Friday, October 22, 2010

Repost: Publishing and Global Data Synchronization

Originally published on March 19, 2007


Over the past several months, I have commented on issues related to the publishing supply chain and the need to revamp the relationships between supply chain partners to create a more efficient business environment. Closer integration across the publishing supply chain will result in better efficiency and effectiveness leading to higher revenue and profitability. While sharing information between partners is growing in frequency, there has been only limited movement towards a more holistic approach to addressing supply chain issues.

The potential evolution of metadata requirements for the industry is also a theme I have addressed and I have suggested that base level bibliographic information has become a commodity. In recent years BISG has proactively reviewed the potential for a single “(Global) data synchronization (Network)” application for the publishing business. This GDSN application would sit as a central hub of base-level bibliographic information that would be accessible to all industry participants. Fees would be assessed to participants but would be fairly modest given the experience with similar applications in other industries. (In fact, some large publishers are already subscribers to GDSN data pools due to their business operations in non-retail markets such as big box retailing).

The management of a GDSN data pool is not an insignificant task and were BISG to sponsor the development of a publishing data pool it is logical to believe that a manager of this data-pool would be required. It is unlikely that BISG would want to manage this themselves and would be more likely to create an RFP for the application. A fully implemented GDSN solution for the publishing industry could significantly improve data flow and data accuracy across the supply chain not least because there would be one central location for read and write product details.

Having said that, there is an assumption that the internal data provided externally to the GDSN data pool would be accurate. Unfortunately I know this is not generally the case based on my experience at Bowker. Since the launch of Amazon and the subsequent adoption of ONIX, publisher data is significantly better than it was in the past but once you move away from all but the top 200-300 publishers data quality is a real problem. Businesses must continue to focus on product information and it is likely that service providers such as Netread will continue to play a large role in data supply.

The implementation of GDSN will lead to other integrated applications that will support further improvements in the supply chain. These include RFID, collaborative planning, forecasting and replenishment, vendor managed inventory and scan based trading. All of which have been implemented in other industries and in publishing would begin to mimic my suggested Intelligent Publishing Supply Network (IPSN). Among the benefits that other industries have proven is possible are,
  • Increased order accuracy
  • Ability to identify and correct internal data discrepancies
  • Decrease retailer out-of-stocks
  • Realize more timely replenishment orders
  • Reduce the likelihood of retailer returns
  • Establish the foundation for adopting RFID
RFID tagging could create the opportunity for significant gains in operational efficiency within the book world. The RFID tag carries only minimal data – the Electronic Product Code (EPC) - (sometimes referred to as the electronic barcode) and the tag can either be read only or read/write. Even in isolated (non-networked) applications within a book store or a distribution center the results in efficiency would be profound. Within a full RFID implementation across a supply chain, product level data is accessible from a central location (database) at any point in the supply chain providing details on what the product is and where it came from. In tandem, the location of that item is made available centrally so that tracking details can be analyzed and acted upon. Wide spread implementations will be limited until tag costs decrease and some operational issues, such as pallet level accuracy (some tags can’t be read if they are buried on a pallet), are addressed.

The future for an efficient book supply chain is playing out in other industries such as consumer products, hardware and the grocery chain. As Publisher revenues become more bifurcated across multiple distribution networks, making physical distribution more cost effective becomes critical, because less revenue will be generated from physical distribution reducing scale effects and squeezing profit margins. It remains for the industry via BISG to lead in the direction of a more efficient and effective supply chain.

Links:
Qualified Metadata
Supply Chain 1/2

Thursday, October 21, 2010

Kabul International Airport 1973

Kabul International Airport, 1973
A weekly image from my archive. Click on the image to make it larger.  

We spent three days in Kabul between our stops in Karachi, Peshawar and Tehran. An amazing trip but one only vaguely remembered. More images on flickr.

Wednesday, October 20, 2010

Keeping Yiddish alive and a rare bookshop open

From the BBC - pity you can't embed the viewer - a look at the last secular bookshop in New York which is facing closure by the end of this year.

In this first person account owner Hy Wolfe talks about his mission to keep both the bookshop and his language (Yiddish) alive.

Video is five minutes long. (And I love Moishe the baker).

PND Technology: Hashable

My weekly (kind of) recap of some of the interesting technology I've heard about at the tech meet-ups I've been going to (NYTech)

Making introductions can often be difficult even when the compatibility or mutual interest is so obvious. Along comes Hashable which is making connecting and establishing introductions easier and less painful.

The Hashable tool can be used to make introductions via Twitter or email and you can track the introductions you have initiated and those that your social group is building. You see who they are connecting with and potentially follow their lead in providing introductions. Hashable has an integrated address book so searching for people to connect with each other is simple and there is a gaming aspect to the site that enables you to see who 'ranks' highest (via a leaderboard) in introducing the most connections.

Here is the video from the recent NYTech Meetup and here are some more details from their website:
What do I use it for?
For starters, you can use it to track introductions you make and people you meet with. And you can discover new people by following your friends and seeing who they're connecting with. Your profile page shows your latest activity. You can also check out our leaderboard to see who the top movers and shakers are in our community at large.

How do I use Hashable via Hashable.com?

There is a simple tool on your hashable.com homepage that helps you make introductions. You can use the tool to make an introduction through twitter or email. Using our integrated address book, you'll be able to easily search your twitter or email contacts and find people you'd like to connect.

How do I use Hashable via Twitter?

With the #intro hashtag, Hashable makes Twitter intros not only socially acceptable but socially awesome. Send a tweet that includes the names of the people you'd like to introduce, the '#intro' hashtag, and our Twitter name @hashable. Then, we'll immediately send a follow-up tweet to the people you're introducing with a link to an icebreaker page. This page gets your friends started by showing them each others' information (photo, job title etc.) as well as their mutual connections on Twitter. We also give your friends an easy way to respond with the 'connect through twitter' button at the top of the page.

How do I use Hashable via Email?
If you want to keep making introductions through your email client, you can still get many of the benefits of using Hashable. From your email client, just cc 'post@hashable.com' to make your introduction public or cc 'dontpost@hashable.com' to make your introduction private. Private intros will not be posted to the public stream, but they still get archived and you still get points.
As Mike Yavonditte, CEO of the company notes in the demo that networking isn't always fun but it is a necessary thing. Hashable is making introductions easy and fun. Check it out in beta.

Tuesday, October 19, 2010

Not so benighted music business: There's money to be made.

The economist reviews how musicians are making money in a media segment that has been derided as an internet loser. Here are several clips:

Yet the music business is surprisingly healthy, and becoming more so. Will Page of PRS for Music, which collects royalties on behalf of writers and publishers, has added up the entire British music business. He reckons it turned over £3.9 billion ($6.1 billion) in 2009, 5% more than in 2008. It was the second consecutive year of growth. Much of the money bypassed the record companies. But even they managed to pull in £1.1 billion last year, up 2% from 2008. A surprising number of things are making money for artists and music firms, and others show great promise. The music business is not dying. But it is changing profoundly.

The longest, loudest boom is in live music. Between 1999 and 2009 concert-ticket sales in America tripled in value, from $1.5 billion to $4.6 billion (see chart 1). Ticket sales wobbled in America during the summer of 2010, but that was partly because some big-selling acts took a break. One of the most reliable earners, Bono, U2’s singer, was put out of action when he injured his back in May. Next year many of the big acts will be on the road again, and a bumper year is expected.
....
On television, music is either supported by advertising or bundled invisibly into the cost of pay-TV subscriptions. That model is spreading from the box to the web. Free music-streaming services like We7 and Spotify have proliferated in Europe: the latter claims 10m users. America has Vevo, a music-video website linked to YouTube and owned in part by Universal Music Group and Sony Music Entertainment. Because Vevo’s content is consistently professional, it draws advertisers. Rio Caraeff, who runs the outfit, says companies pay $25-30 to reach 1,000 viewers. That is more than television networks tend to get, although Vevo reaches fewer people and runs many fewer ads (just 15 seconds every six-and-a-half minutes).
...
Some music executives fret that the stadium-filling acts will not be replaced. It is true that the starmaking machines run by the record companies are creaking. But this does not mean there will be no more popular acts. Musicians will build fan bases in other ways—through social networks, by recording music for TV or simply by trekking from gig to gig (which is how bands became famous for much of the 20th century). Some will rise with a speed that would have shocked their predecessors—witness Lady Gaga or Justin Bieber, a 16-year-old singer who was almost unknown a year ago. Those who doubt their staying power may wish to consider that adults have long believed the music their teenage children listen to will not endure as long as the tunes they grew up with.

Sunday, October 17, 2010

MediaWeek (Vol 3, No 43): Larsson, Type & Fonts, Taylor Bradford

Just when you thought you had read all the Stieg Larsson stories comes word he was a revolutionary(Telegraph):
In it, Mr Holmberg describes how Larsson trained a group of women who were part of a Marxist liberation group fighting for Eritrea’s independence from Ethiopia. He writes: “1977 was a dramatic year. Stieg spent part of it in Eritrea, where he had contacts in the Marxist EPLF liberation movement and helped to train a company of women guerrillas in the use of grenade launchers. “But he also contracted a kidney inflammation and was forced to leave the country.”

Curiously no one seems to explain who trained the trainer which could be far more interesting. The Observer has a very long excerpt from True to Type, How we fell in love with our letters (Observer):
The etiquette of type informs our daily lives. Say you are designing a jacket for a new edition of Jane Austen's Pride and Prejudice. The book is out of copyright and so has cost you nothing, the beautiful jacket illustration of a secret garden has been done by a friend, and now all you have to do is find a suitable typeface for the title and author, and then the text inside. For the jacket type, conventional wisdom would be to choose something like Didot, which first appeared at around the time Austen was writing and looks very classy with its extreme range of fine and stronger lines, especially in italics. This font will fit right in, and will sell books to people who like classic editions. But if you wanted to reach a different market, the sort who might read Kate Atkinson or Sebastian Faulks, you may opt for something less fusty, perhaps Ambroise Light, which, like Didot, has a stylish French pedigree. For the text of the book, you might consider a digital update of Bembo – perhaps Bembo Book? Originally cut from metal in the 1490s, this classic roman typeface retains a consistent readability. And it fits the overriding principle that typefaces should mostly pass unrecognised in daily life; that they should inform but not alarm. A font on a book jacket should merely pull you in; once it has created the desired atmosphere it does well to slink away, like the host at a party. There are exceptions, of course, and a brilliant one is John Gray's bestseller, Men Are From Mars, Women Are From Venus, in which the designer Andrew Newman chose Arquitectura for the male lines and Centaur for the female ones. Arquitectura looks manly because it is tall, solid, slightly space-age, rooted and implacable. Centaur, despite its bullish name, looks like it has been written by hand, has thin and thick strokes, and is charming and elegant (obviously this is gross sexua l stereotyping, but Men Are From Mars, Women Are From Venus is pop-psychology).

Novelist Taylor Bradford is named Yorkshire person of the year (BBC - Link to video plays immediately) And from the twitter this week:
: Streetscapes - Rare Books About New York - Rare Books About New York - See Frankfurt presentation - Carla Stoffle: almost no new print book acquisitions in one year from now at U Arizona
Sheila Bounford's (of NBN) presentation from TOC Frankfurt: Technology, Change & Customers Tony Blair In Line For Bad Sex Award (Telegraph - with suitable grim photo) Edward Nawotka Discusses Digital Publishing: The Book Futurists - And in sport, it seems we have some serious issues with our star player (Guardian)

Tuesday, October 12, 2010

Parallel Universe: Will Libraries and Publishers Learn to Share?

Following is my presentation (10/5/10) at the 32nd Supply Chain Interests meeting at the Frankfurt Book fair. Below is the full text of my speech but on slideshare you can view each slide with the corresponding text.



(1) Good Afternoon, today I want to talk libraries which is a segment somewhat ignored here at this meeting in recent years. Important nevertheless since there is a lot going on in the library world.
Any businesses connected to the publishing industry is experiencing change and increasing complexity: Libraries are no different.
We naturally associate books with libraries but monographs have not supported the library mission for decades. (2) Data even hints that books are not a success story in the current library environment. I expect my statement will strike you as odd but research data from a range of studies suggests that books are expensive to manage, under-utilized, hard to navigate and of declining importance to scholarship. Additionally, books suffer from opportunity cost: Decisions to purchase specific books are rarely optimized with demand and thus, books that may have supported a need are not purchased and books that were purchased sit on shelves rarely used.
Many agree that the publisher/library model must change as content migrates but a deeper analysis of these data implies we need to re-examine in a fundamental way the definition of the monograph.
Libraries face many practical challenges. (3) Despite remaining critically important to their respective communities, public and academic libraries are under tremendous strain. This is particularly true of the public library. If not from actual dwindling revenue sources which cause layoffs, closings and reduced services, then from the passive aggressive stance of publishers who threaten to withhold their electronic titles from library patrons. In tandem, academic libraries face different but no less challenging issues about their position in education generally and on campus specifically.
(4) This bleak outlook obscures the fact that big important questions are being asked about the future of books in the library. At all levels, libraries are embarked on a radical redesign and reevaluation of their activities which will redefine the library for monographs. These changes are almost completely hidden to publishers and, at a critical juncture in the transformation of the relationship between publishing and libraries neither side seems to know or appreciate enough about the circumstances of other.
(5) The sharp disagreement over the provision of eContent may permanently fracture the uneasy alliance between book publishers and libraries as more content migrates to electronic form and consumers make electronic delivery their format of choice. This should be troubling to anyone who believes – as I do – that libraries and publishers share a desire to expand knowledge and community around books.
(6) My comments today take the library perspective and I have organized my comments around three themes.
(7) Firstly, how important are libraries to publishers in monetary terms? Secondly, a look at some of the most important strategic library initiatives under way and, thirdly what is the future for libraries and publishers?
(8) First, at approximately $2.0billion, all library segments represent approximately 5% of industry revenues. This makes the entire segment approximately the size of a large chain retailer. If you heard me speak the last time I spoke to this group, you may recall I don’t place too much reliance on industry stats so in that light, treat these numbers as order of magnitude estimates of library sales. There are over 13,000 public and academic libraries in the US and these figures would suggest an average annual book spend of approximately $150,000. That may be a reasonable average.
The primary focus of this presentation will be on the academic library environment; however, let me make some brief comments about the situation with public libraries in the US.
(9) To the general public, the value of libraries is unquestioned and here in the next sequence of slides are data from OCLC and a report I’ll note in a moment. Americans believe public libraries improve their quality of life and view the library as a resource to help them navigate an uncertain future. (And I’m often there myself).
The library patron of 2010 seeks help, (10) reference material, education and community yet as economic circumstances deteriorate library budgets are slashed and services limited or eliminated. (11) Thus, while visits and circulation are up (12) so are closings and service reductions.
(13) Academic libraries are not immune to macro economic changes either; although they seem to have more flexibility to devise new methods of dealing with some of the economic challenges they face. As you may know, the library collection is viewed as a point of comparison (14) and remains important to the institutions accreditation. These factors present particular challenges for more effective and efficient services nevertheless even in this environment revolutionary approaches to collection management are being tested and implemented.
For example, (15) can you envision an academic library with no physical books? That sounds absurd – even crazy - yet during a recent renovation, a large state university library removed all their books from the library and placed them in off site storage. Service for students and faculty during this renovation was impacted only minimally and once the library space was remodeled not all the books returned. Not only do the remaining books at this library look more like decorative display items than accessible resources but the space has been reconfigured to match a changed teaching environment. NYU removed 30% of their collection during a similar renovation. At the University of Texas recently, a new library received national attention as a library without any “books” There are more and more examples of this changed approach to collection development.
As libraries rethink their physical collections, we shouldn’t lose sight of some more fundamental problems that book publishers should be aware of. The Association of Research Libraries publishes annual statistics and these reflect some troubling data points with respect to monographic purchasing trends over the last 20 years.
(16) Serials publishers with their revenues up an average of 7.3% per year will be excited. Over the same period, the monograph publisher has seen prices grow a measly 2.9% per year with most of that increase occurring in the early years. Even more troubling, the number of titles purchased each year has straight lined since 1986. With an explosion in books published over just the past ten years, academic libraries are buying the same number of books as they were in 1988. Virtually all other categories have outstripped spending on books (including the consumer price index). Student and faculty populations have grown but this growth has not translated into more books sold. And as an aside since I don’t present data here, circulation is also going in the wrong direction.
Importantly, these statistics are definitive: They are not isolated. When we contemplate how to approach the library market it is important that we recognize that current experience is very much a reflection of prior performance. In other words, I don’t believe we can expect this to get any “better”. It appears, monographs have been losing the knowledge race in university libraries for a long time and, if publishers value this segment then they need to recognize and then understand this.
Not all the data is so black and white and perhaps there is some good news for publishers. For example, (17) viewing supply and demand in ARL libraries via the prism of inter library loans we see significant increases year over year for books loaned and borrowed. ILL isn’t studied in detail but I recently learned from OCLC that they are contemplating more analysis of this area and their initial research shows some interesting findings. For example, they have been astonished to learn of the number of times a single title (18) has been loaned more than fifty times in one year. It appears libraries are relying more and more on ILL to support spikes in their local demand.
According to OCLC, these “hot titles” are often widely held titles suggesting that the data begs for more analysis. Certainly as a monograph publisher you would be troubled by some of these stats and would want more analysis.
In summary, we face significant challenges in the academic and public segments concerning financial and economic issues however we can’t ignore the tenuous relevance of the monograph itself. Can it be business as usual for the monograph?
Which brings me to the second part of my talk where I discuss some of the change programs already underway.
(19) The academic library has been forced to re-evaluate its activities for a variety of reasons. If we reference the changes made generally over the past 20 years to accommodate a migration from paper to electronic materials then the current impact on monographs must really be anticipated progression of their change programs. In other words it was foreseen.
For example, one important change initiative could be characterized as one of “efficiency”. As the thinking goes; “are we as librarians delivering the appropriate services in the most efficient manner?” Whereas detailed cost analysis has always been possible, economic realities now enable solutions that previously may have been unrealistic for practical or political reasons. The life time cost of maintaining a monograph collection were always known to be expensive but limited alternatives to the open stack paradigm made real analysis irrelevant. With the rapid escalation in digitization programs and a collective approach to resource sharing, libraries now have viable options with respect to down sizing their monograph collections. This now defined expense coupled with the very real costs of real estate and development projects for new buildings has many university administrators salivating over all that “under-utilized” space.
(20) Research conducted by Paul Courant and Mathew Nielsen (The Idea of Order) explicitly documents the costs of maintaining a print monograph collection. The opportunity for publishers may rely on turning this analysis of the ‘life time cost’ of holding book into a sales opportunity for eBooks. The authors also calculate (21) that a typical academic library could be spending about $1mm just to maintain their legacy print collection. And in an environment where monograph usage is declining this large annual expense begins to look like an onerous and miss-guided use of funds. And for publishers, what response will you get if you ask them to – in effect – add to this annual expense by buying more print?
As I noted earlier, the case for a wholesale reevaluation of the idea of books in the library has gained credibility. As strange as it is to say, the physical book collection may not be needed. It may be both economical and efficient to remove them. Constance Malpas from OCLC goes a bit further when she comments (22) that “books have already left the building” – with over 70mm volumes having been removed from local collections and placed in off-site storage. Some important universities have determined that they can operate with little or no diminution of service while reducing their on-site collections.
Simply moving books off site however, doesn’t represent a total solution. As the authors Courant and Nielsen note, electronic storage in addition to or combination with physical collections is most optimal because access to an electronic version of a book aids in selection of the title. If a user is able to look at the TOC or index or search the electronic version in advance of requesting the title then they are more likely to request from off site storage books they really need. Large (23) digitization programs such as Hathi Trust and others are beginning to support this type of “mixed platform” hybrid.
The Hathi Trust is one of several digital repositories. At Hathi, their mass-digitized collection is sufficient to replace at least 30% of most academic print book collections. The potential savings are very real (24). Hathi grows daily and other repositories add titles at a similar rate. All have a different collection profile and different partnerships but at some point these repositories themselves will collaborate and weave together their collections so that the overlap or replacement potential across academic library collections will near 100%. Publics will also see some benefit here as well.
So what are we seeing here? Initially, I spoke about the cost savings from more efficient use of physical space and transitioned into discussion about shared repositories of content. These activities are closely related and will be progressively augmented and expanded with further network level services. In short, more sophistication will ensue concerning access, applications and services focused on monograph content that historically was disbursed in the extreme volume by volume and library by library.
Strategically, what might these initiatives mean for publishers? Libraries are not saying emphatically they don’t want print but their policies and practices are changing. In some cases new books go immediately to off site storage. In accessing these assets, the library also wants a digital copy that they can place in the catalog for search and discovery. The shared approach to collection management while reflective primarily of their retrospective print collections will become the paradigm for future purchases – both print and eBooks. Going forward publishers will be expected to accommodate this. While representing a challenge for both libraries and publishers there may be opportunities in working toward a new business model. Recall, that the combination of the ILL statistics and the Hathi stats on title overlap suggests – strongly – that supply and demand is significantly out of balance. Addressing this is an opportunity.
(25) This discussion would not be complete without also bringing in the migration to eBooks and eContent. It may be in the transition to an eBook environment where publishers and libraries will clash. Beware however that it would be a significant mistake for book publishers to assume libraries are ignorant of the issues and complexities of eBook and eContent business models.
In fact, libraries may have a more experienced view of the eContent business models than do many book publishers. Libraries participated in the migration of print serials and journals to online databases and most importantly facilitated the radical improvements in the provision of serials content to this segment. Some see similar and maybe greater opportunity as the monograph makes this transition.
But publishers see eBooks in libraries as problematic. There may be more acceptance of eBooks in the academic setting but thus far much less so in the public library segment. (26) A recent report published by Chief Officers of State Library Agencies (COSLA) suggested that libraries seek to organize a national buying pool to source and negotiate eBook deals. We’ll see how far they get with that.
Which brings me to the last part of this presentation.
“How is that a good model for us?” (27) is how Macmillan CEO John Sargent put it when discussing the role of libraries in the future. He was referring to the ability of a patron to loan an eBook from their living room without having to stand up. “In the old world” he said, “there was a certain amount of friction in the chain that precluded this type of ease of use.” To take this model to its obvious conclusion, wouldn’t every reader get a library card and an eBook reader and download books free from their local library? Perhaps, and it would be hard to recognize the value of this model to publishers.
Libraries see it differently though: EBooks represent an opportunity to engage people who can’t or won’t come to the local library. The practical benefits of eBooks mitigate the reduction in opening hours, staffing and geographic/location issues that preclude use of the libraries. Academic libraries also see huge opportunities to improve the utility of the eBook titles they buy.
On the other hand, the COSLA report also pointed out access to eBooks is currently nowhere close to the environment envisioned by Sargent. The study confirmed that getting eBooks isn’t convenient or easy to do. Typically, the user interface is described as unfriendly and the fact that eBook sites are often not integrated with a library’s web site makes the eBook catalog hard to find.
(28) Looking forward to a new model publishers naturally and quite rightly require a model that represents “true-value” for their sales into the segment but, in my opinion wondering whether eBooks can be managed, controlled or rationed in the library marketplace misses the larger picture: Monographs are on the downswing. The bigger question we should be asking is “Why don’t monographs work in the library anymore?”
There should be mutual interest here: Publishers want to continue to make their monographs available to libraries and libraries want to most effectively match their collections to the demands of their patrons. What might these areas of cooperation encompass and does the migration of formats – print to eBook – represent an opportunity to reinvigorate the book?
Here are four suggested programs libraries and publishers might consider adopting in concert to their mutual interest. (29)
Firstly, there is too little market intelligence about the behavior of a library patron from their use of the library material to their book buying behavior. For example, is the heavy library user also a buyer of books and, how does their behavior change when eBooks are made available? Understanding the inter-play between library lending and purchasing should be critical to defining a new or optimal model that allows a full catalog of eBooks to be made available via the public and academic library. Libraries routinely make the point that library patrons contribute significantly to the marketing of all books. Defining this would represent an important improvement in the relationship and understanding between publishers and libraries.
Secondly concerning metadata, as serials publishers transitioned to eContent it became clear quickly that many (most) of them had significantly incomplete metadata about their historic catalog. Libraries helped fill some of those important gaps and thus enabled the publishers to create better, complete and more expensive databases. Book publishers almost certainly have a similar issue and while many of them may not know it yet, monograph collections are likely to look more like database products in five years than a collection of individual pdfs. In that database environment the publishers are going to want better metadata. In the effort to create better data publishers and librarians could collaborate.
(30)Thirdly the manner and method that characterizes the migration serials publishers made from print to database products should be instructive for monograph publishers. Earlier, I suggested - or predicted - monograph databases and here is where the lessons of the serials business could be most important and instructive.
Libraries want to buy books that are read and used, they want books that are cited and referenced and they want books that support the departments that they serve. As serials publishers recognized, better content and increased functionality drives usage and usage drives renewals and is likely to enable rising annual subscription prices. Publishers of monographs think in terms of one time sales but in a database world they need to be thinking of an integrated database of content that draws usage and is licensed annually.
The ISI citation index that measures the ‘importance’ of a serials title is one of the most important metrics in serials acquisition and it is likely that something similar will develop for monographs and/or monograph publishers. Monographs will be graded on their utility to researchers, academics and patrons and gone is the day that a book will sit unobtrusively on a shelf for years; moreover, gone is the day a book “sits” independently of all the other books.
Serials publishers/aggregators provide substantial value-add for the e-titles they provide in comparison with those delivered in the print world and product development hasn’t stopped. Recently Elsevier announced a ‘developer platform’ that allows third parties to build applications and services around the Elsevier journal content extending the value proposition to all Elsevier customers. These features represent some of the ideas monograph publishers should be considering as they make the transition to eBooks in the library segment.
‘Just-in-case’ purchasing has failed. To assume this model will transfer to eBooks is to ignore fundamentals. While the old monograph purchase model has collapsed there remain indications from ILL data that demand for certain monographs remains high. Even now, ILL data can and should be used by both libraries and publishers to better match demand with supply for print. As print demand spirals downward libraries and publishers should be sharing information to anticipate increases in demand and thus optimize the demand for these titles. Perhaps this effort could form the basis of greater cooperation in the larger question of the future of the monograph.
Fourth and last, smart publishers are going to think hard about some of the data about the lifetime cost of books presented in the report by Paul Courant. Publishers will need to copy serials publishers to significantly increase the value proposition of the content. To achieve this goal, publishers may determine that databases provide greater utility supporting deeper linking, citations and enabling annotations than selling titles one by one. A publisher in a position to collect and collate the reader experience - to collect the social ‘exhaust’ in the references, notes, citations, commentary. etc - will be able to build a stronger franchise with the library buyer. Enabling an ability to document the scholars’ interaction with books will serve to reinvent what the monograph represents to library patrons.
(31) Publishers have their work cut out for them assuming they view the library market as one they wish to invest in for the future. Given the long experience of monographs in the library segment their effort is long over due. John Sargent is right to ask “Is this a good model for us?” but libraries could also ask a similar question. (32) Publishers and libraries have an opportunity to build a new model and a better product and libraries are already moving toward their version. Will publishers join them?
(33) Thank you and I’ll take questions.
My thanks to Constance Malpas at OCLC who provided the initial inspiration for this presentation in her presentation to the RLG symposium which I attended in Chicago and later in email discussions between the two of us as I was putting my presentation together. Her influence is especially represented in the last section of this presentation.