Showing posts with label Access Copyright. Show all posts
Showing posts with label Access Copyright. Show all posts

Monday, January 20, 2014

MediaWeek (Vol 7, No 3): Canadian Copyright, Peer Review Challenge, Open Access Directive, Visual Storytelling + More

In an inevitable but still significant decision, The University of Toronto has declined to renew a controversial licensing deal with Access Copyright (Varsity):
“This is a significant victory that will save students over $1.5 million annually and is the result of a campaign led by students and faculty,” said Agnes So, vice-president, university affairs of the University of Toronto Students’ Union (UTSU). “I am glad that the University of Toronto has listened to our concerns and ended the collection of a fee that many students saw as a cash grab.”
In a press release, the university stated that it was unable to reach an agreement with Access Copyright at a price that was fair for the services the company provided. It cited changes in copyright regulation — including the alterations to the Copyright Act made in 2012, the Supreme Court’s expansive approach to fair dealing, changing technology, and increased availability of open access material — as reasons for why the price of the license was no longer fair. Other universities have decided to end their license with Access Copyright, including the University of British Columbia (UBC), Queen’s University, and York University. Access Copyright sued York in April 2013; the case is being closely watched across the education sector, as it is widely seen as the first real test of two competing interpretations of recent changes to the law.
Peeling back the peer review process: It just wasn't true.  (Guardian)
Suddenly a plethora of positive psychology books began to appear, written by eminent psychologists. There was Flow: The Psychology of Happiness by Mihaly Csizkszentmihalyi, who with Seligman is seen as the co-founder of the modern positive psychology movement; Authentic Happiness: Using the New Positive Psychology to Realise Your Potential for Lasting Fulfilment by Seligman himself. And of course Fredrickson's Positivity, approved by both Seligman and Csizkszentmihalyi. Each of them appeared to quote and promote one another, creating a virtuous circle of recommendation.
And these books were not only marketed like a previous generation of self-help manuals, they often shared the same style of cod-sagacious prose. "Positivity opens your mind naturally, like the water lily that opens with sunlight," writes Fredrickson in Positivity.
Then there was the lucrative lecture circuit. Both Seligman and Fredrickson are hired speakers. One website lists Seligman's booking fee at between $30,000 and $50,000 an engagement. In this new science of happiness, it seemed that all the leading proponents were happy.
But then Nick Brown started to ask questions.
Appropriations bill codifies Obama Administration Open Access directive (SPARC)
Progress toward making taxpayer-funded scientific research freely accessible in a digital environment was reached today with Congressional passage of the FY 2014 Omnibus Appropriations Bill.  The bill requires federal agencies under the Labor, Health and Human Services, and Education portion of the Omnibus bill with research budgets of $100 million or more to provide the public with online access to articles reporting on federally funded research no later than 12 months after publication in a peer-reviewed journal.
“This is an important step toward making federally funded scientific research available for everyone to use online at no cost,” said Heather Joseph, Executive Director of the Scholarly Publishing and Academic Resources Coalition (SPARC).  “We are indebted to the members of Congress who champion open access issues and worked tirelessly to ensure that this language was included in the Omnibus.  Without the strong leadership of the White House, Senator Harkin, Senator Cornyn, and others, this would not have been possible.”
The additional agencies covered would ensure that more than $31 billion of the total $60 billion annual U.S. investment in taxpayer-funded research is now openly accessible.
SPARC strongly supports the language in the Omnibus bill, which affirms the strong precedent set by the landmark NIH Public Access Policy, and more recently by the White House Office of Science and Technology Policy (OSTP) Directive on Public Access.  At the same time, SPARC is pressing for additional provisions to strengthen the language – many of which are contained in the Fair Access to Science and Technology Research (FASTR) Act – including requiring that articles are:
  • Available no later than six months after publication;
  • Available through a central repository similar to the National Institutes for Health’s (NIH) highly successful PubMed Central, a 2008 model that opened the gateway to the Human Genome Project and more recently the Brain Mapping Initiative.  These landmark programs demonstrate quite clearly how opening up access to taxpayer funded research can accelerate the pace of scientific discovery, lead to both innovative new treatments and technologies, and generate new jobs in key sectors of the economy; and
  • Provided in formats and under terms that ensure researchers have the ability to freely apply cutting-edge analysis tools and technologies to the full collection of digital articles resulting from public funding.
Scientific America: Open Access 2013

The Golden Age of Visual Story Telling (Psychology Today):
Considering most people today are too busy to read long articles anymore, do you think infographics could be a more efficient way for them to acquire information?
Infographics take advantage of our visual intelligence. So when they are done well they allow us to make sense of a large amount of information quickly. They can have real advantages over text. But writing is powerful in different ways. They are two different ways of conveying information and telling stories. One is not better than the other.

From Twitter
BBC News - Fridge sends spam emails as attack hits smart gadgets

Academic publishing: No peeking…

Wednesday, August 21, 2013

The Death of the Copyright Agency

The combined impacts of technology, legislation and judicial decisions on copyright licensing are beginning to show how rights licensing agencies are likely to face a difficult time extending their current business models in the future. In Canada, Access Copyright (AC) has struggled to impose a new pricing model on universities which accords a high per student fee for unlimited access for publisher content covered by an Access Copyright agreement. Since AC imposed their new model about two years ago, the agency has lost out in court over the concept of ‘fair dealing’, with the practical impact being, that universities are now requesting significant revision to their AC agreements. Led by the University of Toronto which has refused to renew their current agreement, academic libraries in Canada believe that their content rights under the court’s interpretation of ‘fair dealing’ are already broad based and that the universities do not require a license anywhere as expensive (and potentially limiting) as the license imposed by CA. As a result of these interpretations it is a widely held belief that CA faces a very difficult future given their main revenue model has been significantly undercut by the courts.

For an interesting review of the legal situation in Canada here is a quote from an interview with Prof Ariel Katz, Associate Professor at the Faculty of Law, University of Toronto:
So does Access Copyright still have a role to play with universities?

It’s not clear at all. For one thing, it’s not that Access Copyright offers a very generous license. Even though it’s now well established that fair dealing could have a generous application in education, fair dealing doesn’t cover everything, it’s not a carte blanche that allows the free copying of everything. Therefore, educational institutions may still need licenses for activities that go beyond the scope of fair dealing, and they have always been willing to pay a lot of money for such licenses. The problem is that Access Copyright’s licenses do not offer a generous license at all. In fact, the licenses they offer are very restrictive – you can copy no more than 10% of a work or a chapter from a book, and this permission comes not only with payments but also with many strings attached. In fact, many believe that what AC offers for a fee would very likely be considered fair dealing anyway.

Are there any universities still subscribing now?

Yes. About half of Canadian universities (outside Quebec, which has its own collective) are still licensees of AC. U of T and Western were the first to sign new licenses outside of the Copyright Board proceeding tariff, but to their credit they signed a short term license, which expires by the end of this year. Both of them announced that they would not renew it, but invited AC to negotiate a new license on more favorable terms. It’s still unknown whether AC can or will be willing to offer something that would be worth paying for.
Technology is also enabling a shift away from permissions based commerce as more and more content is made available via publisher’s electronic platforms. As these platforms become more sophisticated and comprehensive (as well as easy to use), libraries are able to provide immediate access to content for their academic patrons as part of their base subscriptions. Content on these platforms is then integrated into course management systems and other similar distribution vehicles directly to students. Where in the past fees for this use needed to be negotiated (and the content retrieved), we are increasingly seeing ‘all you can eat models’ which include course pack use, researcher access and on/off campus access to name only a few of the options. Where publishers include these additional rights in their platform agreements, they enable a more functional site for users and will potentially begin to reduce the amount of content fees generated by collecting agencies such as copyright clearance center (CCC) and others.

In the US, CCC is a more-broad based collecting agency with less reliance on the educational segment and the blanket license approach followed by the UK, Canada and elsewhere has not been widely adopted by US academic institutions. In the US, the impact of technology as described above is likely to eat away progressively at their model as publishers place more of their content in easily accessible locations. That said, CCC is unlikely to face the issues that AC and the UK and Australian agencies are currently facing.

In Australia, as documented by fellow traveler Peter Donoughue, similar issues surround the interpretation of ‘fair dealing’ and the elimination in Australia of the so-called statutory license governing academic use of publisher content. As Peter states:
The next five or so years will see most educational publishers sign tailored subscription-based licenses with tertiary institutions and premium school customers. They will have the option of using newly developed Copyright Agency voluntary licenses for the rest if that makes sense.

Under these emerging business models publishers will have the freedom to offer comprehensive content offerings - primarily digital but inclusive of print. And the schools will demand liberal free use provisions as part of the deal, particularly involving content distribution in the classroom. Remunerable 'multiple copying' will be a thing of the past and the concept itself deemed quaint.

Such arrangements are the mainstream future. As content goes digital, primary exploitations (formerly sales of books) and subsidiary 'bits and pieces' (eg photocopying) will collapse into comprehensive content offerings via licenses.
Peter does believe the Australia copyright agency (CAL) will be able to support a business in this new environment; however, he does note that pending legislation in Australia may halve the amounts collected under the current permissions based program. With much less money to go around it will create a challenging environment for any agency like CAL.

Earlier this month I attended a user group meeting for the library permissions tool “Heron” which is one of my Publishing Technology business units. Heron helps libraries manage their permissions reporting obligations to Copyright Licensing Agency (CLA) using PubTracker. Pubtracker is a simple tool which saves libraries days’ worth of time each month to compile content usage. At this meeting, there was a lot of discussion about the new CLA universal license which had recently been negotiated and agreed between CLA and academic libraries. Here the issue was less with the model and more about what was ultimately covered by this agreement. The view of most of the librarians in attendance was that CLA had misled the group with respect to the extent of content covered by the agreement. Indeed, most librarians believe the content covered was significantly less than the prior agreement with specific reductions in access to US based content. Some librarians were contemplating not signing this new agreement.

The UK Librarians were most angry about the impact the new limitations would have on their roles on campus. One librarian stated that they’ve been focused on educating lecturers about the appropriate use of content and to seek the right authorizations however; with the new CLA license they would be stuck trying to explain to a lecturer why last year authorization was available but this year it wasn’t (or was much harder to gain). They felt this would lead to more disobedience by lecturers. The crux of the issue is that US content may not be covered by the new CLA license and UK librarians will be forced to go directly to US publishers which almost by definition is a more cumbersome and frustrating process.

By far the most difficult situation is being faced by the Canadian Access Copyright office which has already downsized and faces stiff opposition from it’s’ user community. Other licensing agencies also face challenges related to technology advancement, legislation and judicial challenges, and as more and more content becomes digitally available, all these agencies will need to undergo comprehensive change in order to maintain their role and relevance. 
Whether the experience of AC is a trend setter is an open question but there is certain to be much more on this subject over the coming years.

Wednesday, July 25, 2012

Fair Dealing for Copyright in Canada

Copyright issues in Canada may not be top of most people's list of interesting news items but Canada may be on the cusp of legislating new copyright reforms and the reason may be a recent set of rulings from their supreme court.  The courts ruling covered several media formats and distribution methods and could generally be construed as a win for consumers.  That would be 'free-loaders' if you were of a certain group that saw the rulings as representing a way from consumers to make broader use of content without paying for it.  The details of the rulings make this conclusion less clear and the result maybe that the Canadian legislature may enact a new set of copyright rules by the end of the year.

The rulings covered music and educational materials (content) and centered on the issue of 'fair dealing' which equates to the US fair use doctrine and similarly requires a review of specific criteria to determine whether a use can be considered 'fair dealing' and thus is permitted.  From the ruling Judge Abella sets out this criteria:  (Corrected from Rothstein)
… the concept of fair dealing allows users to engage in some activities that might otherwise amount to copyright infringement.  The test for fair dealing was articulated in CCH as involving two steps.  The first is to determine whether the dealing is for the allowable purpose of “research or private study” under s. 29, “criticism or review” under s. 29.1, or “news reporting” under s. 29.2 of the Copyright Act.  The second step of CCH assesses whether the dealing is “fair”. The onus is on the person invoking “fair dealing” to satisfy all aspects of the test.  To assist in determining whether the dealing is “fair”, this Court set out a number of fairness factors: the purpose, character, and amount of the dealing; the existence of any alternatives to the dealing; the nature of the work; and the effect of the dealing on the work. 
In reviewing each of these fairness hurdles Abella offered several zingers and reading between the lines it doesn't seem there was much sympathy for the argument education publishers presented.  For example, in reviewing the 'purpose' factor he dismissed the reasoning that “private study” should not be understood as requiring users to view copyrighted works in splendid isolation (my italics) and that focusing on the 'geography' of teaching artificially separated the teacher from the studying students.  At issue is whether teachers can be separated from the students with respect to the use of the content and Judge Abella politely shoots this down saying that,
with respect, was a flawed approach.  First, unlike the single patron in CCH, teachers do not make multiple copies of the class set for their own use, they make them for the use of the students.   Moreover, as discussed in the companion case SOCAN v. Bell, the “amount” factor is not a quantitative assessment based on aggregate use, it is an examination of the proportion between the excerpted copy and the entire work, not the overall quantity of what is disseminated. 
Interesting that the Judge is suggesting it doesn't really matter how big the class is but rather the amount of material taken from the entire work which equates to the US concept of fair use.

In the press, the reaction to the set of decisions oscillated between 'free content' and 'the end of publishing'.  A point counter point ran in the Canadian Financial Post.  De Beer suggests that the ruling is not an assault on copyright (as his fellow FP columnist Corcoran comments) but rather an opportunity for innovation in education:
The education case that Financial Post editor Terence Corcoran calls an assault on copyright will drive innovation in classrooms across the country by providing necessary breathing room for teachers and students to deal fairly with copyright-protected materials. Schools will probably continue a trend that predates this decision by shifting away from collective blanket licences. But, where copying goes beyond validated fair dealings, institutions will instead choose market-oriented solutions like custom database subscriptions and direct licences on various terms from authors or publishers.
In my (biased) view, I thought the Judge's comments with respect to the 'alternatives to the dealing' argument presented by the publishers to be most interesting.
I also have difficulty with how the Board approached the “alternatives to the dealing” factor.  A dealing may be found to be less fair if there is a non-copyrighted equivalent of the work that could have been used, or if the dealing was not reasonably necessary to achieve the ultimate purpose (CCH, at para. 57).  The Board found that, while students were not expected to use only works in the public domain, the educational institutions had an alternative to photocopying textbooks: they could simply buy the original texts to distribute to each student or to place in the library for consultation
He goes on to suggest that buying books for the entire class when only a portion is needed is is not realistic,
Under the Board’s approach, schools would be required to buy sufficient copies for every student of every text, magazine and newspaper in Access Copyright’s repertoire that is relied on by a teacher.  This is a demonstrably unrealistic outcome. 
Here there may be some similarity to the recent Georgia case in the US where Judge Evans plainly stated that if a publisher's chapter is readily and easily available and the permission is set at a "reasonable price" then the law comes down on the publisher's side. Abella does not go this far; however, there's some logic in taking his argument down that path.  This may be consoling to Canadian rights holders if they are able to easily deliver the 'except' in question rather than the entire book.  On other words, if the precise excerpt was available and reasonably priced to the student could Abella's argument be as strong?

Lastly, Abella thought publishers argument regarding financial harm caused by teachers' photocopying spurious and pointed to many other macro issues impacting publishers fortunes such as, "the adoption of semester teaching, a decrease in registrations, the longer lifespan of textbooks, increased use of the Internet and other electronic tools, and more resource-based learning."

In his concluding comments, de Beer suggests that this ruling may undercut copyright agency's (such as Access Copyright) desire to license use on a universal basis. Similar arguments have been made by others to the extent that blanket agreements will be less viable options for most institutions and many education institutions will establish direct agreements with select publishers and for others will seek permission on an needed basis.  This point coincides with a substantial increase in the per head rate that Access Copyright rolled out to education institutions for universal access late last year the size of which was 'heavily debated' and will come as welcome news to many Provosts.

All interesting developments, but the most interesting outcome may concern the government's effort to reform Canadian copyright.  Given these rulings (not all covered here), content owners may be motivated to pressure the legislature to set rules more in their favor but that remains to be seen.

Sunday, May 20, 2012

MediaWeek (Vol 5, No 21): Internet Commons, Mass 'Professoriat", IP Markets, New ASCAP/BMI Model + More

In The Atlantic, Bill Davidow wonders whether like the sea, the internet will be 'over fished' (The Atlantic)
Free markets are the most efficient and best mechanism for managing most economic activity. But when they operate in arenas in which they can exploit the commons, the logic of the free market dictates that they will destroy it. Virtual retailers, for instance, live off their bricks-and-mortar brethren. They encourage customers to search for clothes that fit properly in retail stores that pay property taxes and other overhead costs, and then to buy them online. In the process, they get fat off the bricks-and-mortar commons.
One of the areas I see being chewed up at an alarming speed is privacy -- a vital aspect of our personal commons. We spend hours filtering out junk email, updating passwords, and worrying about stolen identity.
In the physical world, laws protect our privacy, and the cost of gaining access to us is high. (It costs a lot to send physical mail.) Physical spying is expensive. But in the virtual world, we have few property rights, few laws to protect us, and spying is almost free.
Give all the negative public relations that Elsevier has faced recently is a very different model on the horizon?  (The American Interest):
But the thought does occur to one: while it is relatively easy to see how public universities might want to support academic research in the natural sciences and economics, just how much do the taxpayers want to contribute toward the production of research of questionable utility in softer fields? And if the answer is, as I suspect it will increasingly be, that the taxpayers don’t want to shell out for these costs, how many fewer professors will our university systems employ?
It is much more fun to complain about the pirates of Elsevier than it is to think about the future of the mass professoriat, but I suspect that university faculties might soon find it necessary to adjust to a new set of public priorities. Fifteen years ago journalists thought that the internet wasn’t a serious issue for their field; today many of the journalists who once scoffed at the net are now unemployed.
A fascinating look at a new way to 'market' and trade intellectual property (Economist):
All of which makes this a good time to launch a new approach to trading intellectual property, says Gerard Pannekoek, the boss of IPXI, a new financial exchange that lets companies buy, sell and hedge patent rights, just like any other asset. The idea is to offer a patent or group of patents as “unit licence rights” (ULRs), which can be bought and sold like shares. A ULR grants a one-time right to use a particular technology in a single product: a new type of airbag sensor in a car, say. If a company wants to use the technology in 100,000 cars, it buys 100,000 ULRs at the market price. ULRs are also expected to be traded on secondary markets.
Capturing the 'data exhaust' from satellite transmissions to reinvent the way music royalties are made (WSJ):
So in 2009 , he and business partner and composer Chris Woods launched TuneSat, a startup that uses digital technology to monitor satellite TV signals from around the world and keep track of how music is being used in theme songs,  advertisements, background soundtracks and other broadcast situations. Schreer is CEO and Woods is COO of the company. The value of the new Big Data driven part of his business has the potential to eclipse revenue from the core business of composing and producing music.
Beyond that, they say TuneSat may help disrupt the performing rights business, an industry with $2 billion in revenue in U.S. and $9 billion worldwide, by putting powerful algorithms directly in the hands of copyright owners that allow them to scour and analyze the use of their work across the entire national TV market. A web-based application allows subscribers to access TuneSat’s servers and its proprietary analytic tools, in the process allowing them to bypass traditional royalty rights organizations, if they choose.
Stop sending free textbooks complains higher ed faculty (IHEd):
When I arrived at my office door one morning, arms full of books and lunch and workout clothes, and found my path blocked by an unsolicited box of books, the sales rep found my breaking point. I replied with a sharply but politely worded cease-and-desist message, making as clear as possible that I would disqualify unsolicited texts from consideration for adoption in our program because of my concern.

There are probably 50 pounds of never-requested and never-to-be-used textbooks in my office. I’d prefer 50 pounds of just about anything else. Fifty pounds of in-the-shell roasted peanuts to eat in my office; 50 pounds of water balloons to rain down on the heads of students who smoke under my frequently open office window.

Is the New York Public Library Seizing the Future or Renouncing Its Past?
Amazon consumer book reviews as reliable as media experts
University of British Columbia opts out of Access Copyright agreement  
Carlos Fuentes' Worldcat Identity page

Sunday, April 22, 2012

MediaWeek (Vol 5, No 17): Academic Publishing, Canadian Copyright, Linked Data + More

I was in London all week where I had a terrific London Book Fair and met many new publishers and partners which accounts for the lack of posts this week - even missed my weekly photo image.

Academic and Scientific publishing is still hitting the main stream news with little or no real counter pr campaign mounted by the publishers in question.  Elsevier is taking the brunt of the attention as in this article from the Observer on Sunday:
The most astonishing thing about this is not so much that it goes on, but that people have put up with it for so long. Talk to university librarians about extortionist journal subscriptions and mostly all you will get is a pained shrug. The librarians know it's a racket, but they feel powerless to act because if they refused to pay the monopoly rents then their academics – who, after all, are under the cosh of publish-or-perish mandates – would react furiously (and vituperatively). 
And as you might imagine there are many comments.

In an opinion piece the Economist also weighs in:
There are some hopeful signs. The British government plans to mandate open access to state-funded research. The Wellcome Trust, a medical charity that pumps more than £600m ($950m) a year into research, already requires open access within six months of publication, but the compliance rate is only 55%. The charity says it will “get tough” on scientists who publish in journals that restrict access, for example by withholding future grants, and is also launching its own open-access journal. In America, a recent attempt (backed by journal publishers) to strike down the existing requirement that research funded by the National Institutes of Health should be made available to all online has failed. That is good news, but the same requirement should now be extended to all federally funded research.

A little hysteria in the run up to London Book Fair from the Guardian:
It's not only new names commanding attention at this year's London Book Fair, a three-day event attended by over 24,000 publishing professionals from around the world, where rights in the hottest new books are bought and sold. Literary novelist William Boyd's take on the James Bond legend, announced last week, has already been sold to publishers in Germany and France, while agent Deborah Rogers has been signing deals left, right and centre for McEwan's latest. Set in 1972, Sweet Tooth is the story of Serena Frome, the daughter of an Anglican bishop, as she enters the intelligence service and falls for a promising young writer while on a mission. Out in the UK this summer, Rogers has already sold it to 14 other countries and promises this is "just the beginning". "It's only just come in and it's moving very quickly," she said. "A new Ian is always a very exciting moment."
There's been a copyright wrangle in Canada for the past 12 months or so which keeps percolating nicely (Canada.com):
The deal between the Association of Universities and Colleges Canada and Access Copyright, which collects money for copyright holders from such institutions as schools, libraries and businesses for the right to photocopy and distribute copyrighted works.
Under terms of a deal announced earlier this week, students could pay more than $25 per semester to access copyrighted materials. That's up from less than $4 a semester in 2010.
Under the former agreement, students were charged 10 cents per page for printed readings and similar works.
Nature have launched a linked data platform to aid searching over their 450,000 journal articles (Folio):
Essentially, this linked data platform connects publication dates and other features within manuscripts like institutions, journal titles, volumes, issues and authors. That creates what Wilde refers to as triples.
“A triple is an object, an assertion and a destination,” he says. “A subject, a predicate and an object are the official way of describing it. Many believe linked data itself is the next generation of the Internet and semantic Web—being able to understand and create links between information that may not necessarily be directly linked. For example you can say an article is written by me and via linked data you can find out what else I’ve done—you’re starting to create connections of information by how they relate to each other.”
In the Economist I found this interesting in how behavioral economics are being used in public policy
All this experimentation is yielding insights into which nudges give the biggest shove. One question is whether nudges can be designed to harness existing social norms. In Copenhagen Pelle Guldborg Hansen, founder of the Danish Nudging Network, a non-profit organisation, tested two potential “social nudges” in partnership with the local government, both using symbols to try to influence choices. In one trial, green arrows pointing to stairs were put next to railway-station escalators, in the hope of encouraging people to take the healthier option. This had almost no effect. The other experiment had a series of green footprints leading to rubbish bins. These signs reduced littering by 46% during a controlled experiment in which wrapped sweets were handed out. “There are no social norms about taking the stairs but there are about littering,” says Mr Hansen.
John Wiley is working with Blackboard to make the Wiley content available to Blackboard users as an integrated option (Press Release):
The field trial involves students, faculty and campus administrators across 42 courses at two and four-year higher education institutions in the U.S. and Canada. More than 50 instructors and 2,900 students have been providing ongoing feedback on their experience with the integration that significantly enhances the use of Wiley’s content within the Blackboard Learn™ platform.  Instructors have expressed great satisfaction with the integration, which lets them easily add digital content to their courses in Blackboard Learn and synchronize grades and other data from Wiley’s research-based, online teaching-and-learning-environment, WileyPLUS.  “I can set up my Blackboard class and integrate WileyPLUS assignment links with Blackboard tools, like discussion boards,” said Julie Porterfield, an Anatomy and Physiology instructor at Tulsa Community College. “Students can easily tell in what order they need to complete certain tasks and assignments. I have been using WileyPLUS for four years and so far, this semester is even more successful in terms of student use and tracking data.”
From Twitter:

Supreme Court to rule on “grey market” goods in books case

Not a good weekend in sports (and I was there to make it worse) MEM.

Monday, February 06, 2012

MediaWeek (Vol 5, No 6): Serendipity and the Internet, Facebook Users, Canadian Copyright Issues + More

Serendipity killed the Internet: Ian Leslie writing in More Intelligent Life
The word that best describes this subtle blend of chance and agency is “serendipity”. It was coined by Horace Walpole, man of letters and aristocratic dilettante. Writing to a friend in 1754, Walpole explained an unexpected discovery he had just made by reference to a Persian fairy tale, “The Three Princes of Serendip”. The princes, he told his correspondent, were “always making discoveries, by accidents and sagacity, of things which they were not in quest of…now do you understand Serendipity?” These days, we tend to associate serendipity with luck, and we neglect the sagacity. But some conditions are more conducive to accidental discovery than others.
Today’s world wide web has developed to organise, and make sense of, the exponential increase in information made available to everyone by the digital revolution, and it is amazingly good at doing so. If you are searching for something, you can find it online, and quickly. But a side-effect of this awesome efficiency may be a shrinking, rather than an expansion, of our horizons, because we are less likely to come across things we are not in quest of.
When the internet was new, its early enthusiasts hoped it would emulate the greatest serendipity machine ever invented: the city. The modern metropolis, as it arose in the 19th century, was also an attempt to organise an exponential increase, this one in population. Artists and writers saw it as a giant playground of discovery, teeming with surprise encounters. The flâneur was born: one who wanders the streets with purpose, but without a map.
Most city-dwellers aren’t flâneurs, however. In 1952 a French sociologist called Paul-Henry Chombart de Lauwe asked a student to keep a journal of her daily movements. When he mapped her paths onto a map of Paris he saw the emergence of a triangle, with vertices at her apartment, her university and the home of her piano teacher. Her movements, he said, illustrated “the narrowness of the real Paris in which each individual lives”
Interesting report from the Pew Internet that took a look at Facebook users.  From their summary:
The average Facebook user gets more from their friends on Facebook than they give to their friends. Why? Because of a segment of “power users,” who specialize in different Facebook activities and contribute much more than the typical user does.
The typical Facebook user in our sample was moderately active over our month of observation, in their tendency to send friend requests, add content, and “like” the content of their friends. However, a proportion of Facebook participants – ranging between 20% and 30% of users depending on the type of activity – were power users who performed these same activities at a much higher rate; daily or more than weekly. As a result of these power users, the average Facebook user receives friend requests, receives personal messages, is tagged in photos, and receives feedback in terms of “likes” at a higher frequency than they contribute. What’s more, power users tend to specialize. Some 43% of those in our sample were power users in at least one Facebook activity:  sending friend requests, pressing the like button, sending private messages, or tagging friends in photos. Only 5% of Facebook users were power users on all of these activities, 9% on three, and 11% on two. Because of these power users, and their tendency to specialize on specific Facebook activities, there is a consistent pattern in our sample where Facebook users across activities tend to receive more from friends than they give to others.  
  • On average, Facebook users in our sample get more friend requests than they make: 63% received at least one friend request during the period we studied, but only 40% made a friend request.
  • It is more common to be “liked” than to like others. The postings, uploads, and updates of Facebook users are liked – through the use of the “like” button – more often than these users like the contributions of others. Users in the sample pressed the like button next to friends’ content an average of 14 times per month and received feedback from friends in the form of a “like” 20 times per month.
  • On average, users receive more messages than they send. In the month of our analysis, users received an average of nearly 12 private messages, and sent nine.
  • People comment more often than they update their status. Users in our sample made an average of nine status updates or wall posts per month and contributed 21 comments.
  • People are tagged more in photos than they tag others. Some 35% of those in our sample were tagged in a photo, compared with just 12% who tagged a friend in a photo.
There's been a lot of controversy in Canada regarding proposed changes that the Canadian copyright clearance agency (Access Copyright) has imposed on copyright use.  After facing significant opposition to their new "all in" pricing model for universities, Access Copyright just announced the agreement of the University of Toronto and the University of Western Ontario to the new scheme.  While the agreement, based on a per student charge, is almost 50% less than the originally proposed rate it remains to be seen if this decrease will be enough to placate the other schools.  Opposition to the deal has already been voiced by the Canadian Association of Universtity Teachers (CAUT):
The Canadian Association of University Teachers is condemning an agreement two universities have made that allows for the surveillance of faculty correspondence, unjustified restriction to copyrighted works and more than a million-dollar increase in fees.

This week, the University of Western Ontario and the University of Toronto signed a deal with the licensing group Access Copyright that includes: provisions defining e-mailing hyperlinks as equivalent to photocopying a document; a flat fee of $27.50 for each full-time equivalent student; and, surveillance of academic staff email.

“Toronto’s and Western Ontario’s actions are inexplicable,” said James L. Turk, CAUT executive director. “They have buckled under to Access Copyright’s outrageous and unjustified demands at a time when courts have extended rights to use copyrighted material, better alternatives are becoming available to the services Access offers and just before the passage of new federal copyright legislation that provides additional protections for the educational sector”.

Turk also pointed out that the Supreme Court is set to clarify the educational use of copyrighted works in the coming months, clarifications that could undercut Access’s bargaining position. In contrast to Western Ontario and Toronto, many institutions have opted out of agreements with Access Copyright or are fighting its demands at the Copyright Board of Canada.

“These two universities threw in the towel on the copyright battle prematurely,” said Turk. “We call on other post-secondary institutions not to follow Toronto’s and Western Ontario’s example of capitulating to Access Copyright. It‘s time to stand up for the right to fair and reasonable access to copyrighted works for educational purposes”.
In the telegraph a look at 'vanity' magazine publishing impresses Thomas Marks (Telegraph):
Small magazines are proliferating in London. Steven Watson, the founder of the innovative subscription service Stack – which transfers the lucky-dip principle of the vegetable box to the delivery of independent magazines – speaks enthusiastically about the quality of their production values and content. There is The Ride Journal, freewheeling its way through cycle culture, Boat Magazine, a nomadic publication that relocates to a different city every six months, the offbeat fashion journal Address, the creative film criticism of Little White Lies. While many industry leaders are struggling for subscriptions and advertising revenue, their former readers have started generating editorial content for themselves.
No doubt some of these publications trade on their hipness and many flash and fade after a handful of issues. But they have an energy that raises them well beyond vanity projects: they begin like apprenticeships but the best evolve into impressive small enterprises. Nevertheless, there remains a certain amount of gratifying amateurishness involved: Scott and Smith describe lugging sale-or-return copies of Lost in London around London in a rucksack. Many writers and photographers relish the chance to take the imaginative risks they often avoid when they’re being remunerated – so long as they can find paid work elsewhere. 
From the Twitter:

Flow of venture capital into K-12 market exploded over the past year EdWeek

Utah is working on free online textbooks for high school

Opening the book conference to people who buy books. Finally, (well, 2013) - BookExpo for the readers.

Scientific publishing: The price of information

In sports, ManUtd fought back from three goals down to draw at Chelsea. (MEN)