt me to mention that Alan Massie [sic] has reviewed my last two novels with a distinct lack of enthusiasm,” the post said. “For the first review I say good luck to him. If he didn’t like my book, then that’s fair enough. He’s entitled to his opinion which is that I can’t write for toffee. Maybe I can’t. “He should however, have excused himself from reviewing me a second time. In my opinion that’s bad manners. I’m of the opinion that authors should avoid reviewing the books of their peers and, usually, I stick to this principle, but I’ve made a special exception in Mister Massie’s case. . .” Kerr is the creator of the Bernie Gunther books about a German private detective. The reviews by Massie concerned the two most recent instalments, A Quiet Flame and If The Dead Rise Not, published in March 2008 and October last year. In the first, Massie concluded: “The novel is enjoyable enough, good-quality airport fiction. But that’s all it is, which is sad, because the early Bernie Gunther novels were so much more.” If The Dead Rise Not featured “an unconvincing plot and a still less convincing love affair” but remained “an agreeably readable novel”. Last night, Massie was taking the matter in good humour. “I am quite amused to find that Mr Kerr has taken such deep umbrage that he has clearly gone to the trouble of reading my book in order to slate it in an unsolicited review.

Friday, May 28, 2010

Penguin Bag: Best in Show

I really liked the Penguin bag from BookExpo. Definitely the bag of the show - maybe that should be an annual contest.


And the car was pretty cute to.

Tuesday, May 25, 2010

BookExpo CEO Round Table

In an at times contentious, moralistic but ultimately unfulfilled discussion on the future of the book this morning, Jonathan Galassi hosted the CEO forum to kick things off at BookExpo 2010. (Please excuse the roughness of this commentary).

On the panel were Jonathan Galassi, Farrar, Straus; with Scot Turow, Authors Guild, Bob Miller, Workman; Esther Newberg, ICM; Skip Prichard, Ingram; David Shanks, Penguin Group USA; Oren Teicher, ABA

In the opening salvo, Galassi asked bestselling author Scott Turow (ST) what he saw as the biggest issues in the e-world. ST responded by commenting that the industry faced an 'enormous risk' from piracy the results of which had already been seen in music where he suggested it had 'killed off the music retail business'. He went on to lament that the 'culture share of books (in the e-word) is not what it was in the paper world. This he sees as a problem in a universe where trade books are suffering.

Apropos of nothing, Agent Esther Newberg (EN) broke in to ask the assembled publishers why they couldn't pay 50pc on e-book backlist "it's a new thing" and David Shanks (DS) responded by saying that royalties on all formats were different and should be looked at as a package.

In a theme he was to come back to DS also reminded the audience that the business was still skewed 90pc to print and all the structure and overhead existed to support the legacy business. The financial picture will change "when the publisher doesn't need the warehouse" As a argument supporting the status quo, this ignored the multiplicity of options available to authors today. That the current cost structure legitimizes royalty schemes appears to many to be a weak argument. In the DS world publishers don't see themselves competing with a SmashWords model where most of the earned revenue goes to the author.

ST questioned why publishers had agreed to make the e-Book available at the same time as the hardcover and with a low price. (ST is also the elected head of the Authors Guild). Unfortunately, his comments sounded ignorant of some critical market dynamics which were corrected later by Bob Miller. On this point JG also suggested that it was a mistake to release books at the same time.

Oren Teicher (OT) - ABA President reminded the group that it the business needed to focus more on getting content to consumers in the format they wanted. He saw the bookstore as almost 'format neutral' and focused only on satisfying the customer. What he was reacting to was the suggestion that holding back content was a good idea, and BM pointed out that keeping people from content causes piracy and that in making it easy to buy content, digital is the better solution. (BM also corrected ST earlier comment that trade books 'were suffering'). Skip Prichard (SP) from Ingram also added that most piracy originated with print version of books and not the digital version and the group should be clear that digital books don't cause piracy.

ST launched into an attack on publishers ability to strategize: "You folks have to be able to see around the corners" and to counter the people in the world who don't believe in literary culture and would be happy with 52 published books per year. Responding to the idea of culture OT suggested that as music stores went away this contributed to the decline in the industry as a whole. The ABA and publishers need to support the 'community' aspect of book retailing as an important component of the whole industry. In agreement, BM contradicted ST by arguing that publishers "can't be keeping readers away from the books - meaning eBooks - and that we should always be looking to connect people to the content.

There were one or two curious comments during the 90min discussion such as JG's "no author is going to be happy to only publish online" since they will always want to give their mother a copy. But in contrast BM channeled the peasant in Gutenbergs lifetime: "these books are a real time suck" suggesting we sometimes miss the point.

On pricing OT questioned the $9.99 price point as irrational but BM couched that we can kiss the $27 price point goodbye. Continuing he point, he noted that books exist in competition with other media spend and additionally, that we can't lump all books together: the paper back for the plane ride is far different than the reference book you use for research. "We can't make blanket statements (about pricing) of all books.

JG summarized: "Bob suggests that providing changes are the result of a multifarious number of available choices" but he went on to say we want to be able to say to our customers that the new ST book is worth $27. Again however, this came across as an arbitrary argument based on history - why not suggest $100 - than one based on market reality. SP brought up the point that ease of use has in part contributed to the decline in value proposition for consumers. But there must be an incentive for authors as ST reminded the audience and in the absence of selling tickets to events he saw writers not writing if they were not adequately compensated. That authors would forgo their creativity seems a little absolute to me.

The discussion transitioned for a while to community and building awareness for books. BM commented that we may even have a larger readership without the traditional press noting social networks. DS agreed emphatically that there will be a bigger market but we shouldn't shouldn't forget there needs to be big investment to buy reading devices.

OT made the point the notion that the physical and digital are separate is wrong and to think of them separately will ultimately disappoint consumers.

The focus on the device was seen as a narrow view by SP who suggested, "in cloud it won't be about the device." And in addition it will become important to build community around the book using online networks.

Seemingly in contradiction to his earlier comments ST said that the publishers and authors "can't sit in the pulpit and demand that people value our content at a certain price."

While JG believes that there will always be segment that wants to go the bookstore, SP went much further and agreed curation via bookstores will be important but online it is far different and escalating in importance. Consumers are going to use facebook and online circle of friends much more than traditional promotional channels.

In a comment that initially confused me DS seemed to suggest that readers were clueless: "Readers don't know what to read. So they rely on their friends and on their community. Publishers are finding the places people are talking about books."

The last topic covered was prompted by EN description of an upcoming title by Hachette which will be highly stylized and designed. This she was as a wonderful consumer offer but was contradicted by SP who said that having the infrastructure that decides font and paper and cover is going to be under intense pressure. For the most part people don't care about this 'extra' effort. Managing downward pressure on pricing while trying to create value in physical books are opposing strategies and will be in conflict. "The economics of this are all at odds."

Lastly BM: The app and the book can be complimentary. We haven't seen the full potential of different formats working together yet. Can't generalize across all formats and content when we try to determine what works and what doesn't.

Monday, May 24, 2010

Mobile Applications Panel at BookExpo

I am leading a panel discussion on Mobile Applications: A Publisher Road map for Creation and Use at BookExpo on Tuesday at 1:30.

Following are my introductory comments:

By way of introduction, I was reminded recently how profound are the changes in how we engage with content.

Traveling on the Seoul subway – underground - last week, I happened to notice that the attention of the person seated next to me was focused on his phone. As I concentrated on the screen of this smart phone, I saw he was watching the television news live. It turns out deep engagement with digital content isn’t unusual in Korea where the country has the second highest penetration of 3G networks in the world behind Japan. As think about the guy watching TV underground it seems incredible to me that it wasn’t that long ago that a Blackberry was just a beeper (or a fruit).

Mary Meeker, a well known media analyst from Morgan Stanley, recently presented an annual report on the state of the Internet, and in that presentation she chose to focus on the rapid and radical expansion of mobile computing. The ability to engage with content anywhere, anytime is changing behavior and reducing the importance of the desktop environment as the vehicle for presenting and delivering content. Mobile is also feeding a social environment where content is central to the user experience and the social ‘platforms’ - notably Facebook – are providing transaction tools that support discovery, recommendations, purchases and a lot more.

All of us have to be aware that there is something going on in mobile: We remember the hysteria over iPhone and then the iTouch, which all pales in comparison to the iPad and the apparently 200,000 units being sold per week of that device. Mobile is huge but still in its’ infancy. In her presentation, Meeker points out that while mobile has grown faster and quicker than anything before it, it will be another four years before mobile exceeds desktop usage. Inherent in that prediction is the assumption that mobile application development as well as new hardware will continue to engage consumers so that they continue to adjust their behavior. “Adjust” versus “change” since desktop usage continues to grow incrementally.

On the face of it, this expansion of mobile computing looks like good news for the book industry. Firstly, book selling is one of the most mature and deeply penetrated online retail segments and it is natural that this retail model has transported to the mobile environment.

Secondly, as Meeker points out in her presentation consumers using mobile applications have shown a unique interest in actually paying for content.


There are several reasons why she believes this:

• Point of purchase and secure payments make it easy
• Value proposition more closely equals pricing
• Platform is highly ‘curated’/managed
• Branded selling: users are comfortable with store fronts
• Personal identity and ‘life experience’ is tied to device

All of the above reasons bode well for the future success of the content industry.
A number of publishing companies as well as some technology companies are investing aggressively in mobile delivery of their content and, in the development of specific environments where both new and old customers can engage with each other and with the content owner. On the panel you will hear from some of these companies.

On the panel with me, I have Josh Koppel, co-founder, ScrollMotion, Dominique Raccah, CEO, Sourcebooks, Linda Gagnon, SVP - Digital Media Services, Baker & Taylor and, Peter Costanzo, Dir., Online Marketing, Perseus Books Group. From each of these panelists you will hear about their varying experiences in leveraging mobile computing.

The Meeker presentation is here:

Morgan Stanley Internet Trends Analysis

Above the Treeline: Books at BookExpo

From their press release, an interesting and useful application from Above the Treeline. At Bowker, we tried this idea with Books In Print:
Above the Treeline, a leading provider of business intelligence tools to the publishing industry, is pleased to announce that the on-line product catalog for BookExpo America 2010, called "Books@BEA" has now gone live and is available for attendees and other interested book professionals to use.

The catalog currently has over 300 exhibitors participating and contains over 10,000 titles being featured at this year's show. The catalog can be found at http://www.booksatbea.com/ .

A mobile version for iPhone, Android, and Blackberry will be available in the next few days. Check the Books@BEA site for news on the mobile version and its availability.

Books@BEA uses Edelweiss, the internet-based digital catalog service from Above the Treeline, as its foundation to provide users with the ability to search and browse titles by keyword, exhibitor, genre, format, pubdate, and event. Users who are registered with Edelweiss (a free and easy process) can also add tags and notes that will be stored for future reference. Exhibitors and browsers can email, tweet, and share titles on Facebook as well.

"It's all about bringing people and books together," says John Rubin, CEO & Founder of Above the Treeline, "It's why our customers use Edelweiss and it's why we all come to BEA. Books@BEA will make it easier for everyone to keep on top of the hot titles and to find the undiscovered gems."

For more information about Books@BEA, email booksatbea@abovethetreeline.com.